'Ghostbusters: Frozen Empire’ is No. 1 with $45.2M

(From L) US actor Ernie Hudson, US actor Paul Rudd, Canadian actor Finn Wolfhard, US actress Mckenna Grace and British-US filmmaker Gil Kenan pose during a photocall for "Ghostbusters: Frozen Empire" in Lonon on March 21, 2024. (Photo by Ben Stansall / AFP)
(From L) US actor Ernie Hudson, US actor Paul Rudd, Canadian actor Finn Wolfhard, US actress Mckenna Grace and British-US filmmaker Gil Kenan pose during a photocall for "Ghostbusters: Frozen Empire" in Lonon on March 21, 2024. (Photo by Ben Stansall / AFP)
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'Ghostbusters: Frozen Empire’ is No. 1 with $45.2M

(From L) US actor Ernie Hudson, US actor Paul Rudd, Canadian actor Finn Wolfhard, US actress Mckenna Grace and British-US filmmaker Gil Kenan pose during a photocall for "Ghostbusters: Frozen Empire" in Lonon on March 21, 2024. (Photo by Ben Stansall / AFP)
(From L) US actor Ernie Hudson, US actor Paul Rudd, Canadian actor Finn Wolfhard, US actress Mckenna Grace and British-US filmmaker Gil Kenan pose during a photocall for "Ghostbusters: Frozen Empire" in Lonon on March 21, 2024. (Photo by Ben Stansall / AFP)

Ghost busting is still a good business.
“Ghostbusters: Frozen Empire” collected $45.2 million in ticket sales over the weekend, according to studio estimates Sunday, handing Sony Pictures the studio’s first No. 1 film since last summer.
The opening weekend for “Frozen Empire,” in 4,345 theaters, was nearly exactly the same as the $44 million launch for “Ghostbusters: Afterlife" in 2021. “Afterlife” rebooted the franchise with a sequel built around the descendants (Carrie Coon, Finn Wolfhard, Mckenna Grace) of Harold Ramis’ Egon Spengler, along with Paul Rudd’s seismologist Gary Grooberson.
Neither film has been a hit with critics, but audiences have been more receptive. “Frozen Empire” garnered a B+ CinemaScore from moviegoers, a tick down from the A- score for “Afterlife.” “Frozen Empire” isn't assured of profitability, but it will hope for sustained business over spring break.
“Ghostbusters” films tend to make a low impact internationally. In 25 overseas markets, “Frozen Empire” added $16.4 million, The Associated Press reported.
The latest “Ghostbusters” cost about $100 million to make. After Jason Reitman took over directing duties from his father, Ivan Reitman, to helm “Ghostbusters: Afterlife,” “Frozen Empire” is directed by Gil Kenan, co-writer of “Afterlife.”
Those two sequels took “Ghostbusters” in a more family-oriented, albeit PG-13 rated, direction, with original cast members Dan Aykroyd, Ernie Hudson and Bill Murray returning in supporting roles. After the 2016 female-led “Ghostbusters” prompted a backlash, Sony rebooted the franchise.
The weekend’s other new wide release was “Immaculate,” the horror film starring Sydney Sweeney as an American nun at a remote Italian convent. The film, released by Neon following a premiere at SXSW, debuted with $5.4 million on 2,354 screens. Sweeney’s ascending star power helped make “Anyone But You” one of the most successful rom-coms in years. But “Immaculate,” an independent production that cost less than $10 million make, isn’t getting the same bounce.
“The movie features the popular Sydney Sweeney, but horror movies are not cast-driven,” wrote David A. Gross for the consulting firm Franchise Entertainment Research. “They’re driven by the hook: the evil doll, the wicked smile, the invisible or silent presence, the found footage, the possessed child. That’s what terrifies the horror crowd. The hook is not completely clear here.”
The No. 2 spot went to “Dune: Part Two,” which continues to hold well. The Denis Villeneuve-directed sci-fi sequel starring Timothée Chalamet added $17.6 million in its fourth weekend of release, bringing the Warner Bros. release's domestic total to $233.4 million. Overseas sales are just as strong, adding up to a $574.4 million worldwide haul.
After two weeks atop the box office, Universal's “Kung Fu Panda 4” slid to third place with $16.8 million over its third weekend. The well-performing DreamWorks animated sequel is up to $133.2 million domestic. It debuted with $25.7 million in China, where the movies have historically been popular. When the 2008 “Kung Fu Panda” was released, its success partly inspired China to expand its own film production.
Estimated ticket sales are for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. “Ghostbusters: Frozen Empire,” $45.2 million.
2. “Dune: Part Two," $17.6 million.
3. “Kung Fu Panda 4,” $16.8 million.
4. “Immaculate,” $5.4 million.
5. “Arthur the King,” $4.4 million.
6. “Late Night With the Devil,” $2.8 million.
7. “Imaginary,” $2.8 million.
8. “Love Lies Bleeding,” $1.6 million.
9. “Cabrini,” $1.4 million.
10. “Bob Marley: One Love,” $1.1 million.



Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)

Cinema has been weakened in recent years and its survival cannot be taken for granted, French actress Isabelle Huppert said on Wednesday as she took charge of the main jury at the Venice Film Festival.

The 11-day event draws together film-makers from around the world, giving them an invaluable opportunity to promote work that might otherwise not gain global prominence.

But beyond the Venice Lido's glamorous red carpet, movie veterans worry about the future of the industry: box office sales have not yet recovered from the COVID pandemic, raising questions about the long-term financial viability of movies.

"What concerns us all is that cinema continues to live on as much as possible. We know that it has been weakened in recent times," Huppert said at the traditional news conference to mark the start of the world's oldest film festival.

"I am not a director, I am only an actress, but we know what it represents in terms of courage, endurance, solitude, determination, to ... make a film," she added, saying her goal was to help cinema keep going "for as long as possible".

"But that's why a festival like Venice exists, it's like an ecosystem that is more necessary than ever to proclaim these values. So I'm really happy to be here," Huppert said.

Huppert, 71, has appeared in over 120 films and has won the best actress award twice at Venice, in 1988 and 1995. She and her family also run two small art house cinemas in Paris.

Global cinema box office takings are estimated to have hit almost $34 billion in 2023, according to data from Gower Street Analytics, an increase of 30.5% on 2022, but still 15% below average annual returns from 2017-2019, before COVID hit.

However, sales have declined again this year in the United States - the biggest movie market in the world, setting alarm bells ringing.

US director Debra Granik, who is the head of the jury for Venice's more experimental Horizons section this year, thanked Huppert for addressing the "elephant in the room".

"That's why we all showed up here because we want to see this art form thrive,” Granik said.

The Venice festival opens on Wednesday night with the world premiere of Tim Burton's "Beetlejuice Beetlejuice", which is being shown out of competition. The event ends on Sept. 7 when Huppert will announce who has won the top Golden Lion award.