Taylor-Mania Hits Tokyo as Swift Resumes Tour Before Super Bowl 

A Taylor Swift fan from Hong Kong poses for a photo in front of the venue of Taylor Swift's international tour named "The Eras Tour" in Tokyo, Japan February 7, 2024. (Reuters)
A Taylor Swift fan from Hong Kong poses for a photo in front of the venue of Taylor Swift's international tour named "The Eras Tour" in Tokyo, Japan February 7, 2024. (Reuters)
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Taylor-Mania Hits Tokyo as Swift Resumes Tour Before Super Bowl 

A Taylor Swift fan from Hong Kong poses for a photo in front of the venue of Taylor Swift's international tour named "The Eras Tour" in Tokyo, Japan February 7, 2024. (Reuters)
A Taylor Swift fan from Hong Kong poses for a photo in front of the venue of Taylor Swift's international tour named "The Eras Tour" in Tokyo, Japan February 7, 2024. (Reuters)

Taylor Swift will celebrate making Grammys history with a run of concerts in Tokyo starting Wednesday, kicking off a month of sell-out shows in Asia that will include a quick run home to see her boyfriend contest the US Super Bowl.

Excited fans queued in the cold from morning to buy merchandise at Tokyo Dome before the four shows, part of the megastar's global Eras Tour -- the first billion-dollar-tour ever.

"It's us, hi! We are Swifties from Taiwan!" read a huge fabric banner featuring 10 pictures of Swift's face, held up by a group of fans outside the 55,000-capacity arena.

Results of a hotly contested ticket lottery for Swift's Japan dates were announced in July, with some fans travelling to Tokyo, even if the tour was coming to them.

"We came just for the concert as we couldn't get tickets in Australia," laughed 18-year-old Ebony Donohue.

"I'm so excited to finally see her. All her music is so different. She's so relatable, and strong and amazing."

Other fans from places Swift won't stop this time, including Thailand, the Philippines and China, joined the vast crowd which gathered in the afternoon before the gig.

Some donned tassels, bright sequins and high-heeled boots in homage to their favorite Swift looks, while others came dressed as unicorn angels or wore official tour T-shirts.

Saya Matsuo, 25, told AFP he had been waiting years for this moment.

"I've been listening to her songs since I was in middle school, about 10 years. This is the first time I'll see her in concert, and I've been so excited since the moment we were able to get tickets," he said.

"She is someone who can grab people's hearts, make people sing and dance. I love her personality."

Swift-mania has reached fever pitch worldwide after the 34-year-old on Sunday scooped her fourth Album of the Year prize at the Grammys on Sunday.

That is the most held by any artist and breaks the joint record of three previously held by Swift and the likes of Frank Sinatra, Paul Simon and Stevie Wonder.

Super Bowl dash

Straight after her last Tokyo concert wraps up on Saturday, Swift will make a pit stop at this weekend's Super Bowl, where she is expected to cheer on her current beau Travis Kelce of the Kansas City Chiefs from the VIP suites.

The pop icon will then play dates in Australia and Singapore before heading to Europe on the tour that is predicted to make a staggering estimated $2 billion.

An influx of fans to the concerts has been shown to create a so-called "Swift effect" on local economies.

Travel technology company Amadeus reported an "extraordinary increase in interest" in search traffic for travel to cities in the Asia-Pacific region visited on the Eras Tour.

Cheska Caberte, 25, from the Philippines, told AFP she had been planning her trip for six months.

Wearing a fluffy bright pink jacket and matching heart-shaped shades, Caberte she was "really excited" to meet other "Swifties", as the star's fans are known.

Did she think her idol will make the Super Bowl in time? "She can go back right away, no sweat -- it's Taylor Swift."



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."