Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
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Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP

It is, in the words of its director, the story of the most important person who ever lived.
And on Sunday, "Oppenheimer" completed its indomitable march towards Hollywood's most important prize, winning the Academy Award for best picture.
Christopher Nolan's masterpiece -- the story of the brilliant physicist who oversaw the invention of the atomic bomb, changing the world forever -- is a grand, old-fashioned blockbuster for grown-ups.
Shot on a $100 million budget, "Oppenheimer" spared no expense, and bucked the recent trend of smaller, indie movies winning the most prestigious Oscar.
A cast was assembled from Tinseltown's top A-list, a replica of 1940s Los Alamos was secretly constructed on a mountain in New Mexico, and the test of the first-ever nuclear bomb was recreated with vast quantities of real explosives.
The effect was spellbinding, for audiences and critics alike.
Released last July, "Oppenheimer" immediately drew rave reviews and shattered box office expectations.
It went on to collect nearly $1 billion around the world, and won a total of seven Academy Awards at Sunday's gala.
'Dream and nightmare'
Nolan, the director behind ambitious blockbusters from "Inception" to "The Dark Knight," had recently finished making "Tenet" when he stumbled upon "American Prometheus," the 2005 Pulitzer Prize-winning biography of J. Robert Oppenheimer.
He was instantly inspired to bring a life of ambitious genius and hubristic tragedy, of "dream and nightmare," to the biggest possible screen.
Oppenheimer, having attained global fame as the "father of the bomb," soon came to bitterly regret the consequences of his invention, campaigning for nuclear disarmament and eventually having his reputation shattered due to his former Communist sympathies.
"His story offers no easy answers. But it offers some of the most fascinating and interesting paradoxes that I've ever encountered," said Nolan.
While Nolan is most often associated with genres such as sci-fi, he decided to structure "Oppenheimer" along three other film tropes -- hero's journey, heist movie and courtroom drama.
The scientist embarks on a quest to race the Nazis to the bomb, assembles a crack team of experts to get the job done, and is forced to plead his case in court, with the action constantly rotating between the three.
Cillian Murphy, a frequent and trusted collaborator from five previous Nolan films, was cast in the titular role, with Robert Downey Jr as his bitter, furtive rival, Lewis Strauss.
The two men won best actor and best supporting actor on Sunday, respectively.
A stellar ensemble cast included Matt Damon, Emily Blunt, Florence Pugh, Kenneth Branagh, Gary Oldman and Rami Malek.
"This was like 'Battle of the Bulge' or 'Ben-Hur,' one of those movies where you just look around and every single person in the movie is somebody that you admire," said actor Matthew Modine, in a book accompanying the film.
Barbenheimer
There is no doubt the film benefited commercially from the viral "Barbenheimer" phenomenon, which saw thousands flock to movie theaters for a double bill including the wildly different "Barbie."
By coincidence, the two movies from rival studios had been penciled in for the same release date, with each refusing to budge.
"I'm glad neither of us did. It worked out pretty well," producer Charles Roven later told AFP.
Even so, few could have predicted the astonishing mainstream popularity of a lengthy movie shot partly in black-and-white, about such a weighty topic, and structured largely around complex science and highly technical government hearings.
"If you're sitting around wondering what the box office is going to be on a three-hour movie about a guy named Oppenheimer who invented the atom bomb, you're not sitting there and saying, 'It's going to do almost a billion dollars,'" recalled Roven.
"So the fact that it did -- and the critical acclaim -- is just so rewarding."
The movie was Nolan's first in two decades not to be released by Warner Bros.
The director had fallen out with his usual studio over its decision to put films on streaming first during the Covid-19 pandemic, jumping ship to its rival Universal.
"Oppenheimer" was also disrupted by last year's Hollywood strikes. Its cast walked out of the London premiere in solidarity with fellow actors as the walkout was called last summer.
Since then, it has been plain sailing, as the movie has scooped up the biggest prizes at every awards season ceremony, from the Golden Globes to the Screen Actors Guild Awards.
The best picture Oscar is its final -- and most important -- reward.



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.