Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)
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Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)

A lot can go wrong when a performer endeavors outside of the group that made their career. In the case of BTS baritone V, a lot can go right, as well.

“Layover,” the first solo album from V, is moody, smooth alt-R&B, a collection of songs that feels true to the performer — and offers a glimpse into his oft-considered mysterious interiority.

First came the two singles, the bilingual “Love Me Again” and “Rainy Days” — the former, languid pop with V’s voice high in the mix, the latter, a syrupy, lo-fi post-breakup ballad. “Blue” and “For Us” connect the two. “Slow Dancing” is a standout, with its impromptu flute solo at the song’s coda.

“Layover” is V’s first solo album, but BTS ARMY know this is in no way his first solo experience: he’s released a few with the band, including 2016’s “Stigma” and 2020’s “Inner Child.”

But it is “Singularity,” V’s opening cut from BTS’s 2018 album “Love Yourself: Tear,” that stands out. “The illusions that torture me are still the same,” V sings. “Did I lose myself, or did I gain you?”

At the time, critics theorized that V was referencing the Greek myth of Narcissus — it certainly wouldn’t be the first time this K-pop group pulled out an academic reference point — but all seemed to agree that when given the opportunity to perform on his own, V has a particular musical magic, a kind of soulful, sensual approach to R&B. Where harmonies dominate, his husky tone cuts through, demanding attention. In that way, “Singularity” is the antecedent of “Layover.”

Historically, when an artist goes solo, it is symbolic of a new chapter. Maybe it’s a boy band member leaving to become a man-musician, individuating beyond the support network that built them, not unlike a child leaving home in young adulthood. Maybe it’s a cry for creative freedom — to no longer feel their identity is tied to their fellow performers.

But the members of BTS, history-makers and record-breakers that they are, offer an alternative. They’re not on hiatus; nor have they broken up. While its seven members take turns fulfilling South Korea’s mandatory military service (Jin and J-hope have enlisted; Suga has begun the process) the others will release their own individual records, allowing fans to spend more time with them in the process.

In the case of V, it’s an opportunity to experiment — and it’s yielding great results.



‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
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‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)

The cast of the film “The Brutalist” is giving their director Brady Corbet all the credit when it comes to the strong acclaim for the movie.

“He's a special filmmaker because he focuses on psychology and behavior and those things that we as actors are genuinely interested in,” said Guy Pearce, who plays wealthy industrialist Harrison Lee Van Buren.

“So, it was a real treat from start to finish,” he added.

The movie is an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States, and stars Oscar-winner Adrien Brody in the leading role of the architect Laszlo Toth.

"The Brutalist", which has a three-hour and 35-minute runtime and comes with a 15-minute intermission, was co-written by Corbet's wife, Mona Fastvold.

It was successful at the Venice International Film Festival earlier this year, with Corbet winning the best director prize.

The film, distributed by A24, arrives in movie theaters on Dec. 20 in the United States.

Brody, who had read the script nearly six years ago, expressed his deep connection to the story and his character through both his Hungarian-born mother and grandfather.

“Her [his mother’s] journey as an artist, her pursuits as an artist are deeply profound and linked to this,” he said.

For Brody, the role connected him with his mother’s yearning to leave something of great meaning behind, which was enhanced when contrasted with an understanding of hardship.

He also thought of his own grandfather's struggles with language and assimilation as a foreigner without work opportunities or respect.

“That (respect) was lost and taken from him,” Brody added.

His grandfather, fleeing from home due to the war, largely shaped the actor’s perspective of his role.

For “The Theory of Everything” actress Felicity Jones, who portrays Toth’s wife in the film, Erzsebet Toth, some of the most compelling aspects of the film are its characters and unique storytelling style.

“These characters, particularly Laszlo and Erzsebet, you know, they're doing everything they can to preserve their integrity and their self-worth,” she said.

Brody was recently nominated for a Golden Globe for best performance for a male actor in a motion picture drama and is receiving Oscar buzz for his role.

For “The Pianist” actor, having a strong team was key to the power of the film.

“In order to do work on this level, you need all of those to conspire with you and not against you,” Brody said.