Prosecutors Seeking to Recharge Alec Baldwin in Fatal Shooting on Set of Western Movie 'Rust'

Alec Baldwin. ANGELA WEISS/AFP via Getty Images
Alec Baldwin. ANGELA WEISS/AFP via Getty Images
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Prosecutors Seeking to Recharge Alec Baldwin in Fatal Shooting on Set of Western Movie 'Rust'

Alec Baldwin. ANGELA WEISS/AFP via Getty Images
Alec Baldwin. ANGELA WEISS/AFP via Getty Images

Special prosecutors are seeking to recharge actor Alec Baldwin in the fatal shooting of a cinematographer on the set of a Western movie in 2021, describing Tuesday their preparations to present new information to a grand jury.
New Mexico-based prosecutors Kari Morrissey and Jason Lewis said they’ll present their case to the grand jury within the next two months, noting “additional facts” have come to light in the shooting on the set of the film “Rust” that killed Halyna Hutchins, The Associated Press said.
Baldwin, a coproducer of the film, was pointing a gun at Hutchins during a rehearsal inside a rustic chapel on a movie-set ranch near Santa Fe when the gun went off on Oct. 21, 2021, killing the cinematographer and wounding director Joel Souza.
“After extensive investigation over the past several months, additional facts have come to light that we believe show Mr. Baldwin has criminal culpability in the death of Halyna Hutchins and the shooting of Joel Souza,” Morrissey and Lewis said in an email. “We believe the appropriate course of action is to permit a panel of New Mexico citizens to determine from here whether Mr. Baldwin should be held over for criminal trial.”
They declined to elaborate on the additional information they may present to the grand jury.
Baldwin has said he pulled back the hammer — but not the trigger — and the gun fired.
Attorneys for Baldwin said the latest move by prosecutors is misguided.
“It is unfortunate that a terrible tragedy has been turned into this misguided prosecution. We will answer any charges in court,” Luke Nikas and Alex Spiro said in an email.
Special prosecutors initially dismissed an involuntary manslaughter charge against Baldwin in April, saying they were informed the gun might have been modified before the shooting and malfunctioned. They later pivoted and began weighing whether to refile a charge against Baldwin after receiving a new analysis of the gun.
The recent gun analysis from experts in ballistics and forensic testing based in Arizona and New Mexico relied on replacement parts to reassemble the gun fired by Baldwin — after parts of the pistol were broken during earlier testing by the FBI. The report examined the gun and markings it left on a spent cartridge to conclude that the trigger had to have been pulled or depressed.
The analysis led by Lucien Haag of Forensic Science Services in Arizona stated that although Baldwin repeatedly denies pulling the trigger, “given the tests, findings and observations reported here, the trigger had to be pulled or depressed sufficiently to release the fully cocked or retracted hammer of the evidence revolver.”
An earlier FBI report on the agency’s analysis of the gun found that, as is common with firearms of that design, it could go off without pulling the trigger if force was applied to an uncocked hammer — such as by dropping the weapon.
The only way the testers could get it to fire was by striking the gun with a mallet while the hammer was down and resting on the cartridge, or by pulling the trigger while it was fully cocked. The gun eventually broke during testing.
Authorities have not specified exactly how live ammunition found its way on set and into the .45-caliber revolver made by an Italian company that specializes in 19th century reproductions.
The weapons supervisor on the movie set, Hannah Gutierrez-Reed, has pleaded not guilty to involuntary manslaughter and evidence tampering in the case. Her trial is scheduled to begin in February.
In March, “Rust” assistant director and safety coordinator David Halls pleaded no contest to unsafe handling of a firearm and received a suspended sentence of six months of probation. He agreed to cooperate in the investigation of the shooting.
In the revived case against Baldwin, first reported by NBC News, a grand jury would “determine whether probable cause exists to bind Baldwin over on criminal charges,” special prosecutors said.
Neama Rahmani, a former federal prosecutor who provides legal commentary as head of West Coast Trial Lawyers in Los Angeles, said prosecutors reserved the right to reopen the case by dismissing charges “without prejudice," and that he'd be surprised if a grand jury didn’t return an indictment.
Unlike a jury trial in which guilt must be proved “beyond a reasonable doubt,” the standard on possible charges before a grand jury is a lower “probable cause” finding, Rahmani said.
“It's just a one-sided presentation by prosecutors," he said.
The 2021 shooting resulted in a series of civil lawsuits centered on accusations that the defendants were lax with safety standards. The cases have included wrongful death claims filed by members of Hutchins’ family. Baldwin and other defendants have disputed the accusations that they were lax with safety standards.
The company Rust Movie Productions has paid a $100,000 fine to state workplace safety regulators following a scathing narrative of safety failures in violation of standard industry protocols, including testimony that production managers took limited or no action to address two misfires on set before the fatal shooting.
The filming of “Rust” resumed this year in Montana, under an agreement with the cinematographer’s widower, Matthew Hutchins, that made him an executive producer.



Venice Film Festival: From ‘Joker 2’ to ‘Maria,’ Here Are the Movies to Get Excited About 

This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
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Venice Film Festival: From ‘Joker 2’ to ‘Maria,’ Here Are the Movies to Get Excited About 

This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)

Some of Hollywood’s biggest stars are getting ready to descend on the Venice Film Festival this week, from George Clooney and Angelina Jolie to Lady Gaga and Brad Pitt.

But while the allure of A-listers on those picturesque docks is a welcome return to form after last year’s lower-wattage edition amid the strikes, the spotlight that matters most will be on their films. Along with Cannes, Venice — which runs from Aug. 28 through Sept. 7 — is one of the most glamorous launching pads for awards season. The films that do well on the Lido will be dominating the conversation until the Oscars in March.

In this year's lineup, there’s both big Hollywood fare (“Beetlejuice Beetlejuice” and “Horizon: An American Saga—Chapter 2” to “Wolfs”) and a vast array of intriguing films from auteurs around the world. At festivals, the best thing is to keep an open mind and see as much as possible — you never know what might hit. In the meantime, though, here are some films to get excited about at Venice.

“Joker: Folie à Deux” (Sept. 4)

No matter which side of the “Joker” discourse you were on five years ago, the fact that all involved would bring the sequel back to Venice to play in competition is promising. “Joker: Folie à Deux” doesn’t need the festival buzz, after all. The first film made over $1 billion and was nominated for 11 Oscars. Venice chief Alberto Barbera told Deadline that it’s completely different from the first, a dystopian musical that is “one of the most daring, brave and creative films in recent American cinema” and “confirms Todd Phillips as one of the most creative directors working at the moment.” It’ll be in theaters Oct. 4.

“Maria” (Aug. 29)

Chilean filmmaker Pablo Larraín is not to be ignored when he makes a film about a famous woman with a tragic narrative (see: “Spencer,” “Jackie”). This time he’s teamed with screenwriter Steven Knight (“Peaky Blinders”) and Jolie to bring opera singer Maria Callas back to life in “Maria.” The soprano was a tabloid fixture, perhaps most famous for her affair with Aristotle Onassis, who would end up leaving her for another of Larraín’s tragic women: Jacqueline Kennedy. Callas died in 1977, at age 53, but remains one of classical music’s bestselling artists. “Maria” is playing in competition and seeking distribution.

“The Room Next Door” (Sept. 2)

Pedro Almodóvar’s English-language debut, with Julianne Moore and Tilda Swinton starring. We barely even need a description to get excited about that, which is probably good because details are vague. He’s said that it’s about an imperfect mother and a resentful daughter who are estranged because of a “profound misunderstanding.” In addition to tackling subjects like war, death and friendship, Almodóvar said, “it also talks about the pleasure of waking up to birds bringing a new day at a house built on a natural reserve in New England.” It’ll also make a stop at the New York Film Festival before a December release.

“Babygirl” (Aug. 30)

Dutch filmmaker Halina Reijn made the wildly fun “Bodies Bodies Bodies,” so we’re especially curious what “Babygirl” holds. The erotic thriller stars Nicole Kidman (who 25 years ago came to Venice with “Eyes Wide Shut”) as a powerful CEO who begins an affair with a younger intern played by Harris Dickinson (“Triangle of Sadness,” “The Iron Claw”). Antonio Banderas also co-stars. A24 plans a December theatrical release.

“The Brutalist” (Sept. 1)

This 3 1/2-hour drama from filmmaker Brady Corbet follows architect László Toth (Adrien Brody) and his wife Erzsébet (Felicity Jones) on a decades-long journey as they flee Europe following World War II and attempt to set up a life in America. There, Toth meets industrialist Harrison Lee Van Buren (Guy Pearce), who commissions him to design a modernist monument, changing their lives for better and worse. Corbet (“Vox Lux”) is not always going to be a filmmaker for everyone, but he’s never not interesting. Focus Features and Universal are distributing, but the movie does not yet have a release date.

“Youth (Homecoming)” (Sept. 6)

There are quite a few innovative offerings in the nonfiction space: Errol Morris’ “Separated,” about the Trump administration’s border policy; Asif Kapadia’s future-looking “2073”; “Pavements,” Alex Ross Perry’s hybrid doc about the Stephen Malkmus band; and Andres Veiel's “Riefenstahl.” But only one made it to the main competition: Wang Bing’s “Youth (Homecoming),” the conclusion to his verité documentary trilogy in which he followed migrant workers in Zhili, China’s textile factories across five years. It's seeking distribution.

“April” (Sept. 5)

Georgian filmmaker Dea Kulumbegashvili’s sophomore film is about Nina, an OB-GYN working in rural Georgia who also performs abortions, despite the laws of the country. When a newborn dies in her care, an investigation fuels rumors about her morality and professionalism. Three years after the abortion drama “Happening” snagged the top prize at Venice, the buzz is that this will be one of the breakouts. Kulumbegashvili’s debut, “Beginning,” about the bombing of a Jehovah’s Witnesses church, made waves on the festival circuit in 2020. “April,” which is seeking a US distributor, is also set to play at TIFF and the New York Film Festival.

“The Order” (Aug. 31)

Jude Law produced and stars in this 1980s-set crime thriller about a white supremacist group who his FBI agent character suspects is tied to a series of crimes in the Pacific Northwest. Nicholas Hoult plays the group's charismatic leader in the Justin Kurzel-directed film, to be released in theaters in December.

“Harvest” (Sept. 3)

“Attenberg” and “Chevalier” filmmaker Athina Rachel Tsangari returns to the main competition with “Harvest,” an adaptation of the Jim Crace novel set in a medieval English village where the locals use three newcomers as scapegoats for economic turmoil. It's apparently the reason star Caleb Landry Jones did his “Dogman” press with a Scottish accent last year. Mubi has distribution rights in several European territories, but no dates or US plans have been announced.

BONUS: “Disclaimer” (Aug. 29)

This is not a film, but this series coming to AppleTV+ on Oct. 11 is from Alfonso Cuarón, who wrote and directed the seven-episode psychological thriller starring Cate Blanchett and Kevin Kline. Blanchett plays a journalist who discovers she's a character in a novel that reveals her dark secret.