C-3PO's Head, 'Titanic' Costumes for Sale at Propstore Film Auction 

Don Vito Corleone's coat worn by Marlon Brando in "The Godfather", Jack Dawson's costume worn by Leonardo DiCaprio in "Titanic", and James Bond's tuxedo worn by Daniel Craig in "James Bond: No Time to Die" are displayed at Propstore in Chenies, Britain, September 20, 2023.(Reuters)
Don Vito Corleone's coat worn by Marlon Brando in "The Godfather", Jack Dawson's costume worn by Leonardo DiCaprio in "Titanic", and James Bond's tuxedo worn by Daniel Craig in "James Bond: No Time to Die" are displayed at Propstore in Chenies, Britain, September 20, 2023.(Reuters)
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C-3PO's Head, 'Titanic' Costumes for Sale at Propstore Film Auction 

Don Vito Corleone's coat worn by Marlon Brando in "The Godfather", Jack Dawson's costume worn by Leonardo DiCaprio in "Titanic", and James Bond's tuxedo worn by Daniel Craig in "James Bond: No Time to Die" are displayed at Propstore in Chenies, Britain, September 20, 2023.(Reuters)
Don Vito Corleone's coat worn by Marlon Brando in "The Godfather", Jack Dawson's costume worn by Leonardo DiCaprio in "Titanic", and James Bond's tuxedo worn by Daniel Craig in "James Bond: No Time to Die" are displayed at Propstore in Chenies, Britain, September 20, 2023.(Reuters)

From "Star Wars" droid C-3PO's head to Leonardo DiCaprio's "Titanic" costume, a trove of costumes and props are headed to auction next month in a sale of film and television memorabilia worth around $14.6 million.

More than 1,800 items are being sold by entertainment memorabilia auctioneer Propstore at its annual live auction, which this year runs from Nov. 9-12.

Leading the sale, which Propstore estimates will fetch more than 12 million pounds (14.6 million), is the light-up head actor Anthony Daniels wore to play C-3PO in "Star Wars: A New Hope", with an estimate of 500,000 - 1 million pounds ($600,000- $1.2 million).

Daniels is also selling other "Star Wars" memorabilia.

"We have his complete archive from his time of working on the 'Star Wars' films so that includes some of the props and body components and parts, his head, his hands, his feet," Propstore founder and Chief Executive Stephen Lane told Reuters.

"We have his original scripts with the annotations in there as well."

Costumes for sale include a shirt, waistcoat and trousers DiCaprio wore in "Titanic" (100,000 - 200,000 pounds), Honey Ryder's bathrobe as worn by Ursula Andress in "Dr. No" (70,000-140,000 pounds) and Johnny Depp's stunt costume from "Pirates of the Caribbean: On Stranger Tides" (50,000-100,000 pounds).

Props include Harrison Ford's bull whip from "Indiana Jones and the Temple of Doom" (100,000-200,000 pounds), "Nightmare on Elm Street" character Freddy Krueger's hero metal glove armature and hand-drawn schematic (200,000-400,000 pounds) and Tom Hanks' sneakers from "Forrest Gump" (15,000-30,000 pounds).

Other lots include Stanley Kubrick's hand-annotated shooting script for "The Shining" (30,000-60,000 pounds) and a coat worn by Marlon Brando in "The Godfather" (25,000-50,000 pounds).

Lane said the lots came from collectors, curators, archives, film studios and production companies.

"The demand is growing and we're seeing things travel all over the world...and they're bought by passionate fans and lovers of the movies, collectors," he said. "But some of these items also end up in museums and studio archives as well."



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."