Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)
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Music Review: BTS Baritone V Makes a Smooth Alt-R&B Landing on ‘Layover,’ His First Solo Album

This cover image released by BigHit Music shows "Layover" by V. (AP)
This cover image released by BigHit Music shows "Layover" by V. (AP)

A lot can go wrong when a performer endeavors outside of the group that made their career. In the case of BTS baritone V, a lot can go right, as well.

“Layover,” the first solo album from V, is moody, smooth alt-R&B, a collection of songs that feels true to the performer — and offers a glimpse into his oft-considered mysterious interiority.

First came the two singles, the bilingual “Love Me Again” and “Rainy Days” — the former, languid pop with V’s voice high in the mix, the latter, a syrupy, lo-fi post-breakup ballad. “Blue” and “For Us” connect the two. “Slow Dancing” is a standout, with its impromptu flute solo at the song’s coda.

“Layover” is V’s first solo album, but BTS ARMY know this is in no way his first solo experience: he’s released a few with the band, including 2016’s “Stigma” and 2020’s “Inner Child.”

But it is “Singularity,” V’s opening cut from BTS’s 2018 album “Love Yourself: Tear,” that stands out. “The illusions that torture me are still the same,” V sings. “Did I lose myself, or did I gain you?”

At the time, critics theorized that V was referencing the Greek myth of Narcissus — it certainly wouldn’t be the first time this K-pop group pulled out an academic reference point — but all seemed to agree that when given the opportunity to perform on his own, V has a particular musical magic, a kind of soulful, sensual approach to R&B. Where harmonies dominate, his husky tone cuts through, demanding attention. In that way, “Singularity” is the antecedent of “Layover.”

Historically, when an artist goes solo, it is symbolic of a new chapter. Maybe it’s a boy band member leaving to become a man-musician, individuating beyond the support network that built them, not unlike a child leaving home in young adulthood. Maybe it’s a cry for creative freedom — to no longer feel their identity is tied to their fellow performers.

But the members of BTS, history-makers and record-breakers that they are, offer an alternative. They’re not on hiatus; nor have they broken up. While its seven members take turns fulfilling South Korea’s mandatory military service (Jin and J-hope have enlisted; Suga has begun the process) the others will release their own individual records, allowing fans to spend more time with them in the process.

In the case of V, it’s an opportunity to experiment — and it’s yielding great results.



Tom Cruise, Superman and 'Avatar' Hold Keys to 2025 Box Office

FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024.  Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024. Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
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Tom Cruise, Superman and 'Avatar' Hold Keys to 2025 Box Office

FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024.  Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024. Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo

Tom Cruise takes on what may be his final "Mission: Impossible," a new Superman will wear the red cape, and the record-setting "Avatar" sci-fi series will return to movie theaters this year.
Those films and more are giving cinema operators hope that the long recovery from the COVID-19 pandemic will continue in 2025. Five years after the start of the health crisis, moviegoing has not fully rebounded.
Box office receipts totaled $8.6 billion last year in the United States and Canada, 25% below the pre-pandemic heights of $11.4 billion in 2019, Reuters reported.
The film industry was disrupted again in 2023 when Hollywood writers and actors went on strike.
"That complex matrix of filmmaking, where everyone wants the best talent and the best actors and the best sets, it takes a long time to get that running again," said Tim Richards, founder and CEO of Europe's Vue Cinemas. "2025 is going to feel the tail end of that."
Top names in the movie business will gather at the annual CinemaCon convention in Las Vegas early next month to talk about the state of the industry.
The conference draws executives from Hollywood studios and multiplex operators such as AMC Entertainment, Cinemark and Cineworld as well as owners of single theaters in small towns.
At the Academy Awards this month, "Anora" filmmaker and best director winner Sean Baker delivered a "battle cry" for filmmakers, distributors and audiences to support theaters.
"The theater-going experience is under threat," he said, noting that the number of screens shrunk during the pandemic.
"If we don't reverse this trend, we'll be losing a vital part of our culture," Baker added.
Shawn Robbins, Director of Movie Analytics at Fandango and founder and owner of Box Office Theory, said the movie business was adjusting to "a new normal."
"Event movies are increasingly drivers of the business," Robbins said. "There's even more weight on their shoulders in terms of box office dollars."
Moviegoers still turn out for big-budget films, Robbins said, but have shown they are happy to wait to watch others at home.
"It is very common knowledge that a lot of movies will be available to stream within three to eight weeks, whereas it used to be a minimum of three months," he said.
'AVATAR' AS TIPPING POINT?
Among the big hitters coming to theaters this year are "Mission: Impossible - The Final Reckoning," a movie that may be Cruise's last appearance in the long-running action franchise. "One last time," he says in the trailer. The film will debut over the US Memorial Day weekend in May, along with Walt Disney's live-action version of animated classic "Lilo & Stitch."
Brad Pitt plays a Formula 1 driver in the June release "F1," and in July, Warner Bros will release its new "Superman" movie directed by "Guardians of the Galaxy" filmmaker James Gunn and starring David Corenswet.
From Marvel, the anti-hero team "Thunderbolts" will kick off the summer moviegoing season in early May, followed by "The Fantastic Four" in late July.
Around the November and December holidays, offerings include the second part of musical box office phenomenon "Wicked," animated sequel "Zootopia 2" and "Avatar: Fire and Ash," the third film in James Cameron's "Avatar" series. The first "Avatar" is the highest-grossing movie of all time, and the second movie ranks third.
Robbins projected 2025 would end with a slight increase in domestic box office receipts compared with last year, "maybe flirting with $9 billion." He said it is unclear when ticket sales will return to pre-pandemic levels.
Richards said he believed the new "Avatar" would kick off "an extraordinary three to five years" for cinemas.
"We're going to see (Avatar) as the tipping point," Richards said. "2026 has got an extraordinary number of great films."