‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
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‘Oppenheimer’ Wins Big at Critics Choice Awards 

Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)
Christopher Nolan accepts the award for best director for "Oppenheimer" during the 29th Critics Choice Awards on Sunday, Jan. 14, 2024, at the Barker Hangar in Santa Monica, Calif. (AP)

"Oppenheimer," Christopher Nolan's epic movie about the creation of the atomic bomb, cleaned up at the Critics Choice Awards on Sunday, winning best picture and seven other prizes over its rivals as the Oscars race heats up.

The $1 billion-grossing movie, now the clear frontrunner for the Academy Awards in March, also won for best director, supporting actor, cinematography, score, ensemble, editing, and visual effects.

Collecting his prize for directing, Nolan thanked the critics who "helped with convincing mainstream audiences that a film about quantum physics and apocalypse could be worth their time."

Robert Downey Jr. thanked his fellow "Oppenhomies'" as he followed up his Golden Globe win with another best supporting actor prize.

Despite the dominance of "Oppenheimer," the remaining acting categories rewarded other films at the gala -- one of a raft of major awards shows in the run-up to the Academy Awards, which take place this year on March 10.

Emma Stone won best actress for "Poor Things," a surreal dark comedy in which she plays a Victorian reanimated corpse with the brain of an infant, who gradually learns about the world but refuses to pander to its social mores and hierarchies.

"Playing Bella was one of the greatest joys of my life. I got to unlearn a lot of things in playing her -- unlearn parts of shame, and societal stuff that gets put on us," she said.

"I'm very grateful to the critics... but I'm just learning not to care what you think," Stone joked.

The award is her latest after she won at last weekend’s Globes -- as did Paul Giamatti, who famously celebrated his victory by taking a late-night trip with his trophy to California's popular fast-food chain In-N-Out Burger.

"I didn't think my week could get any better than going viral for eating a cheeseburger," joked Giamatti as he won the best actor trophy for 1970s-set prep school comedy "The Holdovers."

"It's a good story about people connecting in divisive times. So, thank you for helping get it out to audiences."

The win puts the veteran actor, known for hits like "Sideways," head-to-head with Cillian Murphy, who portrays J. Robert Oppenheimer in Nolan's biopic, for the Oscars race.

Fellow "Holdovers" star Da'Vine Joy Randolph consolidated her position as this year's best supporting actress with her latest win for her portrayal of the school's grieving cook.

The Critics Choice Awards -- chosen by almost 600 members of North America's largest critics organization -- laid out a red carpet and lavish gala at a former airport hangar in Los Angeles for Hollywood A-listers.

Although "Barbie" -- the other half of last summer's "Barbenheimer" box office phenomenon -- has so far failed to capture top prizes this awards season, it was showered with honors in a range of other categories.

The film won for best comedy, original screenplay, song, production design, costume, and hair and makeup.

French courtroom drama "Anatomy of a Fall" won for best foreign-language film, and "Spider-Man: Across the Spider-Verse" was named best animated movie.

"American Fiction" won best adapted screenplay, while Harrison Ford accepted a career achievement award at the gala, hosted by comedian Chelsea Handler.



Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
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Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP

US movie theaters are hoping the lightning-in-a-bottle magic of last year's "Barbenheimer" phenomenon can strike again this weekend, with the simultaneous release of two of 2024's most hyped films: "Wicked" and "Gladiator II."
"Wicked" is the movie adaptation of the hit Broadway musical, starring pop sensation Ariana Grande, while "Gladiator II" marks Ridley Scott's return to ancient Rome, 24 years after his epic original won the best picture Oscar.
Whether audiences will embrace the tongue-in-cheek "Glicked" (or "Wickiator") memes being hopefully circulated by marketing departments -- or even dress up in witch hats and togas -- remains to be seen.
But cinema lobbies and shopping malls across the country are being daubed in the pink-and-green shades of the "Wicked" witches, and kitted out with cardboard miniature Colosseums, ahead of a period that analysts say will be crucial for the industry, AFP said.
"I am certain that this is going to be the biggest Thanksgiving the industry has ever seen," said Jordan Hohman, an executive at Phoenix Theatres.
"Wicked" alone is "the biggest opening film in terms of advance sale tickets" in the US chain's 24-year history, currently pacing 63 percent ahead of "Barbie," added president Cory Jacobson.
While rival Hollywood studios have traditionally been wary of launching two major films on the same weekend, the record-breaking summer of 2023 showed it can be mutually beneficial -- with the right movies.
Like "Barbie" and "Oppenheimer," the female-skewing "Wicked" and male-focussed "Gladiator II" are "oriented to different audiences," said analyst David A. Gross, of Franchise Entertainment Research.
"Wicked" has inspired promotional tie-ins like a makeup line and a cupcake kit, while "Gladiator" ads have been ubiquitous during NFL telecasts.
"There is zero issue in terms of stepping on each other's feet," said Gross.
Still, matching the heady heights of "Barbie" and "Oppenheimer" will be a tough ask. Those films took $245 million combined on their opening weekend in North America alone.
"Barbenheimer was an example of two films massively over-performing... an unexpected best-case scenario," cautioned Daniel Lora, senior VP of content strategy for Boxoffice Media.
But part of the industry's current bullishness comes from another massive film, Disney's "Moana 2," which will join "Wicked" and "Gladiator II" in multiplexes just a week later.
"I don't think this is a two-picture experience. I think it's a three-picture experience," said Jacobson.
Marketing blitz
Should the next few weeks live up to hopes, it will come at a much-needed time for Hollywood.
Despite a profitable summer featuring hit sequels like "Inside Out 2" and "Deadpool & Wolverine," 2024 has been a mixed bag for an industry still dreaming of a return to pre-pandemic numbers.
The first five months of the year were hampered by a thin release schedule, stemming from the production delays caused by Hollywood strikes and Covid.
The fall has also been a disappointment, with box office dud "Joker: Folie A Deux" foremost among a series of flops and middling releases.
But the early signs for this weekend look promising.
"Gladiator II" opened in dozens of other countries last week, taking a whopping $87 million overseas. Paramount will be hoping for similar numbers in the US this weekend.
"Wicked," from Universal, the studio behind "Oppenheimer," is predicted to take north of $100 million this weekend in North America alone.
Both movies have benefited from long, expensive marketing campaigns.
At a major Las Vegas movie theater convention in April, Paramount began their annual presentation with an executive riding into the Caesars Palace arena on a chariot flanked by Roman soldiers.
Universal's presentation ended with thousands of plastic flowers held aloft by audience members to create a giant green-and-pink "Wicked" themed electronic lightshow.
Eight months later, both studios will learn if those strategies have converted into ticket sales.
"When something really catches fire, and it's not just a marketing campaign flogging it, honestly it can just take off and go higher than anybody can predict," said Gross.
"So let's see what happens."