Jodie Foster's Back, 'Barbie' Brings Novel Numbers and Other Oscar Nomination Facts and Figures

Jodie Foster (AP)
Jodie Foster (AP)
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Jodie Foster's Back, 'Barbie' Brings Novel Numbers and Other Oscar Nomination Facts and Figures

Jodie Foster (AP)
Jodie Foster (AP)

A look at notable facts, figures and curiosities from Tuesday's nominations for the 96th Academy Awards, which saw “Oppenheimer” lead with 13 Oscar nominations, with “Poor Things” and “Killers of the Flower Moon” also running up big numbers.
FOSTERING THE OSCARS Jodie Foster became an Academy Awards mainstay starting at age 14 with her first nomination for Martin Scorsese's “Taxi Driver” in 1977. This year she returns with a best supporting actress nomination after an unusually long absence. Like her “Nyad” co-star Annette Bening, she got her fifth Oscar nomination for the based-on-a-true-story swimming drama from Netflix, and it's Foster's first in 29 years. Her last nod was for “Nell” in 1995, The Associated Press said.
She has won twice, for “The Accused” in 1989 and for “The Silence of the Lambs" in 1992. (Bening has yet to take a statuette home.) Foster has more nominations than the rest of the actors in her category combined. Emily Blunt, Danielle Brooks, America Ferrera and Da’Vine Joy Randolph are all first-timers.
Foster's gap between nods isn't close to a record, though. Last year, Judd Hirsch got his first nomination in 42 years, for “The Fabelmans," breaking a record set by Henry Fonda. Helen Hayes went 39 years between her 1932 nomination for “The Sin of Madelon Claudet” and her 1971 nod for “Airport.” She won both times.
The nominations for Foster and Colman Domingo — nominated for best actor for “Rustin” — also brought the rare Oscars occurrence of openly gay actors playing gay characters.
JOHN WILLIAMS DIALS IN ON DISNEY WITH ‘DESTINY’ John Williams just keeps creating staggering numbers — both musical and statistical. At 91, he becomes the oldest nominee in history with his nod for writing the original score for “Indiana Jones and the Dial of Destiny,” breaking his own record, set last year at 90.
Williams has been nominated a staggering 54 times — 49 for original score and five for original song, making him the most nominated living person. He’ll need a half-dozen more to surpass the late Walt Disney’s record of 59 nominations.
But despite all those chances, Williams has won just five times, and has come up empty in his last 22 nominations, not taking a trophy since the score for “Schindler’s List” in 1994.
WOMEN'S FILMS HONORED, WOMEN SNUBBED A record three films directed by women were nominated for best picture: “Barbie” from Greta Gerwig, “Anatomy of a Fall” from Justine Triet, and “Past Lives” from Celine Song. But only one of them – Triet – was nominated for best director.
Gerwig's snub along with Margot Robbie's in the best actress category for playing “Barbie” were widely decried after the nominations were announced Tuesday. But each are still in the larger pool of nominees. Robbie is a producer who will get an Oscar if “Barbie" wins best picture. And Gerwig is nominated for best adapted screenplay. It's her fourth nomination, and the fourth for her husband and co-writer Noah Baumbach, though it's their first together.
THE SPIRIT OF SPIELBERG AND SCORES FOR SCORSESE Steven Spielberg managed to be an Oscars presence even on a year off. Spielberg didn’t direct a movie that was eligible for an Academy Award this year, but still managed to nab a nomination as a producer of “Maestro.” He’ll get his fourth Oscar if the Bradley Cooper-directed film wins best picture.
Scorsese, meanwhile, surpassed his friend Spielberg with his 10th best director nomination. Both trail William Wyler, who was nominated 12 times and won three. And while Spielberg trails Scorsese in director nominations with nine, he tops him in wins two to one.
But Scorsese stands alone as the oldest-ever best director nominee at 81, surpassing John Huston’s nomination at 79 for “Prizzi’s Honor” in 1986.
MORE 2024 OSCAR FACTS AND FIGURES The best actor category includes three first-time Oscar nominees: Domingo, Jeffrey Wright and Cillian Murphy. The other two nominees in the category, Paul Giamatti and Cooper, have been nominated before. It’s Giamatti’s second, and Cooper has had 12 nominations across various categories — but neither has won.
“The Zone of Interest” and “Anatomy of a Fall,” each nominated for five Oscars, are the first two films primarily in non-English languages to be nominated for best picture in the same year.
“Barbie” is the first film since “La La Land” in 2017 to have two nominees for best original song: “I’m Just Ken” and “What Was I Made For?” Four films in the past have had three songs nominated: “Enchanted,” “Dreamgirls,” “Beauty and the Beast” and “The Lion King," but a rule installed in 2008 now allows for only two per movie.
And speaking of best original song, no running of the recent Oscar numbers would be complete without a nod to Diane Warren. She got her 15th nomination, and seventh straight nod, for best original song this year for writing “The Fire Inside” from “Flamin’ Hot.” She has yet to win the award (though she got an honorary Oscar in 2022), and with her songs coming from increasingly outside-the-Oscar-box movies, she's unlikely to break through this year.
She'll probably be back.



'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
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'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)

In an early scene in “Smile 2,” the fictional pop superstar Skye Riley is in her drug dealer's apartment. “Do you believe in weird stuff?” he asks her, between doing lines of coke.
You certainly will after this horror romp — writer-director Parker Finn's second movie that suddenly opens up the franchise with the promises of multiple directions in the future. Not for that drug dealer, though: He soon smiles at her demonically as he repeatedly slams a 35-pound gym weight into his head, making it hamburger, The Associated Press said.
“Smile 2” lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of “Joker: Folie à Deux” have been putting up a brave face at their terrible box-office numbers.
So it's the perfect time for a sequel to 2020's “Smile,” which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It's a meditation on breakdowns in the public eye, with a side dish of body horror.
We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.
The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what's in store (or in score, the terrific work of Cristobal Tapia de Veer).
One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.
The smile demon collides with Skye as she's about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye's mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.
Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He's still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it's just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-"Thriller" sequence.
Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it's a impromptu speech in front of music industry types that goes horrifically off the rails. He's got a deeper target: How do we quiet those voices in our heads that say we're no good?
Finn's script sometime lags as he searches for an ending for “Smile 2,” seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.
But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That's a reason to, well, smile about.
“Smile 2,” a Paramount Pictures release that lands in movie theaters on Friday, is rated R for “strong bloody violent content, grisly images, language throughout and drug use.” Running time: 127 minutes. Three stars out of four.