Hollywood’s Brightest Stars Turn Out for the American Film Institute Awards

 Leonardo DiCaprio attends the AFI (American Film Institute) Awards Luncheon in Los Angeles, California, US, January 12, 2024. (Reuters)
Leonardo DiCaprio attends the AFI (American Film Institute) Awards Luncheon in Los Angeles, California, US, January 12, 2024. (Reuters)
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Hollywood’s Brightest Stars Turn Out for the American Film Institute Awards

 Leonardo DiCaprio attends the AFI (American Film Institute) Awards Luncheon in Los Angeles, California, US, January 12, 2024. (Reuters)
Leonardo DiCaprio attends the AFI (American Film Institute) Awards Luncheon in Los Angeles, California, US, January 12, 2024. (Reuters)

Laughs and hugs were shared between Hollywood's best — including Margot Robbie, Meryl Streep and Leonardo DiCaprio — during a celebratory ceremony where everyone ended up walking away a winner at the American Film Institute Awards on Friday.

The annual invite-only luncheon honored 10 films and 10 television shows with well-spoken words about each celebrated project followed by a brief clip of a scene.

“Welcome to the annual AFI group hug,” institute President Bob Gazzale said as many in the audience chuckled. “For those who are new to this humble affair, the answer is ‘No. ... No.' You are not going to lose. Losing doesn't happen here.”

Most appeared in a jovial mood with smiles and lengthy conversations in the ballroom in Beverly Hills.

Robbie chatted for a while with “Oppenheimer” director Christopher Nolan, who eventually pivoted to shake hands with Robbie's “Barbie” castmate America Ferrera. “Maestro” stars Bradley Cooper and Carey Mulligan enjoyed their time together on the red carpet while “Beef” star Ali Wong caught up with Ted Sarandos, co-CEO of Netflix.

“American Fiction” stars Jeffrey Wright and Sterling K. Brown huddled up with “Jury Duty” star James Marsden and former BET CEO Debra L. Lee. Director Steven Spielberg took photos with “Barbie” director Greta Gerwig.

The AFI event is all about having fun, creating a laid-back vibe with no pressure.

“When we began this event, now over 20 years ago, the idea was simple: We tell you you're great and why,” Gazzale said. “We share a moment of your film or television program. ... This community is not competition. It's never a competition. I know that doesn't sound ideal. But that's who we are.”

Films honored include “American Fiction,” “Barbie,” “The Holdovers,” “Killers of the Flower Moon,” “Maestro,” “May December,” “Oppenheimer,” “Past Lives,” “Poor Things" and “Spider-Man: Across the Spider-Verse.”

Television shows recognized were “Abbott Elementary,” “The Bear,” “Beef,” “Jury Duty,” “The Last of Us,” “The Morning Show,” “Only Murders in the Building,” “Poker Face,” “Reservation Dogs” and “Succession.”

Others in the star-studded room included Cillian Murphy, Emily Blunt, Jennifer Aniston, Robert Downey Jr., Emma Stone, Selena Gomez, Quinta Brunson, Lily Gladstone, Ayo Edebiri and Tracee Ellis Ross.

Ellen Burstyn closed the luncheon with a benediction to celebrate the honorees, whom she praised.

“I feel blessed to be part of this amazing tribe,” the 91-year-old Oscar, Emmy and Tony award winner said. “Thank you all for celebrating the best without making it a competition, just a shared appreciation. We appreciate you all.”



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."