‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
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‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)

"Oppenheimer," Christopher Nolan's epic movie about the creation of the atomic bomb, cleaned up at the Critics Choice Awards on Sunday, winning best picture and seven other prizes over its rivals as the Oscars race heats up.

The $1 billion-grossing movie, now the clear frontrunner for the Academy Awards in March, also won for best director, supporting actor, cinematography, score, ensemble, editing, and visual effects.

Collecting his prize for directing, Nolan thanked the critics who "helped with convincing mainstream audiences that a film about quantum physics and apocalypse could be worth their time."

Robert Downey Jr. thanked his fellow "Oppenhomies'" as he followed up his Golden Globe win with another best supporting actor prize.

Despite the dominance of "Oppenheimer," the remaining acting categories rewarded other films at the gala -- one of a raft of major awards shows in the run-up to the Academy Awards, which take place this year on March 10.

Emma Stone won best actress for "Poor Things," a surreal dark comedy in which she plays a Victorian reanimated corpse with the brain of an infant, who gradually learns about the world but refuses to pander to its social mores and hierarchies.

"Playing Bella was one of the greatest joys of my life. I got to unlearn a lot of things in playing her -- unlearn parts of shame, and societal stuff that gets put on us," she said.

"I'm very grateful to the critics... but I'm just learning not to care what you think," Stone joked.

The award is her latest after she won at last weekend’s Globes -- as did Paul Giamatti, who famously celebrated his victory by taking a late-night trip with his trophy to California's popular fast-food chain In-N-Out Burger.

"I didn't think my week could get any better than going viral for eating a cheeseburger," joked Giamatti as he won the best actor trophy for 1970s-set prep school comedy "The Holdovers."

"It's a good story about people connecting in divisive times. So, thank you for helping get it out to audiences."

The win puts the veteran actor, known for hits like "Sideways," head-to-head with Cillian Murphy, who portrays J. Robert Oppenheimer in Nolan's biopic, for the Oscars race.

Fellow "Holdovers" star Da'Vine Joy Randolph consolidated her position as this year's best supporting actress with her latest win for her portrayal of the school's grieving cook.

The Critics Choice Awards -- chosen by almost 600 members of North America's largest critics organization -- laid out a red carpet and lavish gala at a former airport hangar in Los Angeles for Hollywood A-listers.

Although "Barbie" -- the other half of last summer's "Barbenheimer" box office phenomenon -- has so far failed to capture top prizes this awards season, it was showered with honors in a range of other categories.

The film won for best comedy, original screenplay, song, production design, costume, and hair and makeup.

French courtroom drama "Anatomy of a Fall" won for best foreign-language film, and "Spider-Man: Across the Spider-Verse" was named best animated movie.

"American Fiction" won best adapted screenplay, while Harrison Ford accepted a career achievement award at the gala, hosted by comedian Chelsea Handler.



Star Wars Series ‘Andor’ Back for Final Season

Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
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Star Wars Series ‘Andor’ Back for Final Season

Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)
Mexican actor Diego Luna attends the launch event for the second season of Lucasfilm's "Andor" at El Capitan theater in Hollywood, California, on April 14, 2025. (AFP)

If "Andor" -- which returns from Tuesday for its second and final season -- has been received as one of the very best "Star Wars" TV series, that is largely thanks to the grittier, more adult approach taken by its creator Tony Gilroy.

That standpoint -- far, far away from the family-pleasing tone often encountered in the "Star Wars" universe run by the Disney empire -- should be of no surprise to those who watched the 2002 action thriller "The Bourne Identity", written by Gilroy.

Its genesis was already evident in the 2016 "Star Wars" movie "Rogue One", which Gilroy co-wrote -- and which serves as the climax to "Andor", which recounts the rebellion leading up to that film's events.

"Everything is emotionally charged" because "we're getting close to 'Rogue One'," Diego Luna, the actor who plays the protagonist Cassian Andor, told AFP.

For Disney, the success of "Andor" stands out as a new hope for a franchise that has become hit-or-miss with audiences in recent years.

That is why it has banked heavily on the 12-episode story, which cost a staggering $645 million to make, according to Forbes magazine.

Where "Rogue One" was about a rebel suicide mission to steal the plans for the Death Star, with "characters that sacrifice everything for a cause", "Andor" is about how one of those characters "gets there", Luna said.

Unlike in a typical hero's journey, the series explores the motives and dark sides of both camps: the rebels and the Empire. It spends time with figures such as a rebel alliance operative played by Swedish actor Stellan Skarsgard.

Gilroy, speaking to AFP with Luna during a Paris visit, said the original plan was for five seasons of "Andor", but he came to realize "there's no physical way to do it" given "the volume of work" required.

The result was two seasons, but with episodes that were "more intense, more complex in every possible way", Luna said.

With season one finishing in late 2022 with a stunning 96-percent rating on the critic aggregation site Rotten Tomatoes, season two has star billing on the Disney+ streaming platform.

That season hits the small screen from Tuesday in the United States, or from Wednesday in France, Germany, Italy and other territories.

- Revolutionary reading -

"Andor" is not the only hit "Star Wars" television series.

"The Mandalorian", which preceded it, excited audiences for the first two seasons before interest waned in its third. That story will move to the cinemas, with a film scheduled for release next year.

But "Andor" has impressed fans and critics with its darker vibe, greater political themes and more realistic tone.

Gilroy said his approach to the series was informed by a decades-long reading obsession about uprisings -- "all this crazy stuff I've learnt about... the Russian Revolution and... the French Revolution, and Thomas Paine and Oliver Cromwell and the Haitian Revolution and the Roman Revolution and Zapata."

"I mean, it's all in there," he said.

The second season focuses on the use of propaganda, looking at the tragic destiny of a planet called Ghorman, for which Gilroy and his team embarked on serious world-building, imagining its economy, language, culture and dress.

Part of the inspiration came from a French TV series about a village living under German occupation in World War II, "A French Village".

"I loved that show... I had some of those actors in my head" while writing about Ghorman's inhabitants, he said.

Even if some people might see some echoes of today's Earth in aspects of "Andor", Gilroy said a writer's horizon, stretching years ahead, did not allow him to anticipate current events.

But, he said, "the sad truth is that history is... rinse and repeat," adding: "We so commonly feel, narcissistically, that we live in unique times."

Technology might change, the rhetoric might alter, "but the dynamic of oppression and resistance are a Catherine wheel. It just keeps going. I think it's timeless, sadly."