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Hong Kong’s Disneyland Opens 1st Frozen-Themed Attraction 

Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
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Hong Kong’s Disneyland Opens 1st Frozen-Themed Attraction 

Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)
Visitors line up to enter the World of Frozen themed area during its opening ceremony at Disneyland Resort in Hong Kong, Monday, Nov. 20, 2023. (AP)

Hong Kong Disneyland opened its first Frozen-themed attraction on Monday, with thousands of eager visitors turning up to experience the new rides, some lining up for hours to get an early start.

Based on Disney’s wildly popular Frozen animation film, the new section of the park features landscapes and characters from the movie and two new rides, a roller coaster and a boat ride that takes visitors through different scenes featured in the film.

“Over the past decade, the film has grown into one of the most successful franchises in Disney history,” said Josh D’Amaro, chairman of Disney Experiences. “World of Frozen represents Hong Kong Disneyland’s largest and boldest expansion since the park opened in 2005.”

The opening comes after Disney announced in September a $60 billion expansion of its parks and cruises over about a decade. Now that Chinese tourists are venturing abroad again after the pandemic, the new attraction is meant to be a game changer for a theme park that has run losses for years.

Some of the hundreds of Disney fans who lined up hours ahead of time were dressed like characters from Frozen.

Disney enthusiast Bryan Darmanic, who had travelled from California with his wife and daughter, were among the first visitors to the Frozen-themed roller coaster and received limited edition souvenirs to commemorate the experience.

“The World of Frozen is really well-designed and beautiful,” said Darmanic, whose family was making its first visit to the Hong Kong theme park.

Winnie Ip, a tourist from Macao, said she arrived at 9 a.m. in the morning ahead of the opening of the Frozen section.

The Frozen attractions were “magnificent,” Ip said.

Hong Kong has been beefing up the park to try and draw more visitors. In June 2022, it debuted its Momentous multimedia and fireworks show, which is staged at its castle on most nights.

Elsewhere, Disney plans to launch a Zootopia-themed area at its Shanghai Disneyland in December, a Fantasy Springs port at Tokyo DisneySea next spring and a Frozen-themed Kingdom of Arendelle at Disneyland Paris, slated to open in either 2024 or 2025.

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Entertainment

Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”