Movie Review: St4llone, St4tham Are Back in ‘Expend4bles,’ Yet Another Expend4ble Sequel

 This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
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Movie Review: St4llone, St4tham Are Back in ‘Expend4bles,’ Yet Another Expend4ble Sequel

 This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)
This image released by Lionsgate shows Sylvester Stallone in a scene from "The Expend4bles." (Lionsgate via AP)

It’s a throwaway line, but maybe a bit too meaningful, under the circumstances. “Gravity is setting in,” says Barney, Sylvester Stallone’s aging character in “Expend4bles,” when someone asks how he’s doing.

Indeed. Gravity is setting in throughout “Expend4bles,” a movie whose most enticing mystery is not the secret identity of its shadowy villain, but how you pronounce the film’s title. Are we supposed to enunciate the mid-word numeral, or is it merely visual? Is this what stands for a smart new spin on a tired franchise? Will we soon have “My Big F4t Greek Wedding”? Are these questions supposed to distract us from how stunningly mediocre the film is?

Perhaps we digress. This is, obviously, the fourth “Expendables” film, but our considered scientific opinion is that you needn’t see the first three to catch up. True, there’s no explanatory intro, but if you’ve seen earlier “Expendables” films, you’ll know there’s not much to know. These guys are the indestructible mercenaries who swoop in – literally, on Barney’s turboprop plane – to do dirty work in miserable places. The body count is head-spinningly high (this film, directed by Scott Waugh, returns to an R rating after a switch to PG-13 for the last installment). The dialogue is head-spinningly mundane. The flow of testosterone is, well, head-spinning.

Leading the pack, as ever, is Stallone’s Barney Ross and his expert knife-wielding best bud, Lee Christmas — Jason Statham, reveling in his Cockney charm and smiling more than usual. (This is not a bad thing. Statham has a nice smile. This may be the only good thing.) Also back are Dolph Lundgren’s Gunner and Randy Couture’s Toll Road.

And now, perhaps in a nod to the previously unrecognized fact that half the human race is female, we have Megan Fox as mercenary leader Gina. More on her in a bit. Also providing new blood is Andy Garcia as a prickly CIA handler, Curtis “50 Cent” Jackson as an ex-Marine and new team member, and two martial arts stars: Iko Uwais as ruthless arms dealer Rahmat, and Tony Jaa as quiet warrior Decha. Other additions: Jacob Scipio is the son of Antonio Banderas’ character from the last film, and Levy Tran is a new female teammate, adept with a whip chain.

Got all that? In a prelude scene in New Orleans, we reconnect with Barney, who now has salt-and-pepper hair, and a bad back — so bad, he enlists Christmas to help him recover his prized skeleton ring at a biker bar, which he’s lost in a thumb-wrestling contest. The thugs dispatched and the ring collected, it’s time to get back to work.

This means a trip to Libya, where aforementioned arms dealer Rahmat (Uwais) is securing detonators for a nuclear weapon. CIA handler Marsh (Garcia) needs the Expendables to stop him. The other thing you should know is that Barney is determined to unmask a shadowy figure codenamed Ocelot who’s maybe pulling all the strings.

Not surprisingly, the Expendables run into resistance. The body count mounts, and then something happens that will change the trajectory of the film. We can’t give it away, but let’s just say it brings Statham’s Christmas to the forefront for much of the film.

But he makes an early error that sidelines him for a bit. Leading the next stage of the mission will be Gina (Fox), his ex (or maybe current?) girlfriend. Gina is introduced to us the only way a woman in a testosterone-dripping franchise like this can be: Sexy AND crazy, yelling like the dickens in a hot little dress. She also wears an absurd amount of makeup, including on the mission. Apparently, there’s a brand of matte lipstick that holds up very well through mortal combat. Which is convenient if your ex-boyfriend may or may not be showing up.

All this action takes place on a freighter where the aforementioned nuclear bomb is being stored. It includes countless killings and also a motorcycle chase (on a freighter!) It all gets very tiresome.

It doesn’t help that the special effects sometimes seem thrown together with about as much care as the script. Some of the most obvious green screens provide inadvertent comedy. As for intended comedy, the only truly funny scene is when Christmas, sidelined, tries out a job as security detail for an obnoxious social media influencer.

The likable British action star is having a busy year. In “Expend4bles,” as mentioned, they let him smile a lot, and it’s a nice touch. Still, if there’s an “Expend5bles,” they’re gonna need more than a Statham smile and another mid-word numeral in the title.



End of Era as Beirut Renames Assad Avenue After Late Legend Ziad Rahbani 

A mourner holds a picture of Ziad Rahbani, the Lebanese composer and musician who passed away on Saturday, during his funeral in Bikfaya, Lebanon July 28, 2025. (Reuters)
A mourner holds a picture of Ziad Rahbani, the Lebanese composer and musician who passed away on Saturday, during his funeral in Bikfaya, Lebanon July 28, 2025. (Reuters)
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End of Era as Beirut Renames Assad Avenue After Late Legend Ziad Rahbani 

A mourner holds a picture of Ziad Rahbani, the Lebanese composer and musician who passed away on Saturday, during his funeral in Bikfaya, Lebanon July 28, 2025. (Reuters)
A mourner holds a picture of Ziad Rahbani, the Lebanese composer and musician who passed away on Saturday, during his funeral in Bikfaya, Lebanon July 28, 2025. (Reuters)

Lebanon has decided to rebaptize a thoroughfare named after former Syrian president Hafez al-Assad in favor of late Lebanese musician and playwright Ziad Rahbani, a move many welcomed on Wednesday.

The decision marks the end of an era and a rupture with the authoritarian rule of former Syrian leaders Hafez al-Assad and his son Bashar -- close allies of Lebanon's Hezbollah group -- who from Damascus held Lebanon in a stranglehold for almost three decades.

Opposition forces ousted Bashar al-Assad in December, ending five decades of one-family rule, further weakening Hezbollah after a war with Israel and helping to change the balance of power in Lebanon.

"Hafez al-Assad into the dustbin of history, Ziad Rahbani is the name of the airport road forever!" independent lawmaker Mark Daou who opposes Hezbollah wrote on X.

The government on Tuesday announced the renaming of the avenue, which runs to the international airport through south Beirut, where Hezbollah enjoys strong support.

Lebanese actor Ziad Itani welcomed the move, telling AFP that the former Syrian leader was associated with "dark periods in Lebanese history, marked by massacres, abuses and assassinations".

The Syrian army entered Lebanon in 1976 as part of an Arab force that was supposed to put an end to the country's civil war which began a year earlier.

Troops only withdrew in 2005 under enormous pressure after the assassination of Lebanese ex-Prime Minister Rafik Hariri, which was widely blamed on Syria and Hezbollah.

The Lebanese army dismantled a number of monuments paying homage to the Assad family following the pullout.

The government announced the street's name change as it said it had tasked the army with developing a plan to disarm Hezbollah by the end of the year, an unprecedented step since civil war factions gave up their weapons decades ago.

The road's renaming "is the decision that made me the happiest", said Hassan Roumani near the avenue.

"Each time I passed along the Assad road, I felt like Hafez al-Assad and the Syrian army were still in Lebanon. Now psychologically I feel relieved -- that period is over, and for the best," he told AFP.

Not all welcomed the renaming however, particularly Hezbollah supporters.

Faysal Abdelsater, an analyst close to the Iran-backed group, said the move was "the result of political malice" and urged the local council to reject it.

Rahbani, son of iconic singer Fairuz, died last month aged 69 after a decades-long career that revolutionized the country's artistic scene.