Red Sea Film Foundation Partners with Diriyah Biennale to Present 'Cinema Nights'

Red Sea Film Foundation Partners with Diriyah Biennale to Present 'Cinema Nights'
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Red Sea Film Foundation Partners with Diriyah Biennale to Present 'Cinema Nights'

Red Sea Film Foundation Partners with Diriyah Biennale to Present 'Cinema Nights'

The Red Sea Film Foundation announced on Wednesday that it will partner with the Diriyah Biennale Foundation to launch the “Cinema Nights” series that will be held on the sidelines of the Diriyah Contemporary Art Biennale 2024 in the JAX District in Diriyah from March 7 to May 23.

This partnership aims to enrich the cinematic and cultural landscape by providing a platform for dialogue through a series of exclusive screenings of local and international films and discussions with filmmakers, "offering a unique opportunity for art and culture enthusiasts to dive into captivating narrative worlds and explore unique cinematic horizons," the Red Sea Film Foundation said in a statement.

The “Cinema Nights” program will present a selected series of exclusive film screenings, including the Saudi film “Hajjan,” by director Abu Bakr Shawky, which tells the story of a boy named Omar and his relationship with his camel “Haffara” that develops over the days. The film highlights a collection of intricately designed scenes against the backdrop of Saudi Arabia’s expansive deserts, starring several stars such as Azzam Namr, Abdulmohsen Alnemer, and rising talent Omar Atawi.

Visitors can watch the anticipated Saudi film “Noura” by Saudi director and writer Tawfiq Al-Zaidi, starring Saudi Arabia’s Yaqoub Alfarhan, and the esteemed Abdullah Al-Sadhan in his first big-screen appearance.

The event will also host a series of international cinematic screenings, including the Japanese film “Evil Does Not Exist” and “Behind the Mountains” by Tunisian director Mohamed Ben Attia, along with many international and local short films.

Red Sea Film Foundation CEO Mohammed Al Turki said: “We are proud of this partnership with the Diriyah Biennale Foundation, which reflects our dedication at the Red Sea Film Foundation to enriching the cultural and cinematic scene in the Kingdom. It also highlights our continuous commitment to fostering partnerships with cultural entities that align with our shared objectives."

He added: “Cinema Nights is not just a cinematic event, but also a cultural platform that celebrates storytelling and creativity and enhances the cultural exchange between peoples.”

Diriyah Biennale Foundation CEO Aya Al-Bakree said: “We are excited to partner with the Red Sea Film Foundation to offer a rich cinematic experience to our visitors. We strongly believe in the role that film plays in highlighting unique stories and igniting new dialogue between different cultures and generations.”

“Through our second edition of the Diriyah Contemporary Art Biennale we aim to create a thought-provoking, immersive, and multi-sensory cultural journey for visitors of all ages and backgrounds, and we believe our collaboration with the Red Sea Film Foundation is an important step in achieving that goal,” she added.

The program offers a curated selection of ten feature films every Thursday from March 7 to May 23. Furthermore, local and international short films will be shown on May 10 and 11 at the Diriyah Biennale Foundation in Riyadh, providing visitors with an immersive cinematic experience using the latest sound and image technologies. Arabic and English subtitles are available for all the scheduled film screenings.

“This partnership between the Red Sea Film Foundation and the Diriyah Biennale Foundation reflects a shared commitment to enhancing the cultural and cinematic landscape in the Kingdom, and to fostering artistic and creative expression through platforms that attract promising artistic and cinematic talents," said the statement.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.