Film Director Shot by Alec Baldwin Says it Felt Like Being Hit by Baseball Bat

A still from a video clip played in court shows actor Alec Baldwin during a trial at the First Judicial District Courthouse in Santa Fe, New Mexico on February, 29, 2024. (Photo by Gabriela CAMPOS / POOL / AFP)
A still from a video clip played in court shows actor Alec Baldwin during a trial at the First Judicial District Courthouse in Santa Fe, New Mexico on February, 29, 2024. (Photo by Gabriela CAMPOS / POOL / AFP)
TT

Film Director Shot by Alec Baldwin Says it Felt Like Being Hit by Baseball Bat

A still from a video clip played in court shows actor Alec Baldwin during a trial at the First Judicial District Courthouse in Santa Fe, New Mexico on February, 29, 2024. (Photo by Gabriela CAMPOS / POOL / AFP)
A still from a video clip played in court shows actor Alec Baldwin during a trial at the First Judicial District Courthouse in Santa Fe, New Mexico on February, 29, 2024. (Photo by Gabriela CAMPOS / POOL / AFP)

A movie director who was shot by Alec Baldwin during a movie rehearsal — and survived — testified Friday at trial that he was approaching the cinematographer when he heard a loud bang and felt the bullet's impact.
“It felt like someone had taken a baseball bat to my shoulder,” said Joel Souza, who was wounded by the same bullet that killed cinematographer Halyna Hutchins on the New Mexico set for the upcoming Western movie “Rust” on Oct. 21, 2021.
Souza never filed a complaint but was called to testify as prosecutors pursue charges of involuntary manslaughter and tampering with evidence against movie weapons supervisor Hannah Gutierrez-Reed, who maintains her innocence. Baldwin, the lead actor and co-producer on “Rust,” was separately indicted by a grand jury last month. He has pleaded not guilty, and a trial is scheduled for July.
Prosecutors are reconstructing a complex chain of events that culminated in gunfire on a film set where live ammunition is expressly prohibited.
According to The Associated Press, Souza said his workday began before dawn with the realization that six camera-crew members had walked off set. Hutchins put out urgent calls for replacements, and filming was back underway by late-morning in an outdoor scene involving horses and wagons.
Work after lunch started with positioning a camera in preparation for an extreme close-up take of Baldwin drawing a gun from a holster inside a makeshift church. Souza said he moved in behind Hutchins for a closer look at the camera angle but never saw the gun that shot him.
“I got up behind her just to try to see on the monitor, and there was an incredibly loud bang,” Souza said. “This was deafening.”
Baldwin and his handling of firearms on set are coming under special scrutiny in questioning by prosecutor and defense attorneys.
On Thursday, prosecutors played video footage of Baldwin pressuring the movie armorer to hurry up as she reloads guns between scenes.
“One more, let's reload right away,” Baldwin says at the close of a scene. “Here we go, come on. We should have had two guns and both were reloading.”
Gutierrez-Reed can be seen quickly loading a revolver.
Expert witness Bryan Carpenter, a Mississippi-based specialist in firearms safety on film sets, said Baldwin's commands infringed on basic industry safety protocols and responsibilities of the armorer.
“He's basically instructing the armorer on how to do their job ... ‘Hurry up, give it to me fast,’" Carpenter said. “Rushing with firearms and telling someone to rush with firearms is not — not normal or accepted.”
On Friday, defense attorney Jason Bowles pressed Souza to remember whether the script explicitly called for Baldwin to point the gun toward the camera, where he and Hutchins were standing.
“And do you know whether, from the script, whether that firearm was supposed to be pointed towards the camera?” Bowles inquired.
“It’s not a matter of the script, really. For that specific shot, it was literally supposed to be the gun being pulled out sideways,” Souza said.
Prosecutors say Gutierrez-Reed is to blame for unwittingly bringing live ammunition on set and that she flouted basic safety protocols for weapons — partly by leaving the church rehearsal while a gun still was in use. Defense attorneys say it wasn't Gutierrez-Reed's decision to leave.
Souza said he only recalled seeing Gutierrez-Reed inside the church after he was shot.



Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
TT

Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP

Five years after “Joker” won the top prize at the Venice Film Festival, filmmaker Todd Phillips is returning with the sequel. “Joker: Folie à Deux” will play in competition with 20 other titles, festival organizers said Tuesday.

The highly anticipated follow-up to the blockbuster comic book film stars Joaquin Phoenix as the mentally ill Arthur Fleck and Lady Gaga as Harley Quinn.

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law, The AP reported.

Among the films playing alongside “Joker 2” in competition are Pablo Larraín's Maria Callas film “Maria,” starring Jolie; Walter Salles' “I'm Still Here"; the erotic thriller “Babygirl” starring Kidman and Harris Dickinson from filmmaker Halina Reijn; Luca Guadagnino’s William S. Burrough’s adaptation “Queer,” with Craig and Jason Schwartzman; and Pedro Almodóvar’s first English-language film, “The Room Next Door,” starring Julianne Moore and Tilda Swinton. Set in New England, the filmmaker has said it’s about an imperfect mother and a resentful daughter.

“The Order,” Justin Kurzel’s 80s-set crime thriller about the white supremacist group starring Law as an FBI agent, Nicholas Hoult and Jurnee Smollett, will also be in competition, as will Brady Corbet’s “The Brutalist,” with Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn. Shot on 70mm, the 215-minute epic is about a Hungarian Auschwitz survivor who goes to the United States.

Pitt and Clooney will reunite in Jon Watts’ “Wolfs,” an adrenaline packed action-comedy about a few fixers that will screen out of competition.

Several interesting films playing in the horizons extra section include “September 5,” about the live television coverage of the Munich Olympics, starring Peter Sarsgaard; John Swab’s “King Ivory,” with Ben Foster and James Badge Dale; and Alex Ross Perry’s film about Stephen Malkmus’ California rock band Pavement.

Venice will also screen Peter Weir’s 2003 epic “Master and Commander: The Far Side of the World,” in conjunction with his lifetime achievement award.

Seven episodes of Alfonso Cuarón’s psychological thriller series “Disclaimer” will also premiere at the festival. The AppleTV+ show is based on a novel about a documentary journalist and a secret she’s been keeping. It stars Cate Blanchett and Kevin Kline and will debut on the streamer in October.

Among the nonfiction titles playing out of competition are Kevin Macdonald and Sam Rice-Edwards’ “One to One: John & Yoko,” which reconstructs the New York years of the Beatle and his wife; Errol Morris’ “Separated,” about the separation of immigrant children from their parents in the US; Anastasia Trofimova’s “Russians at War”; Göran Hugo Olsson's “Israel Palestine on Swedish TV 1958-1989”; “Riefenstahl,” about the German propagandist; And another Beatles-focused doc, “The Things We Said Today,” a time capsule of their arrival in New York and first concert at Shea Stadium.

Last year’s festival took place amid the actors’ strike. Although some attended under interim agreements, like Adam Driver and Penelope Cruz for “Ferrari” and “Priscilla” stars Cailee Spaeny and Jacob Elordi, the festival was lacking its usual, consistent supply of star power. But its awards season influence remained strong: Seven Venice world premieres went on to get 24 Oscar nominations and five wins: Four for “Poor Things” and one for Wes Anderson’s “The Wonderful Story of Henry Sugar.”

Venice is a significant launching ground for awards hopefuls and the first major stop of a busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

The 81st edition kicks off on August 28, with the world premiere of Tim Burton’s “Beetlejuice, Beetlejuice.” All of the main cast, including Michael Keaton, are expected to grace the red carpet. The Venice Film Festival runs through Sept. 7.