Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
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Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)

French electronic music pioneer Jean-Michel Jarre plans a mixed reality show “surrounded by all the elements of French digital savoir-faire”, at the famous Château de Versailles’ Hall of Mirrors, on December 25.

The event celebrates the 400th birthday of the Château de Versailles, which was the favorite hunting staycation of Louis XIII, and then became a symbol of absolute monarchy and an embodiment of classic art during the rule of Louis XIV, in 1623.

“The idea of the concert, which hosts spectators live and virtually on social media, is to surround oneself with the French digital savoir-faire as a tribute to the continuation of creativity,” Jarre told Agence France Press (AFP).

The electronic musician recalled that Versailles was a destination for “the dreamers who created automatons, the ancestors of robots, for example.”

According to Jarre, the concert is planned “in three modes at the same time.” First, the live concert at the Hall of Mirrors for the attending audience. Second, in virtual reality at a gallery reconstructed in collaboration with Vrroom, a French platform and studio specializing in designing immersive shows.

The virtual audience can access the concert on VR headsets, tablets and smartphones. The third mode is the live broadcast on the French TV channels, including (Groupe M6-W9), international TV channels, on radio (RTL) and other platforms.

During the concert, Jarre will be wearing a VR headset fashioned by Lynx, a French startup specializing in mixed reality. “It’s an exceptional headset that allows me to connect with the audience in the hall and on social media,” the musician explained.

The program includes some of his greatest hits, some of which were specially redistributed for this event.

The renowned musician, also known as JMJ, said that what he loves the most about VR is “the ability to invite the audience to live in their dreams.” He also promised to introduce a world that blends Tron, a famous sci-fi movie from the 1980s, with the works of Tim Burton inspired by magic and darkness. The show also recalls the “passing through mirrors” idea, inspired by Jean Cocteau’s Beauty and The Beast.

For his event, JMJ plans on using artificial intelligence for his virtual content. “In this case, when it comes to graphics, AI is the extension of my imagination. It’s a super-collaborator which I keep under control,” he explained.

Jarre, who was the president of the International Confederation of Societies of Authors and Composers (CISAC), acknowledged the AI-related concerns about property rights. A recent fake duo that used the voices of Drake and The Weeknd without their consent, stirred remarkable controversy.

“Every tech innovation has a tech response. When an algorithm is capable of doing something like this, we should develop another algorithm that determines the source of what we are using, like the share of The Weeknd, Gainsbourg or Jarre (laughing), to make sure rights are distributed fairly,” he says.

“We shouldn’t be afraid of regulations. Behind regulations, there is freedom. We invented the driving license that allows us to drive on roads,” he adds.

Jean-Michel Jarre, the immersive performance savvy, performed a VR concert on December 31, 2020. Sponsored by UNESCO and virtually held at the Notre Dame Cathedral, the event was free, accessible around the world and broadcasted on YouTube and Facebook.



‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
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‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)

It’s a three-peat for “Beetlejuice Beetlejuice.”
The Tim Burton legacy sequel to his 1988 horror comedy topped the North American box office charts for the third straight weekend with $26 million in ticket sales, according to studio estimates Sunday.
It edged out the animated new release “Transformers: One,” which brought in $25 million. The Optimus Prime origin story from Paramount Pictures features the voices of Chris Hemsworth, Brian Tyree Henry and Scarlett Johansson.
“Beetlejuice Beetlejuice,” a Warner Bros. release with Michael Keaton and Winona Ryder returning as stars, has earned more than $226 million domestically in its three weeks after a monster opening of $110 million — the third best of the year — and a second weekend of $51.6 million, The Associated Press reported.
Third place went to the James McAvoy horror “Speak No Evil,” which came in at $5.9 million in its second week for a total of $21.5 million.
On the whole, the box office was in a quiet phase that is expected to break when “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.
The year’s second-highest grosser “Deadpool & Wolverine” remained in the top 5 in its ninth weekend with another $3.9 million and a domestic total of $627 million. Only Pixar's “Inside Out 2” has earned more.
The Demi Moore-starring, Coralie Fargeat-directed body horror “The Substance," which made a splash at the Cannes Film Festival, brought in $3.1 million on limited screens in its first weekend for the sixth spot.
The Daily Wire movie “Am I Racist?” — in which conservative columnist Matt Walsh goes undercover as a “DEI trainee” — stayed in the top 10 after a fourth place finish last week, earning $2.9 million for seventh place and a two-week total of $9 million.
Estimated ticket sales for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.