Madonna Shines in ‘Celebration’ Tour after Near-Fatal Illness

Madonna seen in New York on May 4, 2019, in New York. (AFP)
Madonna seen in New York on May 4, 2019, in New York. (AFP)
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Madonna Shines in ‘Celebration’ Tour after Near-Fatal Illness

Madonna seen in New York on May 4, 2019, in New York. (AFP)
Madonna seen in New York on May 4, 2019, in New York. (AFP)

Madonna kicked off her "Celebration" tour in London on Saturday, with a performance that proved her energy, charisma and appetite for controversy were little dimmed after four decades of pop super-stardom and a brush with death earlier this year.

The 65-year-old's greatest hits show was pushed back from its original July start date after she was hospitalized in intensive care for a serious bacterial infection.

"I'm really damn surprised I made it this far. And I mean that on so many levels," she told fans at the O2 arena.

Wearing the corset and chains that defined her breakthrough, she sang "Into The Groove" before a sound problem forced her to ad-lib about her early struggles in New York.

With the backing track restored, 1983's "Holiday" recreated the hedonistic joy of a New York club before the onslaught of AIDS, marked by a tribute to those who had died.

She performed hits "Like a Prayer", while "Vogue", the hit that powered her into the 1990s, saw one of the stages become a catwalk.

Madonna addressed the situation in the Middle East. "There's a lot of really crazy things happening in the world that are so, so painful to witness," she said. "But even though our hearts are broken, our spirits cannot be broken."

On her health scare, she said: "It was a crazy year for me as well. And I didn't think I was going to make it."

With more than 40 songs in the show, some like "Papa Don't Preach" were dispatched in seconds, but all of her re-inventions, from Catholic Madonna to Country Madonna, featured.

The seven-time Grammy Award winner has rescheduled the tour's North American leg to start in December after her European concerts.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."