David McCallum, Star of Hit TV Series ‘The Man From U.N.C.L.E.’ and ‘NCIS,’ Dies at 90 

US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
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David McCallum, Star of Hit TV Series ‘The Man From U.N.C.L.E.’ and ‘NCIS,’ Dies at 90 

US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)
US actor David Mccallum poses, on June 10, 2009 during a photocall presenting the TV serie "Navy NCIS : Naval Criminal Investigative Service" at the 49th Monte Carlo Television Festival in Monaco. (AFP)

Actor David McCallum, who became a teen heartthrob in the hit series "The Man From U.N.C.L.E." in the 1960s and was the eccentric medical examiner in the popular "NCIS" 40 years later, has died. He was 90.

McCallum died Monday of natural causes surrounded by family at New York Presbyterian Hospital, CBS said in a statement.

"David was a gifted actor and author, and beloved by many around the world. He led an incredible life, and his legacy will forever live on through his family and the countless hours on film and television that will never go away," said a statement from CBS.

Scottish-born McCallum had been doing well appearing in such films "A Night to Remember" (about the Titanic), "The Great Escape" and "The Greatest Story Ever Told" (as Judas). But it was "The Man From U.N.C.L.E." that made the blond actor with the Beatlesque haircut a household name in the mid-'60s.

The success of the James Bond books and films had set off a chain reaction, with secret agents proliferating on both large and small screens. Indeed, Bond creator Ian Fleming contributed some ideas as "The Man From U.N.C.L.E." was being developed, according to Jon Heitland's "The Man From U.N.C.L.E. Book."

The show, which debuted in 1964, starred Robert Vaughn as Napoleon Solo, an agent in a secretive, high-tech squad of crime fighters whose initials stood for United Network Command for Law and Enforcement. Despite the Cold War, the agency had an international staff, with McCallum as Illya Kuryakin, Solo’s Russian sidekick.

The role was relatively small at first, McCallum recalled, adding in a 1998 interview that "I’d never heard of the word ‘sidekick’ before."

The show drew mixed reviews but eventually caught on, particularly with teenage girls attracted by McCallum’s good looks and enigmatic, intellectual character. By 1965, Illya was a full partner to Vaughn’s character and both stars were mobbed during personal appearances.

The series lasted until 1968. Vaughn and McCallum reunited in 1983 for a nostalgic TV movie, "The Return of the Man From U.N.C.L.E.," in which the agents were lured out of retirement to save the world once more.

McCallum returned to television in 2003 in another series with an agency known by its initials — CBS’ "NCIS." He played Dr. Donald "Ducky" Mallard, a bookish pathologist for the Naval Criminal Investigation Service, an agency handling crimes involving the Navy or the Marines. Mark Harmon played the NCIS boss.

Co-star Lauren Holly took to X, formerly Twitter, to mourn: "You were the kindest man. Thank you for being you." The previously announced 20th anniversary "NCIS" marathon on Monday night will now include an "in memoriam" card in remembrance of McCallum.

The series built an audience gradually, eventually reaching the roster of top 10 shows. McCallum, who lived in New York, stayed in a one-bedroom apartment in Santa Monica when "NCIS" was in production.

"He was a scholar and a gentleman, always gracious, a consummate professional, and never one to pass up a joke. From day one, it was an honor to work with him and he never let us down. He was, quite simply, a legend," said a statement from "NCIS" Executive Producers Steven D. Binder and David North.

McCallum’s work with "U.N.C.L.E." brought him two Emmy nominations, and he got a third as an educator struggling with alcoholism in a 1969 Hallmark Hall of Fame drama called "Teacher, Teacher."

In 1975, he had the title role in a short-lived science fiction series, "The Invisible Man," and from 1979 to 1982 he played Steel in a British science fiction series, "Sapphire and Steel." Over the years, he also appeared in guest shots in many TV shows, including "Murder, She Wrote" and "Sex and the City."

He appeared on Broadway in a 1968 comedy, "The Flip Side," and in a 1999 revival of "Amadeus" starring Michael Sheen and David Suchet. He also was in several off-Broadway productions.

Largely based in the US from the 1960s onward, McCallum was a longtime American citizen, telling The Associated Press in 2003 that "I have always loved the freedom of this country and everything it stands for. And I live here, and I like to vote here."

David Keith McCallum was born in Glasgow in 1933. His parents were musicians; his father, also named David, played violin, his mother played cello. When David was 3, the family moved to London, where David Sr. played with the London Philharmonic and Royal Philharmonic.

Young David attended the Royal Academy of Music where he learned the oboe. He decided he wasn’t good enough, so he turned to theater, studying briefly at the Royal Academy of Dramatic Art. But "I was a small, emaciated blond with a caved chest, so there weren’t an awful lot of parts for me," he commented in a Los Angeles Times interview in 2009.

After time out for military service, he returned to London and began getting work on live television and movies. In 1957 he appeared in "Robbery Under Arms," an adventure set in early Australia, with a rising actress, Jill Ireland. The couple married that same year.

In 1963, McCallum was part of the large cast of "The Great Escape" and he and his wife became friendly with Charles Bronson, also in the film. Ireland eventually fell in love with Bronson and she and McCallum divorced in 1967. She married Bronson in 1968.

"It all worked out fine," McCallum said in 2009, "because soon after that I got together with Katherine (Carpenter, a former model) and we’ve been very happily married for 42 years."

McCallum had three sons from his first marriage, Paul, Jason and Valentine, and a son and daughter from his second, Peter and Sophie. Jason died of an overdose.

"He was a true Renaissance man — he was fascinated by science and culture and would turn those passions into knowledge. For example, he was capable of conducting a symphony orchestra and (if needed) could actually perform an autopsy, based on his decades-long studies for his role on NCIS," Peter McCallum said in a statement.

In 2007, when he was working on "NCIS," McCallum told a reporter: "I’ve always felt the harder I work, the luckier I get. I believe in serendipitous things happening, but at the same time, dedicating yourself to what you do is the best way to get along in this life."



Netflix War Epic to Open Asia’s Largest Film Festival

In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
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Netflix War Epic to Open Asia’s Largest Film Festival

In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)

A Netflix period war drama produced by South Korean filmmaker Park Chan-wook will open Asia's largest film festival Wednesday, the first time a streaming title has kicked off the event.

Directed by Kim Sang-man and featuring Korean megastar Gang Dong-won in a lead role, "Uprising" is one of 224 official entries at this year's Busan International Film Festival (BIFF), which runs until October 11.

The film has attracted significant attention ahead of its world premiere thanks largely to the involvement of Park, best-known for ultra-violent thrillers like 2003's "Old Boy", which played a key role in bringing South Korean cinema to the global forefront.

Park was a screenwriter and producer on "Uprising", a story set during Korea's Joseon Dynasty about two friends who grow up together -- but become enemies when war breaks out in the country.

"I believed it was a work that could appeal to the public (the most) among all the (BIFF) opening films in history," Park Do-shin, the festival's acting director, has said of the choice.

Streaming-only content like Netflix's "Squid Game" and the Apple TV+ series "Pachinko" have contributed to a significant surge in the global visibility of Korean and Korean diaspora stories in recent years.

Busan's 2024 line-up reflects how that content has become an "important part of our culture," BIFF programmer Jung Han-seok said.

On Wednesday morning, ahead of the opening ceremony, visitors were already queuing at festival venues, while the red carpet for the star-studded opening ceremony had been laid out.

- Why streaming? -

The decision to open this year's edition with a major streaming title, however, has sparked criticism within South Korea's cinema community, as BIFF has long been dedicated to supporting emerging talents in Asia as well as small-scale, independent films.

"I find it disappointing that a streaming title was selected as the opening film," Kay Heeyoung Kim, who owns film studio K-Dragon, told AFP.

"The challenges confronting the theatre-based physical film market and filmmakers can be partly attributed to the streaming platforms."

This year's edition also comes as organizers still grapple with the fallout from former festival director Huh Moon-yung, who resigned last year amid accusations of sexual misconduct. The director position remains vacant.

The South Korean government's budget for supporting film festivals including BIFF was also slashed by half this year.

Despite those setbacks, this year's 29th edition is presenting about 15 more films than last year, organizers said, with 86 world premieres.

- Award winners -

BIFF will posthumously honor South Korean actor Lee Sun-kyun, screening six of the actor's film and television works, including "Parasite", "Our Sunhi" (2013) and a portion of TV series "My Mister" (2018).

Best known globally for his starring role in Bong Joon-ho's 2019 Oscar-winner "Parasite", Lee was found dead in an apparent suicide last year after a two-month investigation into suspected drug use, sparking public outrage over what many perceived as an excessive police interrogation.

Meanwhile, filmmaker Kiyoshi Kurosawa, best known for his contributions to the Japanese horror genre, will receive the festival's Asian Filmmaker of the Year award, joining the ranks of previous winners such as Hong Kong legends Tony Leung and Chow Yun Fat.

The Japanese filmmaker is showcasing two new films at BIFF this year: the violent thriller "Cloud" and "Serpent's Path", a French-language remake of his 1998 film of the same name.

Other notable world premieres include "RM: Right People, Wrong Place", a documentary on K-pop sensation BTS member RM and the making of his second solo album.

Chung, Yu Chieh, a 39-year-old visitor from Taiwan, said she was excited about South Korean director Hur Jin-ho's latest film, "A Normal Family" - a psychological thriller featuring two upper-class couples seemingly leading perfect lives.

Featuring some of the most celebrated veteran performers in South Korea - including actress Kim Hee-ae and actor Jang Dong-gun - the film is one of the most anticipated homegrown films to be featured at BIFF this year.

"I believe (the festival) will be very special," she told AFP.

BIFF's industry platform, the Asian Contents and Film Market, will host a conference focused on the integration of AI in content production -- a current hot-button issue in Hollywood.

Companies including South Korea's CJ ENM, Chinese VOD service iQIYI and Microsoft will take part.