America Ferrera Urges for Improved Latino Representation in Film

America Ferrera poses for photographers upon arrival at the Glamour Women of the Year Awards 2023 on Tuesday, Oct. 17, 2023 in London. (Scott Garfitt/Invision/AP)
America Ferrera poses for photographers upon arrival at the Glamour Women of the Year Awards 2023 on Tuesday, Oct. 17, 2023 in London. (Scott Garfitt/Invision/AP)
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America Ferrera Urges for Improved Latino Representation in Film

America Ferrera poses for photographers upon arrival at the Glamour Women of the Year Awards 2023 on Tuesday, Oct. 17, 2023 in London. (Scott Garfitt/Invision/AP)
America Ferrera poses for photographers upon arrival at the Glamour Women of the Year Awards 2023 on Tuesday, Oct. 17, 2023 in London. (Scott Garfitt/Invision/AP)

In a room filled with several influential Hollywood figures, “Barbie” star America Ferrera used her platform to address an ongoing industry issue: Latino representation in film.
“According to the numbers, the dominant narrative our industry puts into the world is that Latinos either don’t exist or they are poor, immigrant criminals,” the Emmy winner said before a gathered crowd Thursday at the Academy Women’s Luncheon.
The actor said she was taken aback after she learned that Hispanics and Latinos remained underrepresented in film over the past 16 years, according to a recent report by the University of Southern California’s Annenberg Inclusion Initiative.
Despite the growth the Hispanic population in the US, Ferrera pointed out the study found that similar growth hadn't happened in film, The Associated Press reported. In last year's movies, the study found that more than half of Latinos appearing on screen were depicted as criminals.
“I’m personally devastated yet again,” said Ferrera, who is of Honduran descent.
Ferrera was the keynote speaker at the event held at the Academy Museum of Motion Pictures with attendees including Oscar winner Lupita Nyong’o, Kristen Stewart, Rita Wilson, Patty Jenkins, Eva Longoria, Lily-Rose Depp, Riley Keough, Leslie Mann along with Grammy and Oscar winner H.E.R.
Ferrera said the industry’s “system of dehumanization” has been felt in numerous ways in various communities, including Indigenous, Asian American and Pacific Islander, African American and LGBTQ+ communities.
“We must be resolute in our commitment to caring for all of us, to demanding opportunity, access, equal pay, investment and possibility for every woman,” Ferrera said.
The actor is known for her roles in “Superstore,” the “How to Train Your Dragon” animated franchise and “Ugly Betty,” which won her an Emmy in 2007, becoming the first Latina woman to win the best lead actress award. She also stepped behind the camera as an executive producer and director for Netflix's “Gentefied” and “I Am Not Your Perfect Mexican Daughter.”
Over the years, Ferrera has been vocal about the lack of Latino representation in media. With her husband Ryan Piers William and actor Wilmer Valderrama, she helped create Harness, a nonprofit organization aimed at building community between activists and grassroots leaders who leverage the art of storytelling to empower change.
“What I know today is that none of us needs to do it alone," she said. “I know that together we can grow our collective possibilities, and strengthen a global community of women storytellers, artists and truth tellers.”
Thursday's event was held to bring together women from all facets of the filmmaking community. It was also a celebration of the Academy Gold Fellowship – a one-year program for two emerging filmmakers who will each receive $35,000 and mentorship.
Annette Bening, actor and former academy governor, introduced Erica Eng as the fellowship recipient. Eng is a fifth-generation Chinese American director.



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."