‘Hunger Games’ Feasts, ‘Napoleon’ Conquers but ‘Wish’ Doesn’t Come True at Thanksgiving Box Office

The Walt Disney Co.’s “Wish” had been expected to rule the Thanksgiving weekend box office, but moviegoers instead feasted on leftovers, as “The Hunger Games: The Ballad of Songbirds and Snakes” led ticket sales for the second weekend, according to studio estimates Sunday.

Neither of the weekend’s top new releases — “Wish” and Ridley Scott’s “Napoleon” — could keep up with Lionsgate’s “Hunger Games” prequel. After debuting the previous weekend with $44.6 million, the return to Panem proved the top draw for holiday moviegoers, grossing $28.8 million over the weekend and $42 million over the five-day holiday frame.

In two weeks of release, “Songbirds and Snakes” has grossed nearly $100 million domestically and $200 million globally.

The closer contest was for second place, where “Napoleon” narrowly outmaneuvered “Wish.” Scott’s epic outperformed expectations to take $32.5 million over the five-day weekend and an estimated $20.4 million Friday through Sunday. The film, starring Joaquin Phoenix as the French emperor and Vanessa Kirby as his wife Joséphine de Beauharnais, was also the top movie globally with $78.8 million.

Reviews were mixed (61% fresh on Rotten Tomatoes) and ticket buyers were non-plussed (a “B-” CinemaScore), but “Napoleon” fared far better in theaters than its subject did at Waterloo.

“Napoleon,” like Martin Scorsese’s “Killers of the Flower Moon,” is a big-budget statement by Apple Studios of the streamer’s swelling Hollywood ambitions. With an estimated budget of $200 million, “Napoleon” may still have a long road to reach profitability for Apple, which partnered with Sony to distribute “Napoleon” theatrically. But it’s an undeniably strong beginning for an adult-skewing 168-minute historical drama.

“Wish,” however, had been supposed to have a more starry-eyed start. Disney Animation releases like “Frozen II” ($123.7 million over five days in 2019), “Ralph Breaks the Internet” ($84.6 million in 2018) and “Coco” ($71 million in 2017), have often owned Thanksgiving moviegoing.

But “Wish” wobbled, coming in with $31.7 million over five days and $19.5 million Friday through Sunday. It added $17.3 million internationally. It had been forecast to debut closer to $50 million.

“Wish,” at least, is faring better than Disney’s Thanksgiving release last year: 2022’s “Strange World” bombed with a five-day $18.9 million opening. But hopes had been higher for “Wish,” co-written and co-directed by the “Frozen” team of Chris Buck and Jennifer Lee and featuring the voices of Ariana DeBose and Chris Pine. “Wish,” a fairy tale centered around a wished-upon star, is also a celebration of Disney, itself, timed to the studio’s 100th anniversary and rife with callbacks to Disney favorites.

Critics weren’t impressed, saying “Wish” felt more like a marketing than movie magic. So instead of righting an up-and-down year for Disney, “Wish” is, for now, adding to some of the studio’s recent headaches, including the underperforming “The Marvels.” The Marvel sequel has limped to $76.9 million domestically and $110.2 million overseas in three weeks.

“Wish” also faced direct competition for families in “Trolls Band Together.” The DreamWorks and Universal Pictures release opened a week prior, and took in $17.5 million in its second frame ($25.3 million over five days).

“‘Wish’ ran into a much more competitive market than what Disney might normally see in the Thanksgiving corridor,” said Paul Dergarabedian, senior media analyst for data firm Comscore. “We’re accustomed to seeing those Disney films at the top of the chart. They kind of had to split the audience with ‘Trolls.’”

Still, the storybook isn’t written yet on “Wish.” It could follow the lead of Pixar’s “Elemental,” which launched with a lukewarm $29.6 million in June but found its legs, ultimately grossing nearly $500 million worldwide.

Also entering wide-release over the holiday weekend was Emerald Fennell’s “Saltburn,” the writer-director’s follow-up to 2020’s “Promising Young Woman.” After debuting in seven packed theaters last weekend, “Saltburn” grossed $3.1 million over five days for Amazon and MGM. Barry Keoghan stars as an Oxford student befriended by a rich classmate (Jacob Elordi) and invited to his family’s country manor.

As Hollywood’s award season accelerates (Netflix debuted Bradley Cooper’s “Maestro” in select theaters but didn’t report grosses), Focus Features’ “The Holdovers” continues to be one of the top choices in cinemas. Alexander Payne’s film starring Paul Giamatti as a boarding school instructor made $3.8 million over the five-day weekend. In five weeks, it’s grossed $12.9 million.

Ticket sales overall reached $172 million in US and Canada theaters over the five-day holiday weekend, according to Comscore. That’s up significantly from recent years but well behind the typical pre-pandemic Thanksgiving weekends. (In 2019, sales boosted by “Frozen 2” surpassed $262 million.)

When wildfires destroyed parts of Los Angeles this week, real estate agent Jenna Cooper started asking friends for clothing and other items to help people in need.

Her request spread quickly through a network of powerful women. Actors including Sharon Stone and Halle Berry responded, providing sweaters, shoes, clothing, handbags, belts, pajamas and more pulled from their own collections.

"I'm packing up my entire closet," Berry wrote on Instagram. "If you live in the Southern California area, I urge you to do the same. This is something we can do right now."

Cooper, who also runs a home goods store called +COOP, cleared half the space to create a pop-up shopping experience for displaced people to take what they need. Many Angelenos lost entire homes in the fires, which were still burning on Friday.

Stone circulated information about the donations on social media, which helped attract publicity. She and her sister, Kelly Stone, contributed clothing, bedding and more, and Kelly volunteered to assist shoppers.

"The first thing they need when they come in the store is a hug," Kelly Stone said. She then said to shoppers, "Show me pictures of yourself, how do you dress?" so she could direct them to sweaters or trench coats that reflected their style.

At the store on Friday, a therapy dog named Jackie Robinson greeted people at the door. Inside, they looked through racks of dresses and coats, stacks of denim, shelves of shoes and baskets of handbags.

Offerings ranged from packages of fresh underwear from Target to new or lightly used Zara dresses and some Gucci and Ferragamo shoes in the mix.

Cooper said she received donations and volunteer support from power players across Los Angeles, including actors, executives, lawyers, restaurant owners and moms. Her network of real estate agents in New York was sending gift cards, she said.

One Hollywood stylist came with two large bags of items from her closet and was enlisted to help organize the store for shoppers over the weekend.

"I know people who have lost everything, and even people I don't know I'm devastated for," said Lisa Cera, who has worked for celebrities including the Kardashians and Lenny Kravitz. "I decided I'm just going to bring whatever I can."

Ellen Bennett was choosing items for her 72-year-old mother, who lost her home in the Eaton fire on the east side of Los Angeles. Bennett said she selected "the basics," including socks, sweaters, pants, a jacket and a pair of running shoes.

"She left her house with her dog and a bag and just a few things. She thought she would come back," Bennett said of her mother, adding, "It's so special and beautiful that in this time of tragedy, people are rising up and helping each other."

Store owner Cooper said she helped a man find a pair of sneakers so he could run on the beach, something he had not done since the fires erupted. She said she was overwhelmed by the response to her idea to help.

"This is a city of love, and everybody wants to support each other," Cooper said.

‘Hunger Games’ Feasts, ‘Napoleon’ Conquers but ‘Wish’ Doesn’t Come True at Thanksgiving Box Office