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Taylor Swift Prepares for an Epic Journey to the Super Bowl. Will She Make It?

US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
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Taylor Swift Prepares for an Epic Journey to the Super Bowl. Will She Make It?

US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP

Will she make it?
Taylor Swift's last song will still be ringing in the ears of thousands of fans at the Tokyo Dome on Saturday night when the singer is expected to rush to a private jet at Haneda airport that will take her on a time-zone-spanning journey to see her boyfriend, NFL star Travis Kelce, play in the Super Bowl in Las Vegas.
The prospect of this race against time, crossing nine time zones and the international date line, has fired imaginations, and speculation, for weeks.
At Saturday night’s concert, there was plenty of evidence of the unique cultural phenomenon that is the Swift-Kelce relationship, a nexus of professional football and the huge star power of Swift. In addition to sequined dresses celebrating Swift in the packed Tokyo Dome, there were Travis Kelce jerseys and hats and other gear celebrating his team, the Kansas City Chiefs. Some in Tokyo spent thousands of dollars to attend the pop superstar’s concerts this week.
To call the worldwide scrutiny of Swift's travels intense is an understatement.
Fans have tracked her jet. The planet-warming carbon emissions of her globe-trotting travels have been criticized. Officials have weighed in on her ability to park her jet in Las Vegas airports.
Even Japanese diplomats have gotten into the act. The Japanese Embassy in Washington posted on social media that she could make the Super Bowl in time, including in their statement three Swift song titles – “Speak Now”, “Fearless” and “Red."
“If she departs Tokyo in the evening after her concert, she should comfortably arrive in Las Vegas before the Super Bowl begins,” it said.
Office worker Hitomi Takahashi, 29, bought matching Taylor Swift sweatshirts along with her friend and was taking photos just outside of the dome on Saturday. “I hope she can return in time. It’s so romantic,” she said.
She is aware of the criticisms Swift is facing about her private jets, but said the singer was being singled out unfairly.
“Many other people are flying on business, and she is here for her work. She faces a bashing because she is famous and stands out,” Takahashi said.
Swift has been crisscrossing the globe this week already.
Before coming to Asia, she attended the Grammys in Los Angeles, winning her 14th Grammy and a record-breaking fourth Album of the Year award for “Midnights.” The show was watched by nearly 17 million people. She also made a surprise announcement that her next album is ready to drop in April.
Then the four concerts in Tokyo, and now apparently a rushed trip to try to make it to Las Vegas to watch Kelce, the tight end for the Kansas City Chiefs, play in the Super Bowl. She has followed Kelce for much of the Chiefs’ season.
If it all goes as planned she’s then expected to fly to Australia later this week to continue her tour.
“This week is truly the best kind of chaos,” Swift posted Wednesday on Instagram.

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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."