Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)
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Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)

A lot can go wrong when a performer endeavors outside of the group that made their career. In the case of BTS baritone V, a lot can go right, as well.

“Layover,” the first solo album from V, is moody, smooth alt-R&B, a collection of songs that feels true to the performer — and offers a glimpse into his oft-considered mysterious interiority.

First came the two singles, the bilingual “Love Me Again” and “Rainy Days” — the former, languid pop with V’s voice high in the mix, the latter, a syrupy, lo-fi post-breakup ballad. “Blue” and “For Us” connect the two. “Slow Dancing” is a standout, with its impromptu flute solo at the song’s coda.

“Layover” is V’s first solo album, but BTS ARMY know this is in no way his first solo experience: he’s released a few with the band, including 2016’s “Stigma” and 2020’s “Inner Child.”

But it is “Singularity,” V’s opening cut from BTS’s 2018 album “Love Yourself: Tear,” that stands out. “The illusions that torture me are still the same,” V sings. “Did I lose myself, or did I gain you?”

At the time, critics theorized that V was referencing the Greek myth of Narcissus — it certainly wouldn’t be the first time this K-pop group pulled out an academic reference point — but all seemed to agree that when given the opportunity to perform on his own, V has a particular musical magic, a kind of soulful, sensual approach to R&B. Where harmonies dominate, his husky tone cuts through, demanding attention. In that way, “Singularity” is the antecedent of “Layover.”

Historically, when an artist goes solo, it is symbolic of a new chapter. Maybe it’s a boy band member leaving to become a man-musician, individuating beyond the support network that built them, not unlike a child leaving home in young adulthood. Maybe it’s a cry for creative freedom — to no longer feel their identity is tied to their fellow performers.

But the members of BTS, history-makers and record-breakers that they are, offer an alternative. They’re not on hiatus; nor have they broken up. While its seven members take turns fulfilling South Korea’s mandatory military service (Jin and J-hope have enlisted; Suga has begun the process) the others will release their own individual records, allowing fans to spend more time with them in the process.

In the case of V, it’s an opportunity to experiment — and it’s yielding great results.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."