'Game of Thrones' Creator and Other Authors Sue ChatGPT-maker OpenAI for Copyright Infringement

George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
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'Game of Thrones' Creator and Other Authors Sue ChatGPT-maker OpenAI for Copyright Infringement

George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP

John Grisham, Jodi Picoult and George R.R. Martin are among 17 authors suing OpenAI for “systematic theft on a mass scale,” the latest in a wave of legal action by writers concerned that artificial intelligence programs are using their copyrighted works without permission.
In papers filed Tuesday in federal court in New York, the authors alleged “flagrant and harmful infringements of plaintiffs’ registered copyrights” and called the ChatGPT program a “massive commercial enterprise” that is reliant upon “systematic theft on a mass scale”, The Associated Press said.
The suit was organized by the Authors Guild and also includes David Baldacci, Sylvia Day, Jonathan Franzen and Elin Hilderbrand among others.
“It is imperative that we stop this theft in its tracks or we will destroy our incredible literary culture, which feeds many other creative industries in the US," Authors Guild CEO Mary Rasenberger said in a statement. “Great books are generally written by those who spend their careers and, indeed, their lives, learning and perfecting their crafts. To preserve our literature, authors must have the ability to control if and how their works are used by generative AI.”
The lawsuit cites specific ChatGPT searches for each author, such as one for Martin that alleges the program generated “an infringing, unauthorized, and detailed outline for a prequel" to “A Game of Thrones” that was titled “A Dawn of Direwolves” and used “the same characters from Martin’s existing books in the series “A Song of Ice and Fire.”
In a statement Wednesday, an OpenAI spokesperson said that the company respects “the rights of writers and authors, and believes they should benefit from AI technology.
“We’re having productive conversations with many creators around the world, including the Authors Guild, and have been working cooperatively to understand and discuss their concerns about AI. We’re optimistic we will continue to find mutually beneficial ways to work together to help people utilize new technology in a rich content ecosystem,” the statement reads.
Earlier this month, a handful of authors that included Michael Chabon and David Henry Hwang sued OpenAI in San Francisco for “clear infringement of intellectual property.”
In August, OpenAI asked a federal judge in California to dismiss two similar lawsuits, one involving comedian Sarah Silverman and another from author Paul Tremblay. In a court filing, OpenAI said the claims “misconceive the scope of copyright, failing to take into account the limitations and exceptions (including fair use) that properly leave room for innovations like the large language models now at the forefront of artificial intelligence.”
Author objections to AI have helped lead Amazon.com, the country's largest book retailer, to change its policies on e-books. The online giant is now asking writers who want to publish through its Kindle Direct Program to notify Amazon in advance that they are including AI-generated material. Amazon is also limiting authors to three new self-published books on Kindle Direct per day, an effort to restrict the proliferation of AI texts.



Voice of 'The Lion King' Returns for Disney Prequel

Lebo M's voice soundtracked the opening to Disney's classic film "The Lion King" - AFP
Lebo M's voice soundtracked the opening to Disney's classic film "The Lion King" - AFP
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Voice of 'The Lion King' Returns for Disney Prequel

Lebo M's voice soundtracked the opening to Disney's classic film "The Lion King" - AFP
Lebo M's voice soundtracked the opening to Disney's classic film "The Lion King" - AFP

Born into poverty in apartheid-era South Africa and propelled to Hollywood heights, Lebohang Morake became the voice of Disney's classic film "The Lion King" with his powerful Zulu cry.

Now, 30 years after his chant of "Nants' Ingonyama" soared above the film's memorable opening sequence, the 60-year-old South African singer, producer and composer known as Lebo M is back.

This time he sings another opener for the prequel "Mufasa: The Lion King", which tells the story of orphaned lion Mufasa who grows up to be the king of the Pride Lands and the father of Simba.

Lin-Manuel Miranda, who wrote the music for the film -- due to be released worldwide on December 18-20 -- said on the red carpet he would not have done it without Lebo M, AFP reported.
"That was the dream. I sort of insisted on that the moment I took the job because I think he is the secret sauce," he said at the world premiere in Los Angeles this week.

"I think he is the sound of 'The Lion King' and his choral arrangements, that were in addition to the songs I wrote, I think really make the movie feel of a piece with the original," he added.

The film, directed by Barry Jenkins, premiered in Los Angeles and London this week and opens with Lebo M's composition "Ngomso".

After the enormous impact of his work on the 1994 film, Lebo M told AFP in an interview he had felt the pressure to produce a worthy successor.

"I loved writing the first opening... but having to write and perform a new opening for 'The Lion King' after 30 years... it's quite a big challenge," he said.

In the end, he said, writing "Ngomso" turned out to be a remarkably similar process.

Lebo M produced and composed for the 2010 football World Cup opening and closing ceremonies in South Africa

The "Nants' Ingonyama" cry heard at the start of the "Circle of Life" song in the earlier film, he said, had been a demo for which he simply turned up, performed and left without expecting much to come of it.

Three decades later, he arrived at the studio early in the morning and just started making music "with a hi-hat (cymbals) and a bongo".

"By the time the director and everyone else came in at 11 am I'd written the entire song."

He said committing to the film had the advantage of allowing him to finally work with Miranda, something he had been keen to do for many years.

"It's just amazing energy non-stop. Very little discussion about these chords, this melody. We do! Just go in and everything flows... it allowed us to both to be very, very authentic to the movie," he said.

Born in Soweto in South Africa in 1964, Lebo M has built a reputation as the go-to artist for directors wanting authentic African flair for their productions.

He produced and composed for the 2010 football World Cup opening and closing ceremonies in South Africa.

A long creative association with composer Hans Zimmer, who has written the music for more than 150 films, has seen him feature as a special guest on all Zimmer's world tours.

But success was hard won with low points including racism he experienced, including in the entertainment industry, and two years living on the streets in Los Angeles in the mid-1980s.

"I'm constantly conscious of the fact that I'm a refugee, I'm non-American," he said.

"It was very difficult when Lion King became big in 1994. It was always about the three white guys, Elton John, Tim Rice and Hans Zimmer.

"Being born into extreme poverty was never here or there for me. I had music," he said, adding that as a teenager he had the choice of being a "gangster, a soccer player or the nerd".

This meant immersing himself in music and the arts and by the age of just 14 he was the youngest nightclub singer in South Africa.

Despite an illustrious career, Lebo M said he still bears the scars of the years when he was homeless.

"I've been in survival mode all the way.... Even with the perception of success that one is believed to have, it's still survival mode," he said.

He believes, however, that the US entertainment industry allowed him to "flourish more than I think I would have flourished anywhere else in the world".

After decades mostly behind the scenes, he said he is finally ready to meet his audience with his first of a series of concerts scheduled for next April in South Africa.

"I'm ready because I know there's anticipation in a global audience that would like to experience Lebo M live, not as a guest, not through movies," he said.

"And I also would like to experience that," he added.