Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
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Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)

Glynis Johns, a Tony Award-winning stage and screen star who played the mother opposite Julie Andrews in the classic movie “Mary Poppins” and introduced the world to the bittersweet standard-to-be “Send in the Clowns” by Stephen Sondheim, has died. She was 100.

Mitch Clem, her manager, said she died Thursday at an assisted living home in Los Angeles of natural causes. “Today’s a sad day for Hollywood,” Clem said. “She is the last of the last of old Hollywood.”

Johns was known to be a perfectionist about her profession — precise, analytical and opinionated. The roles she took had to be multi-faceted. Anything less was giving less than her all.

“As far as I’m concerned, I’m not interested in playing the role on only one level,” she told The Associated Press in 1990. “The whole point of first-class acting is to make a reality of it. To be real. And I have to make sense of it in my own mind in order to be real.”

Johns’ greatest triumph was playing Desiree Armfeldt in “A Little Night Music,” for which she won a Tony in 1973. Sondheim wrote the show’s hit song “Send in the Clowns” to suit her distinctive husky voice, but she lost the part in the 1977 film version to Elizabeth Taylor.

“I’ve had other songs written for me, but nothing like that,” Johns told the AP in 1990. “It’s the greatest gift I’ve ever been given in the theater.”

Others who followed Johns in singing Sondheim’s most popular song include Frank Sinatra, Judy Collins, Barbra Streisand, Sarah Vaughan and Olivia Newton-John. It also appeared in season two of “Yellowjackets” in 2023, sung by Elijah Wood.

Back when it was being conceived, “A Little Night Music” had gone into rehearsal with some of the book and score unfinished, including a solo song for Johns. Director Hal Prince suggested she and co-star Len Cariou improvise a scene or two to give book writer Hugh Wheeler some ideas.

“Hal said ‘Why don’t you just say what you feel,”’ she recalled to the AP. “When Len and I did that, Hal got on the phone to Steve Sondheim and said, ‘I think you’d better get in a cab and get round here and watch what they’re doing because you are going to get the idea for Glynis’ solo.”’

Johns was the fourth generation of an English theatrical family. Her father, Mervyn Johns, had a long career as a character actor and her mother was a pianist. She was born in Pretoria, South Africa, because her parents were visiting the area on tour at the time of her birth.

Johns was a dancer at 12 and an actor at 14 in London’s West End. Her breakthrough role was as the amorous mermaid in the title of the 1948 hit comedy “Miranda.”

“I was quite an athlete, my muscles were strong from dancing, so the tail was just fine; I swam like a porpoise,” she told Newsday in 1998. In 1960’s “The Sundowners,” with Deborah Kerr and Robert Mitchum, she was nominated for a best supporting actress Oscar. (She lost out to Shirley Jones in “Elmer Gantry.”)

Other highlights include playing the mother in “Mary Poppins,” the movie that introduced Julie Andrews and where she sang the rousing tune “Sister Suffragette.” She also starred in the 1989 Broadway revival of “The Circle,” W. Somerset Maugham’s romantic comedy about love, marriage and fidelity, opposite Rex Harrison and Stewart Granger.

“I’ve retired many times. My personal life has come before my work. The theater is just part of my life. It probably uses my highest sense of intelligence, so therefore I have to come back to it, to realize that I’ve got the talent. I’m not as good doing anything else,” she told the AP.

To prepare for “A Coffin in Egypt,” Horton Foote’s 1998 play about a grand dame reminiscing about her life on and off a ranch on the Texas prairie, she asked the Texas-born Foote to record a short tape of himself reading some lines and used it as her coach.

In a 1991 revival of “A Little Night Music” in Los Angeles, she played Madame Armfeldt, the mother of Desiree, the part she had created. In 1963, she starred in her own TV sitcom “Glynis.”

Johns lived all around the world and had four husbands. The first was the father of her only child, the late Gareth Forwood, an actor who died in 2007.



Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
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Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo

Silvio Santos, a Brazilian television executive and presenter known for his beaming smile and catchphrase “Who wants money?” has died after a decades-long career in the spotlight. He was 93.

Santos owned the television network SBT and created several variety shows. The most famous of them carried his name, which he hosted since 1963, and in recent years had aired on Sunday nights. It is one of Brazil’s longest running television programs. Santos brought several other successful programs to his network, such as “Show of the Million” and the reality show "Artists’ House.”

“Today heaven is happy with the arrival of our beloved Silvio Santos. He lived 93 years to bring happiness and love to all Brazilians. ... That wide smile and familiar voice will forever be remembered with much gratitude,” the SBT network said in a statement Saturday on social media, The AP reported.

His passing will change weekends in millions of Brazilian homes that have tuned in to the “Silvio Santos Program” and were welcomed by its opening jingle: “Here comes Silvio Santos!” He folded airplanes of cash and tossed them over the crowd during his show, some episodes of which extended for as long as 10 hours. He constantly interacted with audience members and — with a custom microphone attached to his collar -- was free to wave his hands in the air.

Even into his 90s, he continued dying his hair brown, adding to the agelessness he exuded. His well-groomed hair became another of his trademarks.

In 2013, Forbes magazine compared him to Oprah Winfrey and movie directors Steven Spielberg and George Lucas.

Santos was known universally by his stage name, though he was born Senor Abravanel in the raucous Lapa neighborhood of downtown Rio de Janeiro. As an adolescent, he sold pens and plastic sleeves for electoral identification cards and did tricks with coins and playing cards.

So engaging were his sales pitches that they led to an offer to audition to be a radio host. He bounced from station to station in Rio and after a stint in the military finally found media success in Sao Paulo. His first television job came in the early 1960s with the Globo network, at the time called TV Paulista, where the “Silvio Santos Program” was later born.

About a decade later, he acquired his first television concession and set out to build an empire. He founded SBT, which by 2021 was the third most-watched network among the country’s 214 million people.

Not all of his quips landed well. He was repeatedly accused of misogyny for comments about women’s appearances or that caused discomfort.

Santos also had ventures in cosmetics, hotels and even a bank. Forbes estimated Santos’ net worth from 30 companies to be 2 billion reais (about $380 million) in 2020.

His broad appeal — not to mention his control over airwaves — at times drew the attention of political parties that proposed putting him up as a candidate for office. He tested the waters in 1989, with the launch of a presidential campaign, but the electoral authority barred his candidacy due to his ownership of a television network.

Still, he remained close to politicians, and kept a program on air for 15 years titled “The President’s Week." It exhibited positive things the leader had accomplished set to a soundtrack of trumpets and drums. It lauded the achievements of the last general who commanded Brazil during the dictatorship, João Figueiredo, up to Fernando Henrique Cardoso toward the turn of the century.

Later, Presidents Luiz Inácio Lula da Silva and Dilma Rousseff participated in a documentary about Santos shown in 2021, in honor of SBT’s 40th anniversary.

One of his sons-in-law, Fabio Faria, became the minister of communications under President Jair Bolsonaro's administration.

In January 2022, Faria posted on Instagram a black-and-white video showing Santos’ career that was narrated by the presenter himself.

"I’m just a street peddler in a suit and tie selling my products, selling the ads, the programs,” the presenter said in the video. “I also believe that it’s the voice, that there is something inexplicable about it. Because it’s the voice that touches the viewer, touches you who are on the other side.”

Santos is survived by his wife, Iris Abravanel, and six daughters.