Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
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Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP

Director Alexander Payne has entered the Oscars hunt with his new film "The Holdovers," a poignant 1970s-set dramedy about a cantankerous prep school teacher and a troubled student that screened Monday at the Toronto film festival.

The film reunites Payne with his "Sideways" star Paul Giamatti, who plays the surly Paul Hunham, who grumbles through his lessons on ancient civilizations and has no qualms about failing students who think their wealth should be able to buy good grades, said AFP.

Hunham is forced to remain at the New England school over the Christmas break to supervise a handful of students who cannot go home. Eventually, he is left with just one 'holdover': Angus (newcomer Dominic Sessa), who is navigating family issues.

The pair -- along with cafeteria manager Mary (Da'Vine Joy Randolph), whose son was killed in Vietnam -- build their own unlikely family over the course of the school holiday.

Payne lamented that his stars and writer David Hemingson could not be at the Toronto screening, which followed the film's world premiere at the Telluride festival 10 days ago in Colorado, because of the ongoing double strike in Hollywood.

"Unlike musicians and stage actors, in film, we don't get to have that immediacy of communication between us and the audience," Payne told spectators at the Princess of Wales theater in Toronto.

"The only place we can kind of get close to that is at a fresh festival audience, and they're sadly being deprived of that."

Payne reserved particular praise for Sessa, who was recruited at Deerfield Academy, one of the boarding schools in Massachusetts where the film was shot.

Though Sessa was the star of the drama club, "he'd never been in front of a camera," Payne told filmgoers in the post-screening question and answer session.

"To go toe-to-toe, head-to-head with Paul Giamatti in his first-ever film is really something to watch."

The Toronto International Film Festival (TIFF) is a key part of the fall festival lineup, along with Venice and Telluride. Movies hoping to build early Oscars momentum typically hold premieres at one or several of the major industry events.

TIFF's annual People's Choice Award has become an increasingly accurate Academy Awards bellwether, predicting eventual best picture winners such as "Nomadland" and "Green Book."

But the festival in Toronto, the biggest in North America, is unfolding against the backdrop of the twin strikes by Hollywood actors and writers, meaning many of them cannot promote their work if it was produced under the auspices of a major studio.

The actors and writers are striking over pay, the threat posed by artificial intelligence and other work conditions.

Awards prediction site Gold Derby lists "The Holdovers" among the early top contenders for best picture, best director and best original screenplay, as well as best actor for Giamatti and best supporting actress for Randolph.

The 62-year-old Payne is a seven-time Oscar nominee, and has won twice -- both times for best adapted screenplay, for "Sideways" and "The Descendants."

"The Holdovers" opens in US theaters in November.

TIFF runs through September 17.



Tim Cook and Rebecca Ferguson Announce New 'Silo' Seasons from the Show's Set

CEO of Apple Tim Cook gives a presentation as Apple holds an event at the Steve Jobs Theater on its campus in Cupertino, California, U.S. September 9, 2024. REUTERS/Manuel Orbegozo/ File Photo
CEO of Apple Tim Cook gives a presentation as Apple holds an event at the Steve Jobs Theater on its campus in Cupertino, California, U.S. September 9, 2024. REUTERS/Manuel Orbegozo/ File Photo
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Tim Cook and Rebecca Ferguson Announce New 'Silo' Seasons from the Show's Set

CEO of Apple Tim Cook gives a presentation as Apple holds an event at the Steve Jobs Theater on its campus in Cupertino, California, U.S. September 9, 2024. REUTERS/Manuel Orbegozo/ File Photo
CEO of Apple Tim Cook gives a presentation as Apple holds an event at the Steve Jobs Theater on its campus in Cupertino, California, U.S. September 9, 2024. REUTERS/Manuel Orbegozo/ File Photo

Sci-fi series "Silo" will return for two more seasons, with the third chapter already shooting in the UK.

Apple CEO Tim Cook joined the series' star and executive producer Rebecca Ferguson on the sprawling "Silo" set at Hoddesdon Studios outside London to make the announcement.

"We feel great about it. We could not be more pleased. We're already filming season three," Cook told Reuters in an interview in the show's Silo 18 cafeteria, Reuters reported

"We get to walk around these environments again under new circumstances, new threats," added Ferguson. "We're back on the show and it's tense, it's wonderful and it's mysterious."

The dystopian drama is based on American author Hugh Howey's "Silo" book trilogy and is set deep underground, where the last remaining people have been sheltering for hundreds of years from what they are told is a toxic environment on the surface of the Earth.

Ferguson plays engineer Juliette, whose suspicions are aroused when she seeks answers to a loved one's death, and she becomes determined to expose the secrets of the silo. Season one ended with Juliette stepping outside of Silo 18 and the second season, currently streaming on Apple TV+, sees her world upended.

The fourth season will conclude the series, the makers said.

Five years on from the launch of Apple TV+ in November 2019, Cook said he considered the service to be "successful by any measure".

"Like the rest of Apple, we're about being the best, not producing the most," said Cook.

"We're focusing on the best quality, with the best storytellers, all original. We think 'Silo' is a fantastic example of that and of course the UK is a great place for storytellers and it's a place where people want to work, and so we're doing a lot in the UK," he said.

New episodes of the 10-part "Silo" season two are released weekly, with the show's finale premiering Jan. 17.