‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
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‘Get Ready with Me’: Video Genre That Focuses on Everyday Life Is Everywhere — And Not Slowing Down 

TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)
TikToker Allie Pribula poses for a photograph in Mechanicsburg, Pa., Monday, Nov. 20, 2023. (AP)

“Get Ready with Me” — to go on a date, go to work or ... get fired?

“Get Ready with Me” videos are everywhere these days, and they’re as straightforward as the name suggests. Social media users, often influencers, invite viewers to watch them get ready to do something or go somewhere. And embedded in the storyline are the skin care, the makeup, the hairdo and all the glam that goes into looking hot — and, of course, the personal stories about life or love that arrest your attention.

GRWM videos, as they’re also known, are part of a trend of “with me” content that has gained popularity over the past decade. Think “Clean with Me” videos where users watch people clean their homes for inspiration or pleasure. Or hours-long “Study with Me” videos for students who want buddies for intense cramming sessions but don’t have any friends nearby.

More than a decade after debuting on YouTube in the days when creator content was still relatively new, “Get Ready with Me” videos and their personal sensibilities have inundated social media thanks to a shorter iteration of the genre, which seems to have lent them a more personal and even revelatory tone.

“For creators, this is a vehicle for storytelling,” says Earnest Pettie, a trends insight lead at YouTube. “It becomes an excuse to share something about your life.”

People are watching by the billion

The videos have made everyday tasks a core staple of our online diets on platforms like YouTube by drawing in viewers who find it either informative, communal, or both.

Consumers, for the most part, seem to be really into it. In a report released in August, YouTube said there were more than 6 billion views of videos titled with variations of “grwm” at that point in the year. On TikTok, videos with the hashtag “grwm” have been viewed more than 157 billion times.

Celebrities and “it girls” have hopped on the bandwagon, often to promote their brands or as part of Vogue’s “Beauty Secrets” series, which draws from the trend. In April, model Sofia Richie Grainge joined TikTok and posted a series of Get Ready with Me videos to offer fans an inside look into her wedding.

In the initial years of the genre, Pettie says, people would simply put on makeup in front of the camera. Soon after, the videos evolved to what is seen today — content creators getting glammed up while talking to their followers about whatever’s on their minds.

It experienced another revival in recent years with the popularity of short-form video, TikTok’s bread-and-butter — which was cloned by YouTube and Instagram in the form of Shorts and Reels, respectively.

The genre is being adopted by up-and-coming creators who might be uncomfortable sharing a story in a video without doing anything else, says Nicla Bartoli, the vice president of sales at Influencer Marketing Factory. Adding activities has the tendency to make content feel less heavy and more inviting, especially to viewers who’ve never come across the creator but are interested in what they’re doing.

Because users also tend to scroll quickly on TikTok, creators must capture a viewer’s attention right away before they move on to the next thing on their “For You” page. More engagement means more popularity, which typically leads to partnerships with companies eager to pay influencers through brand deals or other means.

“The level of compelling stories has been increasing a lot,” says Bartoli, whose company connects influencers with brands who want to partner with them to promote products. “It can be because it’s more crowded. You need to step up the game, so to speak.”

Get ready for emerging personalities

One of the most-known influencers in this arena is 22-year-old Alix Earle, who shares her experiences with struggles like acne, an eating disorder and panic attacks as well as lighthearted episodes about nights out with friends. She has nearly 6 million followers on TikTok.

Alisha Rei, 18, who lives in Toronto and models, says she wants to create viral social media content to help her build her following and, in turn, her modeling career. She says her friends told her to make Get Ready with Me videos because they tend to be popular.

Because of modeling events, Rei says she’d missed some shifts at her part-time job working at a mall shoe store. So she decided to make a “get ready with me to get fired” video while doing her makeup before she went back for another shift. The video was tagged #pleasedontbelikeme.

In an interview, Rei, a college freshman, says she received a warning from her manager but didn’t get fired.

Often, behind the “getting ready” content lurk other, more commercial messages.

Bartoli notes that many of the confessional videos do more than they might first appear: They can provide more engagement from users who want to receive updates on a story that’s being shared or know more about the products creators are using. That can make the videos good for product placements and encourage brand partnerships, which, according to Goldman Sachs, is the largest source of income for creators.

The investment bank said in a report earlier this year that the creator economy is worth $250 billion today and could roughly double in size by 2027.

Allie Pribula, a 25-year-old TikToker who used to be an elementary school teacher in the Philadelphia suburbs, says she started making GRWM videos as a way to process her feelings about her old job. Pribula says some companies have since reached out to her to offer gifts and have paid her to market products on her page. She says she considers it a “side hustle.”

Camilla Ramirez Diaz, a 25-year-old optician who lives in Burlingame, California, recently bought a freckle pen that was featured on GRWM videos she watches at night to wind down her day. Diaz prefers to watch them more on TikTok, where she says the content can be a bit more personal. She cites a video she recently came across from an influencer who was getting ready while stranded in London due to an expired passport.

“It's almost like you’re watching your friend on FaceTime with you,” Diaz says. “I could sit there all day and watch Get Ready with Me videos from different creators. They’re just a mix of everything.”



Warner Bros Rejects Revised Paramount Bid as Risky Leveraged Buyout

A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
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Warner Bros Rejects Revised Paramount Bid as Risky Leveraged Buyout

A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)

Warner Bros Discovery's board has unanimously turned down Paramount Skydance's latest attempt to acquire the studio, saying its revised $108.4 billion hostile bid amounted to a risky leveraged buyout that investors should reject.

In a letter to shareholders on Wednesday, Warner ​Bros' board said Paramount's offer hinges on "an extraordinary amount of debt financing" that heightens the risk of closing. It reaffirmed its commitment to streaming giant Netflix's $82.7 billion deal for the film and television studio and other assets.

Paramount and Netflix have been vying to win control of Warner Bros, and with it, its prized film and television studios and its extensive content library. Its lucrative entertainment franchises include "Harry Potter", "Game of Thrones", "Friends" and the DC Comics universe, as well as coveted classic films such as "Casablanca" and "Citizen Kane."

Paramount's financing plan would saddle the smaller Hollywood studio with $87 billion in debt once the acquisition closed, making it the largest leveraged buyout in history, the Warner Bros board told shareholders after voting against the $30-per-share cash offer on Tuesday.

The letter accompanied a 67-page amended merger filing where it laid out its case for rejecting Paramount's offer.

The ‌revised Paramount offer "remains inadequate particularly ‌given the insufficient value it would provide, the lack of certainty in PSKY’s ability ‌to ⁠complete ​the offer, ‌and the risks and costs borne by WBD shareholders should PSKY fail to complete the offer," the Warner Bros board wrote.

Paramount, which has a market value of about around $14 billion, proposed to use $40 billion in equity personally guaranteed by Oracle's billionaire co-founder Larry Ellison and $54 billion in debt to finance the deal.

Its financing plan would further weaken its credit rating, which S&P Global already rates at junk levels, and strain its cash flow – heightening the risk that the deal will not close, the Warner Bros board said.

Netflix, which has offered $27.75 a share in cash and stock, has a $400 billion market value and investment-grade credit rating.

The decision keeps Warner Bros on track to pursue the deal with Netflix, even after Paramount amended its bid on ⁠December 22 to address the earlier concerns about the lack of a personal guarantee from Ellison, who is Paramount's controlling shareholder and the father of its CEO David Ellison.

Warner Bros shares ‌closed at $28.47 on Tuesday.

HIGH BREAK-UP FEES

Wednesday's filing said Warner Bros' board met on ‍December 23 to review Paramount's amended offer and noted some improvements, including ‍Ellison's personal guarantee and a higher reverse termination fee of $5.8 billion, but found "significant costs" associated with Paramount's bid compared with a Netflix ‍deal.

Warner Bros would be obligated to pay the streaming service a $2.8 billion termination fee for abandoning its merger agreement with Netflix, $1.5 billion in fees to its lenders and about $350 million in additional financing costs.

Altogether, Warner Bros said it would incur about $4.7 billion in additional costs to terminate its deal with Netflix, or $1.79 per share.

The board repeated some concerns it had laid out on December 17, such as that Paramount would impose operating restrictions on the studio ​that would harm its business and competitive position, including barring the planned spin-out of the company's cable television networks into a separate public company, Discovery Global.

Paramount offered "insufficient compensation" for the damage done to the studio's business, if the Paramount ⁠deal failed to close, Warner Bros said.

Paramount "repeatedly failed to submit the best proposal" to Warner Bros shareholders, the board wrote, "despite clear direction" on the deficiencies in its bid and potential solutions.

TILTING THE POWER BALANCE IN HOLLYWOOD

The jockeying for Warner Bros has become Hollywood's most closely watched takeover battle, as studios race to scale up amid intensifying competition from streaming platforms and volatile theatrical revenues.

While Netflix's offer has a lower headline value, analysts have said it presents a clearer financing structure and fewer execution risks than Paramount's bid for the entire company, including its cable TV business.

Harris Oakmark, Warner Bros' fifth-largest investor, previously told Reuters that Paramount's revised offer was not "sufficient," noting it was not enough to cover the breakup fee.

Paramount has argued its bid would face fewer regulatory obstacles, but a combined Paramount-Warner Bros entity would create a formidable competitor to industry leader Disney and merge two major television operators and two streaming services.

The valuation of Warner Bros' planned Discovery Global spin-off, which includes cable television networks CNN, TNT Sports and the Discovery+ streaming service, is seen as a major sticking point.

Analysts peg the cable channels' value at up to $4 per share, while Paramount has suggested just $1.

Lawmakers ‌from both parties have raised concerns about further consolidation in the media industry, and US President Donald Trump has said he plans to weigh in on the landmark acquisition.


Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)
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Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)

After just two and half weeks of release, the Sydney Sweeney box-office hit “The Housemaid” is getting a sequel.

Lionsgate announced Tuesday that it will start production on “The Housemaid's Secret” later this year. The film will be based on the second of Freida McFadden's bestselling trilogy of books.

“The Housemaid” has been a hit at the holiday box office, grossing more than $75 million and $133 million worldwide in 17 days of release. The psychological thriller directed by Paul Feig cost a modest $35 million to make.

Lionsgate said “The Housemaid's Secret” is being developed with the aim of Feig and Sweeney returning, including Sweeney as an executive producer. “The Housemaid” screenwriter Rebecca Sonnenshine is writing the sequel.

“It’s clear from both the global box office and from the outpouring on social media that audiences have responded strongly — and audibly — to the totally unique and truly theatrical experience of The Housemaid and want to know what happens next,” said Adam Fogelson, Lionsgate Motion Picture Group chairman, in a statement.

“The Housemaid” has handed Sweeney a major box-office victory after a disappointing result for her awards-hopeful boxing drama “Christy” in November. That film grossed only $2 million worldwide. In “The Housemaid,” Sweeney stars a live-in housemaid hired by a wealthy couple played by Amanda Seyfried and Brandon Sklenar.


Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
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Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)

Timothee Chalamet's Oscars campaign earned a major boost Sunday as he scooped the best actor prize for "Marty Supreme" at the Critics Choice Awards, the first major gala of this year's Hollywood awards season.

He defeated rival Leonardo DiCaprio, whose raucous political thriller "One Battle After Another" took the night's top prize for best picture, as well as best director and best adapted screenplay for Paul Thomas Anderson.

In "Marty Supreme," Chalamet plays a 1950s table tennis champion consumed by grand ambitions.

Loosely based on a true story, and benefiting from the Franco-American actor's unique viral campaign, the film directed by Josh Safdie ("Uncut Gems") has become an unlikely global hit.

"Josh, you made a story about a flawed man with a relatable dream," said Chalamet. "And you didn't preach to the audience about what's right and wrong, and I think we should all be telling stories like that, so thank you for this dream."

The movie is loosely based on the life of table tennis star Marty Reisman, a man driven by the belief that he can achieve fame and fortune through a sport little known in the United States.

Chalamet -- the "Dune" superstar and two-time Oscar nominee who recently portrayed Bob Dylan in "A Complete Unknown" -- rigorously trained in table tennis for the role.

The 30-year-old has in the past made no secret of his ambitions to win multiple Academy Awards, and will now be the frontrunner for the ceremony on March 15.

- Oscars momentum -

The awards bestowed by North America's largest critics' group could give movie campaigns much-needed extra momentum as Oscars voting nears.

This year, it took the coveted first weekend of awards season usually occupied by the Golden Globes, which will take place in Beverly Hills next weekend.

Jessie Buckley won best actress for her tragic role as the wife of William Shakespeare in period drama "Hamnet."

Jacob Elordi won best supporting actor for his portrayal of the Monster in "Frankenstein," which also won three technical awards, while Amy Madigan won supporting actress for a villainous turn in horror flick "Weapons."

Netflix's global mega-hit musical "KPop Demon Hunters" won best animated feature and best song.

"Sinners," a period horror film also seen as a major contender for many of this season's top prizes, had to settle for best original screenplay, young actor, score, and casting and ensemble.

Among the television prizes, hospital saga "The Pitt" won best drama, Hollywood satire "The Studio" won best comedy, and teen murder drama "Adolescence" won best limited series.

Best talk show winner Jimmy Kimmel joked about his spat with US President Donald Trump last year, which saw the late-night host briefly taken off the air.

In the show's opening monologue, host Chelsea Handler paid tribute to the late Rob Reiner, "the nicest guy in Hollywood."

The beloved "When Harry Met Sally" director and his wife Michele were found stabbed to death in their Los Angeles home last month.

"Anyone who ever spent time with Rob Reiner knows that the minute that you met him, he felt like an old friend," she said, to emotional applause from the gathered A-listers and critics.