Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)
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Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)

A lot can go wrong when a performer endeavors outside of the group that made their career. In the case of BTS baritone V, a lot can go right, as well.

“Layover,” the first solo album from V, is moody, smooth alt-R&B, a collection of songs that feels true to the performer — and offers a glimpse into his oft-considered mysterious interiority.

First came the two singles, the bilingual “Love Me Again” and “Rainy Days” — the former, languid pop with V’s voice high in the mix, the latter, a syrupy, lo-fi post-breakup ballad. “Blue” and “For Us” connect the two. “Slow Dancing” is a standout, with its impromptu flute solo at the song’s coda.

“Layover” is V’s first solo album, but BTS ARMY know this is in no way his first solo experience: he’s released a few with the band, including 2016’s “Stigma” and 2020’s “Inner Child.”

But it is “Singularity,” V’s opening cut from BTS’s 2018 album “Love Yourself: Tear,” that stands out. “The illusions that torture me are still the same,” V sings. “Did I lose myself, or did I gain you?”

At the time, critics theorized that V was referencing the Greek myth of Narcissus — it certainly wouldn’t be the first time this K-pop group pulled out an academic reference point — but all seemed to agree that when given the opportunity to perform on his own, V has a particular musical magic, a kind of soulful, sensual approach to R&B. Where harmonies dominate, his husky tone cuts through, demanding attention. In that way, “Singularity” is the antecedent of “Layover.”

Historically, when an artist goes solo, it is symbolic of a new chapter. Maybe it’s a boy band member leaving to become a man-musician, individuating beyond the support network that built them, not unlike a child leaving home in young adulthood. Maybe it’s a cry for creative freedom — to no longer feel their identity is tied to their fellow performers.

But the members of BTS, history-makers and record-breakers that they are, offer an alternative. They’re not on hiatus; nor have they broken up. While its seven members take turns fulfilling South Korea’s mandatory military service (Jin and J-hope have enlisted; Suga has begun the process) the others will release their own individual records, allowing fans to spend more time with them in the process.

In the case of V, it’s an opportunity to experiment — and it’s yielding great results.



Brazilian Judge Orders Adele Song Removed over Plagiarism Claim

British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
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Brazilian Judge Orders Adele Song Removed over Plagiarism Claim

British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)

A judge in Rio de Janeiro has ordered the global removal of a 2015 song by British singer Adele due to a plagiarism claim by a Brazilian musician, which Universal Music is fighting on appeal. The ruling, made public on Monday, came in a case filed this year by Toninho Geraes, whose compositions were made famous by some of Brazil's most acclaimed samba singers.

Geraes accused Adele of copying his song "Mulheres", a national hit since the 1990s. His lawyers uploaded to YouTube a comparison of that song and Adele's "Million Years Ago".

"The ruling shows that the Brazilian justice system is strong and that injuries to Brazilian artists won't be ignored," said Fredimio Biasotto Trotta, a lawyer for Geraes.

The decision orders Sony Music Entertainment and Universal Music to immediately cease "using, reproducing, editing, distributing, or commercializing" the song by any means on streaming or sharing platforms, without Geraes' consent. It set a fine of 50,000 reais ($8,080.94) if the companies fail to comply with the order.

The Berne Convention, an international treaty, orders other signatory countries, including the US, to comply with legal decisions regarding copyright, Trotta said.

Geraes' lawyers are now notifying streaming services, such as Spotify and Deezer, to withdraw the song in Brazil and globally. On Wednesday morning, the song was still widely available.

Universal appealed the decision on Tuesday, arguing there was no plagiarism, only an "accidental melodic similarity" due to the use of "musical clichés."

Both Adele and Geraes have contracts with Universal, but the Brazilian musician has been trying to terminate his contract with the company due to his plagiarism claim, his lawyer said.

"I felt very disrespected," Geraes told Reuters. He is asking the courts for compensation of more than $150,000. Lawyers representing Universal Music declined to comment, and Sony Music did not immediately reply to a request for comment.

Geraes learned of the similarities between the two songs after a friend, who is also a composer, heard Adele's "Million Years Ago" at a party in 2021.