Harry, Meghan Prepare for New Projects with Netflix

Prince Harry and Meghan Markle arrive at United Nations headquarters in New York, July 18, 2022. (AP)
Prince Harry and Meghan Markle arrive at United Nations headquarters in New York, July 18, 2022. (AP)
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Harry, Meghan Prepare for New Projects with Netflix

Prince Harry and Meghan Markle arrive at United Nations headquarters in New York, July 18, 2022. (AP)
Prince Harry and Meghan Markle arrive at United Nations headquarters in New York, July 18, 2022. (AP)

The Duke and Duchess of Sussex are working on multiple documentaries as well as a scripted television series and a film adaptation, a Netflix executive has revealed.

According to The Telegraph, the couple, who signed a lucrative five-year deal with Netflix in 2020, will be under pressure to secure a rating hit to justify their reputed $100 million payday.

It comes after they appeared at the premiere of “Bob Marley: One Love” in Jamaica alongside Brian Robbins, the Paramount Pictures chief executive, fueling speculation that they may be courting a new deal.

Bela Bajaria, Netflix’s chief content officer, revealed that the Sussexes had several major projects in the pipeline and were working with Brandon Riegg, vice president of unscripted content.

Asked at a preview event in Hollywood what was next for Prince Harry and Meghan, she replied: “Oh, what are they working on? They have a couple of unscripted things they’re working on with Brandon.”

“And they actually have, like, a bunch of development, they have a movie in development, a (scripted) series that they’re working on. So, all very early development, with a movie, a TV show and a couple of unscripted shows. But yeah, the movie’s great,” she added.

Netflix is said to have stumped up £3 million to secure the film rights to Carley Fortune’s “Meet Me at the Lake”, a romantic novel that will be produced by the Sussexes’ Archewell Productions.

As part of the next phase of their deal, the Duke is said to be hoping to return to Africa to make a documentary, although the project is in the early stages.

Sources close to the couple have previously told The Telegraph that they also have several “fun” television series in the pipeline.

“There will be more of a heavy focus on fictional, scripted content. It will be romcoms, feel-good and light-hearted programs,” one source said.

For the most part, the couple will adopt executive producer roles, allowing them to pursue other projects and philanthropic work.

The Sussexes’ Netflix output stalled last year owing to the Hollywood writers’ strike.

So far, they have produced only a handful of shows. Their “Harry & Meghan” docuseries was released in December 2022.

“Heart of Invictus”, the Duke’s behind-the-scenes documentary about the competitors preparing for the 2022 Games, followed last August and they also lent their voices to “Live to Lead”, a series featuring pre-recorded interviews with global leaders and activists.

Meghan’s animated show “Pearl”, about powerful women of history, was dropped.

Meanwhile, Archewell lost another senior member of staff last month when Bennett Levine, a production manager, quit after just two years.

Last year, both Ben Browning, internal content head, and Fara Taylor, who led the marketing team, also left and neither was replaced. Last month, Archewell Foundation’s tax returns revealed an $11 million fall in donations last year to $2 million, tipping it into a loss.



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
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Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
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UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".