Political Drama Overshadows Berlin Film Festival Finale

Jury president Wim Wenders at the opening of the Berlin Film Festival which has been rocked by political controversy. Ronny HARTMANN / AFP
Jury president Wim Wenders at the opening of the Berlin Film Festival which has been rocked by political controversy. Ronny HARTMANN / AFP
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Political Drama Overshadows Berlin Film Festival Finale

Jury president Wim Wenders at the opening of the Berlin Film Festival which has been rocked by political controversy. Ronny HARTMANN / AFP
Jury president Wim Wenders at the opening of the Berlin Film Festival which has been rocked by political controversy. Ronny HARTMANN / AFP

The 76th Berlin Film Festival draws to a close on Saturday after 10 days in which the 22 films in competition were often overshadowed by a row over the role politics should play in filmmaking.

The controversy erupted at the beginning of the festival when jury president Wim Wenders answered a question about the German government's support for Israel by saying: "We cannot really enter the field of politics."

At the same press conference, he had earlier said that films had the power to "change the world" but in a different way from party politics.

"No movie has ever changed the ideas of a politician, but we can change the idea that people have of how they should live," Wenders, 80, said.

But his comments in response to the question on Israel prompted a storm of outrage.

Award-winning Indian novelist Arundhati Roy, who had been due to present a restored version of a 1989 film she wrote, pulled out of the event, branding Wender's words "unconscionable" and "jaw-dropping".

On Tuesday, a letter signed by dozens of film industry figures, including Javier Bardem, Tilda Swinton and Adam McKay, condemned the Berlin festival's "silence on the genocide of Palestinians".

- Films overshadowed -

The letter, drafted by the Film Workers for Palestine collective, accused the Berlinale of being involved in "censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza and the German state's key role in enabling it".

Director Tricia Tuttle, in her second year at the helm of the Berlinale, has firmly rejected the accusations, describing some of the claims in the letter as "misinformation" and "inaccurate".

She called for "cool heads in hot times" and expressed fears that the controversy was crowding out conversation about the films.

Among the standout entries in the official competition was "We Are All Strangers" by Anthony Chen.

Set in Chen's native Singapore, the film is a moving family drama which playfully satirizes the yawning social disparities to be found in the city-state's glittering skyscrapers.

German actress Sandra Hueller, who gained international acclaim for her roles in "The Zone of Interest" and "Anatomy of a Fall", received audience plaudits for her turn as the title character in "Rose" by Austrian director Markus Schleinzer.

The black-and-white drama tells the story of a woman passing herself off as a man in rural 17th-century Germany to escape the constraints of patriarchy.

- Repression in Iran -

Juliette Binoche, playing a woman caring for her mother with dementia, also moved cinemagoers in "Queen at Sea" by American director Lance Hammer, who had not made a feature film since 2008.

Sensitively, the film portrays the devastation Alzheimer's disease inflicts on a patient's loved ones.

"My husband's got dementia, so I have had a lot of background," a visibly moved actress Anna Calder-Marshall, who plays the ailing mother in the film, told a press conference.

The first major event of the film calendar also provided a platform for Iranian filmmakers to address the deadly crackdown on anti-government protests in their home country.

Director Mahnaz Mohammadi, who has spent time in Tehran's notorious Evin prison, presented "Roya", a searing portrayal of conditions in the jail and the traces they leave on prisoners' psyches.

Dissident director Jafar Panahi, who won the Cannes Palme d'Or for "It Was Just An Accident", also spoke from the Berlinale to denounce the Iranian government's repression of protestors, which international organizations say has left thousands dead.

"An unbelievable crime has happened. Mass murder has happened. People are not even allowed to mourn their loved ones," Panahi told a talk organized as part of the festival.

"People do not want violence. They avoid violence. It is the regime that forces violence upon them," Panahi said.

In December he was sentenced to one year in prison and a travel ban in Iran but has expressed his intention to return nevertheless.



Actor Anthony Head, Known for ‘Buffy the Vampire Slayer,’ Has Died at 72

Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
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Actor Anthony Head, Known for ‘Buffy the Vampire Slayer,’ Has Died at 72

Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)
Anthony Head arrives for the European premiere of 'The Iron Lady' on Wednesday, Jan. 4, 2012, in London. (AP)

Anthony Head, the suave, smooth-voiced British actor known for roles in "Buffy the Vampire Slayer" and "Ted Lasso," has died, his family said Friday. He was 72.

Head’s daughters, actors Emily and Daisy Head, told the Press Association news agency that the actor passed away due to complications from pneumonia.

The performer became known to British TV audiences in the 1980s as one half of a will-they, won’t-they romantic couple in a series of ads for Nescafe instant coffee.

Head achieved US fame as librarian Rupert Giles, mentor to the title character in the cult-favorite supernatural series "Buffy the Vampire Slayer," which ran from 1997 to 2003.

He most recently played Rupert Mannion, the villainous ex-husband of Hannah Waddingham’s character Rebecca, in "Ted Lasso."

"Our grief is far greater than the hole he has left behind, but we know his legacy will live on, in the shows he was a part of, and in the audiences that love them," his daughters said. "How lucky we are to know we are able to watch him doing what he loved, even when he is no longer with us."


Taylor Swift’s ‘Toy Story 5’ Song Is a Return to Pop Country

 This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
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Taylor Swift’s ‘Toy Story 5’ Song Is a Return to Pop Country

 This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Pixar shows the characters Bullseye and Jessie, voiced by Joan Cusack, center, in a scene from "Toy Story 5." (Pixar-Disney via AP)

Taylor Swift's new song for the Disney and Pixar's forthcoming “Toy Story 5” film is here. On Friday, Swift released “I Knew It, I Knew You,” a bit of a return to country music for the performer who first made a name for herself in the Nashville music scene before taking over the world.

Swift doesn't sing with a familiar twang on “I Knew It, I Knew You,” but no matter — the song features some elements inextricable from the country genre: Live instrumentation, plucky banjo and harmonica that opens the track.

Most view Swift's last official foray into the country music genre to be 2012's “Red,” though the album is much more of a crossover experiment. It would be more astute to label “Speak Now” as her last true-blue, full-length, country music release — and that was more than 15 years ago.

Additionally: “I Knew It, I Knew You” is also Swift's first original material since “The Life of a Showgirl” was released in October.

The song is also co-produced by Jack Antonoff, her former, frequent collaborator. Swift started working with Antonoff on 2014's “1989” through 2024's “The Tortured Poets Department.”

Notably, the pair started their long collaboration after Swift's country era, perhaps with the rare exception of “Betty” from her 2020 “Folklore” album.

“Writing this song felt like a musical departure and coming home at the same time. Creating something for Jessie was a new challenge and also felt like second nature all at once,” Swift wrote on social media Friday, referencing the beloved cowgirl character. “And being a ‘Toy Story’ kid from the age of 5 til now... is an adventure I plan to be on, to infinity and beyond.”

Last weekend, billboards with the initials “TS,” stylized like the “Toy Story” logo, appeared in Los Angeles, Chicago, Dallas, San Francisco, Toronto, Mexico City and London — fitting, as “TS” works both for the beloved franchise and the musician.

On Monday, Swift confirmed the song was forthcoming, writing on Instagram, “I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5-year-old kid watching the first Toy Story movie. I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?”

She also shared that preorders for three CD single versions of the track were available on her site. They quickly sold out: One features the song as it appears in the film, another is an acoustic version and the last is a piano version.

“It’s incredible just how meaningful it’s been having Taylor write and perform this song. Her connection to Jessie and the immediate way she understood what the character was going through was undeniable,” “Toy Story 5” director and writer Andrew Stanton said in a press statement at the time. “The song is so deeply connected to ‘Toy Story.’ So much so that on first listen, it instantly felt like it had always belonged there, like a long-lost family member. It was kismet.”

Some fans online have begun speculating: Could this be an Oscar contender in the original song category?

Quite possibly, if it adheres to all relevant rules and regulations! For 2027 Academy Awards consideration, a feature film — and its song submissions — must have a qualifying theatrical release between Jan. 1 and Dec. 31 this year. “Toy Story 5” will be released in theaters worldwide on June 19, so it qualifies there.

It also depends on when “I Knew It, I Knew You” is placed in “Toy Story 5.” There's a new rule this year: If the song plays over the end credits, it must also overlap with the last 15 seconds of the film before the credits actually begin.

At any rate, if Swift's song is submitted — and if she were to win — she'd be just that much closer to an EGOT. She has 14 Grammys and an Emmy. An Oscar would mean she'd only need a Tony. Could Broadway be next?


Shakira to Perform at World Cup Opening Ceremony in Mexico

Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
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Shakira to Perform at World Cup Opening Ceremony in Mexico

Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)
Colombian singer Shakira performs during a free concert at Copacabana beach in Rio de Janeiro, Brazil on May 2, 2026. (AFP)

Colombian singer Shakira will perform the official World Cup song "Dai Dai" at the opening ceremony in Mexico, FIFA said on Friday.

Shakira will ‌be joined ‌by ⁠Burna Boy on ⁠Thursday at Estadio Azteca in Mexico City.

The opening ceremony will begin 90 minutes ⁠before kickoff between ‌Mexico ‌and South Africa.

Dai ‌Dai is an ‌Italian phrase meaning "let's go" or "come on."

The show will also ‌feature Colombian star J Balvin and South ⁠African ⁠singer Tyla.

Shakira is also set to perform at the first-ever World Cup final halftime show at MetLife Stadium in New Jersey.