Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
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Nolan's Masterpiece 'Oppenheimer' Wins Best Picture Oscar

'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP
'Oppenheimer' producer Emma Thomas (C), producer Charles Roven (L) and director Christopher Nolan accept the best picture Oscar, with the cast behind them. Patrick T. Fallon / AFP

It is, in the words of its director, the story of the most important person who ever lived.
And on Sunday, "Oppenheimer" completed its indomitable march towards Hollywood's most important prize, winning the Academy Award for best picture.
Christopher Nolan's masterpiece -- the story of the brilliant physicist who oversaw the invention of the atomic bomb, changing the world forever -- is a grand, old-fashioned blockbuster for grown-ups.
Shot on a $100 million budget, "Oppenheimer" spared no expense, and bucked the recent trend of smaller, indie movies winning the most prestigious Oscar.
A cast was assembled from Tinseltown's top A-list, a replica of 1940s Los Alamos was secretly constructed on a mountain in New Mexico, and the test of the first-ever nuclear bomb was recreated with vast quantities of real explosives.
The effect was spellbinding, for audiences and critics alike.
Released last July, "Oppenheimer" immediately drew rave reviews and shattered box office expectations.
It went on to collect nearly $1 billion around the world, and won a total of seven Academy Awards at Sunday's gala.
'Dream and nightmare'
Nolan, the director behind ambitious blockbusters from "Inception" to "The Dark Knight," had recently finished making "Tenet" when he stumbled upon "American Prometheus," the 2005 Pulitzer Prize-winning biography of J. Robert Oppenheimer.
He was instantly inspired to bring a life of ambitious genius and hubristic tragedy, of "dream and nightmare," to the biggest possible screen.
Oppenheimer, having attained global fame as the "father of the bomb," soon came to bitterly regret the consequences of his invention, campaigning for nuclear disarmament and eventually having his reputation shattered due to his former Communist sympathies.
"His story offers no easy answers. But it offers some of the most fascinating and interesting paradoxes that I've ever encountered," said Nolan.
While Nolan is most often associated with genres such as sci-fi, he decided to structure "Oppenheimer" along three other film tropes -- hero's journey, heist movie and courtroom drama.
The scientist embarks on a quest to race the Nazis to the bomb, assembles a crack team of experts to get the job done, and is forced to plead his case in court, with the action constantly rotating between the three.
Cillian Murphy, a frequent and trusted collaborator from five previous Nolan films, was cast in the titular role, with Robert Downey Jr as his bitter, furtive rival, Lewis Strauss.
The two men won best actor and best supporting actor on Sunday, respectively.
A stellar ensemble cast included Matt Damon, Emily Blunt, Florence Pugh, Kenneth Branagh, Gary Oldman and Rami Malek.
"This was like 'Battle of the Bulge' or 'Ben-Hur,' one of those movies where you just look around and every single person in the movie is somebody that you admire," said actor Matthew Modine, in a book accompanying the film.
Barbenheimer
There is no doubt the film benefited commercially from the viral "Barbenheimer" phenomenon, which saw thousands flock to movie theaters for a double bill including the wildly different "Barbie."
By coincidence, the two movies from rival studios had been penciled in for the same release date, with each refusing to budge.
"I'm glad neither of us did. It worked out pretty well," producer Charles Roven later told AFP.
Even so, few could have predicted the astonishing mainstream popularity of a lengthy movie shot partly in black-and-white, about such a weighty topic, and structured largely around complex science and highly technical government hearings.
"If you're sitting around wondering what the box office is going to be on a three-hour movie about a guy named Oppenheimer who invented the atom bomb, you're not sitting there and saying, 'It's going to do almost a billion dollars,'" recalled Roven.
"So the fact that it did -- and the critical acclaim -- is just so rewarding."
The movie was Nolan's first in two decades not to be released by Warner Bros.
The director had fallen out with his usual studio over its decision to put films on streaming first during the Covid-19 pandemic, jumping ship to its rival Universal.
"Oppenheimer" was also disrupted by last year's Hollywood strikes. Its cast walked out of the London premiere in solidarity with fellow actors as the walkout was called last summer.
Since then, it has been plain sailing, as the movie has scooped up the biggest prizes at every awards season ceremony, from the Golden Globes to the Screen Actors Guild Awards.
The best picture Oscar is its final -- and most important -- reward.



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.