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World’s Only Dragon Ball Theme Park Launched in Saudi Arabia’s Qiddiya City

This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
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World’s Only Dragon Ball Theme Park Launched in Saudi Arabia’s Qiddiya City

This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)
This never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all Dragon Ball sagas. (SPA)

The Board of Directors of the Qiddiya Investment Company (QIC) announced on Friday the launch of Dragon Ball theme park, as it continues to set new standards in the entertainment industry, offering anime fans, families, and entertainment seekers an immersive journey into the iconic Dragon Ball universe.

Nestled within Saudi Arabia’s Qiddiya City, just 40 minutes from Riyadh, this never-seen-before anime theme park is set to become a jaw-dropping spectacle, spanning more than half a million square meters, bringing to life the most iconic storylines, moments, and characters across all sagas.

Inspired by the seven legendary Dragon Balls, visitors can navigate seven distinctively themed zones within the park, catapulting guests into the heart of the anime action to experience the historic journey from the first Dragon Ball series to the latest Dragon Ball Super.

Park-goers can embark on a journey and immerse themselves in interactive and explorable landmarks from the Dragon Ball sagas, such as “Kame House”, “Capsule Corporation” and “Beerus’ Planet”.

The anime theme park offers over 30 rides with five groundbreaking attractions, accessible to everyone, pushing the boundaries of ride experiences. A flagship attraction located at the center of the park has a rollercoaster passing through a massive 70 m Shenron landmark.

Visitors will also have the option to stay at themed in-park hotels and build long-lasting memories with family and friends while indulging in exotic cuisines inside towering structures, where one day can never be enough.

The announcement comes after Qiddiya entered into a long-term strategic partnership with Toei Animation, Japan‘s leading animation company and original animators of Dragon Ball. The partnership aims to preserve and elevate the franchise, with a shared vision to fulfill visitor’s dreams of bringing Dragon Ball to the real world and will pave the way for Qiddiya and Toei Animation to broaden their existing collaboration.

Commenting on the launch, Managing Director of Qiddiya Investment Company Abdullah Aldawood said: “We are pleased to be partnering with Toei Animation, bringing their rich legacy of pioneering contributions to the anime industry to Qiddiya City.”

“Dragon Ball theme park is a celebration of the diverse and vibrant world of anime, offering a unique blend of thrills, family-friendly attractions, and immersive entertainment for everyone,” he added.

“This announcement only marks the beginning of many promising projects. The theme park embraces the City’s power of play philosophy, and solidifies our commitment to provide world-class entertainment, as a global leader in groundbreaking and diverse attractions,” he stressed.

Katsuhiro Takagi, president of Toei Animation, said: “Our collaboration with Qiddiya marks a key milestone, offering fans a one-of-a-kind opportunity to experience the epic adventures of Dragon Ball first-hand in the Kingdom of Saudi Arabia. The reveal of the world's only Dragon Ball theme park is a testament to the timeless legacy of the Dragon Ball franchise.”

Dragon Ball theme park will further cement Qiddiya City’s position as the worldwide capital of play. The play concept leverages decades of research showing that play is vital for human cognitive development, emotional expression, social skills, creativity, and physical health. Studies have demonstrated the positive effects of recreational activities on society, their ability to bridge differences between cultures, and bolster levels of empathy and social cohesion.

The unveiling of the Dragon Ball theme park follows the launch of Qiddiya City's world-first multi-use Gaming and Esports District, the high-tech Prince Mohammed bin Salman Stadium and Speed Park Track. More announcements from Qiddiya are due in the coming weeks.

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Entertainment

Remembering Quincy Jones: 10 Career-Spanning Songs to Celebrate His Legacy

Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
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Remembering Quincy Jones: 10 Career-Spanning Songs to Celebrate His Legacy

Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)
Michael Jackson, left, holds eight awards as he poses with Quincy Jones at the Grammy Awards in Los Angeles, Feb. 28, 1984. (AP)

Few artists have legacies so mammoth their very name could be considered synonymous with the music industry, but then again, most musicians are not the prodigious producer Quincy Jones.

The larger-than-life figure died Sunday night at his Los Angeles home, surrounded by his family. He was 91 and scheduled to receive an honorary Academy Award later this month.

Across his career, the 28-time Grammy Award winning Jones worked with everyone from Ray Charles and Frank Sinatra to Michael Jackson with hundreds in-between. The best way to celebrate his legacy, of course, is to listen to the music he made.

1963: Ella Fitzgerald and Count Basie's orchestra, “Honeysuckle Rose”

Those looking to kickstart their Jones listening journey at the very beginning of his career could do so with “Liza,” from his first album, “Jazz Abroad,” a joint release with Roy Haynes. For everyone else, look to his arrangements on 1963's “Ella and Basie!,” an album by Fitzgerald with Count Basie's orchestra. Moving from just vocals and bass before building into its own grandness — not to mention, a delightful scat solo from Fitzgerald — “Honeysuckle Rose” from the album is an exemplar of Jones' jazz brilliance.

1963: Lesley Gore, “It’s My Party”

Teenage heartbreak met its match on Lesley Gore's “It's My Party,” recorded when its pop singer was still in her own adolescence. Jones produced the record, with its addictive melodies, percussion and cheerful horn section — emotionally and diametrically opposed to its narrative tale of a girl getting dumped by her boyfriend for her best friend on her birthday. You'd cry, too, if it happened to you.

1964: Frank Sinatra, “Fly Me to the Moon”

Jones' legacy is defined by an idiosyncratic ability to master various American musical forms with an apparent ease. That is the case of this canonized cover by Frank Sinatra, “Fly Me to the Moon,” from Sinatra's 1964 album, “It Might as Well Be Swing,” arranged by Jones. The producer set the song to a punchy, swinging rhythm and wistful flute, and the rest is history. You can also thank Jones for “The Best Is Yet to Come.”

1967: Ray Charles, “In the Heat of the Night”

Jones scored the 1967 film “In the Heat of the Night,” which includes its R&B-gospel title track, “In the Heat of the Night,” performed by his good friend Ray Charles. It is soul committed to wax, amplified by the inclusion of a lusty tenor sax solo.

1979: Michael Jackson, “Don’t Stop 'Til You Get Enough”

Perhaps Jones' best-known production partnership is the one he had with Michael Jackson, working with the King of Pop on his culture-shifting albums, 1979's “Off the Wall," 1982's “Thriller” and 1987's “Bad.” The pair met while working on the 1978 movie “The Wiz" — Jones worked on its soundtrack, and Jackson was its star. “Don't Stop ‘Til You Get Enough," with its inventive disco-funk, ambitious production and Jackson's signature falsetto set the stage for the massive career to come.

1981: Quincy Jones, “Just Once”

Put it in the pantheon of great piano ballads: On Jones' 1981 album “The Dude,” James Ingram takes over lead vocal duties for “Just Once,” the big-hearted and bigger-feelings track.

1982: Michael Jackson, “Billie Jean”

What songs are more immediately recognizable? An elongated drum and bass lick introduce “Billie Jean,” one of the great genre-averse pop songs of all time, from Jackson's record-breaking “Thriller" album. Here, Jones' production is post-disco, but still funky, still prescient. And time tells the greatest tale: “Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

1982: Donna Summer, “Love Is in Control (Finger on the Trigger)”

And now for something completely different: In 1982, Jones worked with Donna Summer on her self-titled album, a dance-forward record that includes the synth-y pop single “Love Is in Control (Finger on the Trigger)," which earned a Grammy nomination for best R&B vocal performance, female.

1985: USA for Africa, “We Are the World”

Nearly four decades ago, some of the biggest stars on the planet — Jackson, Bob Dylan, Tina Turner, Dionne Warwick, Billy Joel, Stevie Wonder, Willie Nelson and Bruce Springsteen among them — came together for an all-night recording session. The result was “We Are the World,” a pop superhit overseen by Jones, the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

1989: Quincy Jones with Ray Charles and Chaka Khan, “I'll Be Good to You”

Back in 1976, Jones produced the Brothers Johnson's R&B hit, “I'll Be Good to You,” and then re-recorded the track with Ray Charles and Chaka Khan — an ebullient number with contemporary production, completely transforming the classic.