Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
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Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)

French electronic music pioneer Jean-Michel Jarre plans a mixed reality show “surrounded by all the elements of French digital savoir-faire”, at the famous Château de Versailles’ Hall of Mirrors, on December 25.

The event celebrates the 400th birthday of the Château de Versailles, which was the favorite hunting staycation of Louis XIII, and then became a symbol of absolute monarchy and an embodiment of classic art during the rule of Louis XIV, in 1623.

“The idea of the concert, which hosts spectators live and virtually on social media, is to surround oneself with the French digital savoir-faire as a tribute to the continuation of creativity,” Jarre told Agence France Press (AFP).

The electronic musician recalled that Versailles was a destination for “the dreamers who created automatons, the ancestors of robots, for example.”

According to Jarre, the concert is planned “in three modes at the same time.” First, the live concert at the Hall of Mirrors for the attending audience. Second, in virtual reality at a gallery reconstructed in collaboration with Vrroom, a French platform and studio specializing in designing immersive shows.

The virtual audience can access the concert on VR headsets, tablets and smartphones. The third mode is the live broadcast on the French TV channels, including (Groupe M6-W9), international TV channels, on radio (RTL) and other platforms.

During the concert, Jarre will be wearing a VR headset fashioned by Lynx, a French startup specializing in mixed reality. “It’s an exceptional headset that allows me to connect with the audience in the hall and on social media,” the musician explained.

The program includes some of his greatest hits, some of which were specially redistributed for this event.

The renowned musician, also known as JMJ, said that what he loves the most about VR is “the ability to invite the audience to live in their dreams.” He also promised to introduce a world that blends Tron, a famous sci-fi movie from the 1980s, with the works of Tim Burton inspired by magic and darkness. The show also recalls the “passing through mirrors” idea, inspired by Jean Cocteau’s Beauty and The Beast.

For his event, JMJ plans on using artificial intelligence for his virtual content. “In this case, when it comes to graphics, AI is the extension of my imagination. It’s a super-collaborator which I keep under control,” he explained.

Jarre, who was the president of the International Confederation of Societies of Authors and Composers (CISAC), acknowledged the AI-related concerns about property rights. A recent fake duo that used the voices of Drake and The Weeknd without their consent, stirred remarkable controversy.

“Every tech innovation has a tech response. When an algorithm is capable of doing something like this, we should develop another algorithm that determines the source of what we are using, like the share of The Weeknd, Gainsbourg or Jarre (laughing), to make sure rights are distributed fairly,” he says.

“We shouldn’t be afraid of regulations. Behind regulations, there is freedom. We invented the driving license that allows us to drive on roads,” he adds.

Jean-Michel Jarre, the immersive performance savvy, performed a VR concert on December 31, 2020. Sponsored by UNESCO and virtually held at the Notre Dame Cathedral, the event was free, accessible around the world and broadcasted on YouTube and Facebook.



Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.