‘Manhunt,’ About Hunt for John Wilkes Booth, May Make You Wish You Paid Attention in History Class 

This image released by Apple TV+ shows Tobias Menzies in a scene from "Manhunt." (Apple TV+ via AP)
This image released by Apple TV+ shows Tobias Menzies in a scene from "Manhunt." (Apple TV+ via AP)
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‘Manhunt,’ About Hunt for John Wilkes Booth, May Make You Wish You Paid Attention in History Class 

This image released by Apple TV+ shows Tobias Menzies in a scene from "Manhunt." (Apple TV+ via AP)
This image released by Apple TV+ shows Tobias Menzies in a scene from "Manhunt." (Apple TV+ via AP)

A new series transforms the assassination of President Abraham Lincoln into a true crime thriller that goes deeper into the story than most textbooks.

Most who studied Lincoln in school learn he was assassinated by a man named John Wilkes Booth. Lincoln was watching a play with his wife, Mary Todd Lincoln, at Ford's Theatre when Booth came from behind and shot him.

What isn't as widely remembered is that Booth killed the president just five days after the surrender of Confederate General Robert E. Lee effectively ended the Civil War. It was a pre-planned, coordinated attack on the president, Vice President Andrew Johnson and the Secretary of State. Only Booth was successful.

A Confederate sympathizer, Booth relied on a network of supporters to help him hide. Edwin Stanton, the Secretary of War, led the search by the Army to track Lincoln's killer down. He was found 12 days later hiding in a barn where he was shot and killed.

" Manhunt," debuting Friday on Apple TV+, dramatizes the hunt for Booth and the trial that followed. It’s based on the book "Manhunt: The 12-Day Chase for Lincoln’s Killer" by James L. Swanson. Tobias Menzies stars as Stanton, who also helped convict Booth's conspirators.

"Most no one knows the details of this story unless they’ve done a Ph.D or it’s a special interest of theirs," said creator- showrunner Monica Beletsky in a recent interview.

Bringing Stanton to life is exciting, said Menzies, because he had a close, respected relationship with Lincoln.

"A big part of Stanton’s journey is both a political loss and also a personal loss. He loses a friend. ... I studied very little American history, and I certainly didn’t do this period of history," said Menzies. "As an actor, I’ve done quite a lot of period stuff and I find it enjoyable to get the chance to find out about a new part of these stories and this is a really good example of that.

"Truth is stranger than fiction."

Anthony Boyle plays Booth and his awareness of the man began with an episode of "The Simpsons" where Bart portrayed him in a school play. He knew his research needed to dig deeper to understand Booth's psyche and read letters he had written between the ages of 15 until his death at 26. Boyle describes them as a "descent into madness."

Beletsky hopes "Manhunt" underscores how Lincoln's killing was especially shocking at the time.

"That kind of murder was so uncommon," she said. "Lincoln famously left the White House door unlocked during the Civil War, even though he had piles of death threats. It wasn’t even imagined that kind of crime could happen in our culture. My costume designer told me that Booth, wearing all black that night, is the origin of villains wearing all black in our storytelling."

There was a boldness and conceit to the way Booth decided to kill Lincoln so publicly in front of an audience that fit his desire for attention.

"The theater was absolutely jammed," said Menzies, a British actor who's starred in "The Crown" and "Outlander." "And then to run out and disappear into the night and then take 12 days to find this man, you couldn't make it up."

Booth was an actor in a family of actors, but lived in the shadow of his older brother Edwin, who was well-respected for his talent. "I'm gonna be the most famous man in the whole world," Booth says on the show, prior to the assassination. While on the run, he reads newspaper articles about himself and loves the attention.

"It was like, Leonardo DiCaprio’s brother killed the president," said Hamish Linklater, who plays Lincoln. "I mean, (Edwin) was the biggest celebrity of his time," he said.

"This was before the internet and before television, this was word of mouth," added Boyle. "People were hearing about it (asking), "John Wilkes Booth, the actor, killed the President? Was this some sort of farce?"

Besides telling Stanton's story, Beletsky introduces viewers to Mary Simms, a slave belonging to a physician named Dr. Samuel Mudd, (played by Matt Walsh), who treated Booth while he was on the run. She was freed by the Emancipation Proclamation. The series depicts Simms — played by Lovie Simone— as interacting with Booth when he shows up at Mudd's house to hide, but in reality, she never met him.

Simms went on to testify in the trial of Booth's conspirators — which included Mudd — and confirmed his allegiance to the Confederacy. Because there is not a lot of information available on Simms, she was written as a composite of a number of people who helped to convict Booth's co-conspirators.

"It was a real opportunity to bring some of these heroes to light, like Stanton and Simms, and also to sort of set the record straight in some ways of what happened in our past and how that still continues to affect us," said Beletsky.

"It feels like a good time to be telling this story. You know, there is a big election coming up in November. Our story is partly a story about the fragility of democracy to some extent," Menzies said. "I think that’s as true now as it was then. It has a relevance and a resonance which feels kind of rich to be telling now."



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.