'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
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'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)

The Godzilla-King Kong combo stomped on expectations as “ Godzilla x Kong: The New Empire ” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.
The monster merger from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the $81.5 million debut of “Dune: Part 2.”
Projections had put the opening weekend of “Godzilla x Kong: The New Empire,” which sees the monsters teaming up instead of squaring up, at closer to $50 million.
“It’s a cinematic event, and we’re seeing these iconic characters doing things we’ve never seen them do before,” said Mary Parent, chairman of worldwide production for Legendary. “There’s big swaths of the film that don’t have any dialogue, where we put you with the characters, it’s a very mythic experience.”
Last week's No. 1 at the box office, “ Ghostbusters: Frozen Empire,” was second with $15.7 million for a two-week total of $73.4 million.
“ Dune: Part Two ” stayed strong in its fifth week, falling in the third spot with an $11.1 million take and a domestic total of $252.4 million.
The last matchup of the two monsters from Warner Bros. and Legendary, 2021's “ Godzilla vs. Kong,” had a much smaller opening weekend of $48.5 million, but for a film slowed by the coronavirus pandemic and released simultaneously on HBO Max, it was a serious success that signaled what was to come for the pairing.
“It was a really big number all things considered,” Parent said.
The newer film had the second biggest opening of the studios' broader MonsterVerse franchise. “Godzilla” brought in $93.2 million in 2014. It was the biggest earner in the nearly 70-year cinematic history of the creature that originated and spent most of its screen life in Japan. It earned more than $200 million in North America and more than $500 million globally.
“Godzilla x Kong” comes just four months after the most recent Japanese rendition, the critical favorite and Oscar winner “Godzilla Minus One.”
But there was clearly no Godzilla glut for audiences, many of whom were willing to pay extra for IMAX and other special formats.
“These are literally two of the biggest movie stars in the world, and you have to see them on the biggest screen possible with the biggest sound possible,” said Paul Dergarabedian, senior media analyst for data firm Comscore.
The combination of “Godzilla x Kong," “Dune Part Two” and “Ghostbusters" has put the year to date 6 percent behind 2023, while it was 20 percent behind on the eve of the March 1 release of “Dune."
“The industry was feeling pretty glum right before ‘Dune Part 2’ opened, but they've made up a lot of ground,” said Dergarabedian.
The summer is full of titles that are not guaranteed megahits but could break big, including Ryan Gosling's “The Fall Guy" and the next installments of “Planet of the Apes,” “Mad Max,” “Inside Out” and “Deadpool.”
That brings cause for optimism as the theatrical movie business seeks to hang on, though it’s highly unlikely it will surpass 2023, which saw “Barbie” surpass $1 billion globally with its release-date mate “Oppenheimer” not far behind.
“'Barbenheimer'” is kind of a once-in-a-lifetime event," Dergarabedian said.
Estimated ticket sales are for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. “Godzilla x Kong: The New Empire,” 80 million.
2. “Ghostbusters: Frozen Empire,” $15.7 million.
3. “Dune: Part Two," $11.1 million.
4. “Kung Fu Panda 4,” $10.2. million.
5. “Immaculate,” $3.3 million.
6. “Arthur the King,” $2.4 million.
7. “Late Night With the Devil,” $2.2 million.
8. “Tillu Square,” $1.8 million.
9. “Crew,” $1.5 million.
10. “Imaginary,” $1.4 million.



Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
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Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP

Five years after “Joker” won the top prize at the Venice Film Festival, filmmaker Todd Phillips is returning with the sequel. “Joker: Folie à Deux” will play in competition with 20 other titles, festival organizers said Tuesday.

The highly anticipated follow-up to the blockbuster comic book film stars Joaquin Phoenix as the mentally ill Arthur Fleck and Lady Gaga as Harley Quinn.

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law, The AP reported.

Among the films playing alongside “Joker 2” in competition are Pablo Larraín's Maria Callas film “Maria,” starring Jolie; Walter Salles' “I'm Still Here"; the erotic thriller “Babygirl” starring Kidman and Harris Dickinson from filmmaker Halina Reijn; Luca Guadagnino’s William S. Burrough’s adaptation “Queer,” with Craig and Jason Schwartzman; and Pedro Almodóvar’s first English-language film, “The Room Next Door,” starring Julianne Moore and Tilda Swinton. Set in New England, the filmmaker has said it’s about an imperfect mother and a resentful daughter.

“The Order,” Justin Kurzel’s 80s-set crime thriller about the white supremacist group starring Law as an FBI agent, Nicholas Hoult and Jurnee Smollett, will also be in competition, as will Brady Corbet’s “The Brutalist,” with Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn. Shot on 70mm, the 215-minute epic is about a Hungarian Auschwitz survivor who goes to the United States.

Pitt and Clooney will reunite in Jon Watts’ “Wolfs,” an adrenaline packed action-comedy about a few fixers that will screen out of competition.

Several interesting films playing in the horizons extra section include “September 5,” about the live television coverage of the Munich Olympics, starring Peter Sarsgaard; John Swab’s “King Ivory,” with Ben Foster and James Badge Dale; and Alex Ross Perry’s film about Stephen Malkmus’ California rock band Pavement.

Venice will also screen Peter Weir’s 2003 epic “Master and Commander: The Far Side of the World,” in conjunction with his lifetime achievement award.

Seven episodes of Alfonso Cuarón’s psychological thriller series “Disclaimer” will also premiere at the festival. The AppleTV+ show is based on a novel about a documentary journalist and a secret she’s been keeping. It stars Cate Blanchett and Kevin Kline and will debut on the streamer in October.

Among the nonfiction titles playing out of competition are Kevin Macdonald and Sam Rice-Edwards’ “One to One: John & Yoko,” which reconstructs the New York years of the Beatle and his wife; Errol Morris’ “Separated,” about the separation of immigrant children from their parents in the US; Anastasia Trofimova’s “Russians at War”; Göran Hugo Olsson's “Israel Palestine on Swedish TV 1958-1989”; “Riefenstahl,” about the German propagandist; And another Beatles-focused doc, “The Things We Said Today,” a time capsule of their arrival in New York and first concert at Shea Stadium.

Last year’s festival took place amid the actors’ strike. Although some attended under interim agreements, like Adam Driver and Penelope Cruz for “Ferrari” and “Priscilla” stars Cailee Spaeny and Jacob Elordi, the festival was lacking its usual, consistent supply of star power. But its awards season influence remained strong: Seven Venice world premieres went on to get 24 Oscar nominations and five wins: Four for “Poor Things” and one for Wes Anderson’s “The Wonderful Story of Henry Sugar.”

Venice is a significant launching ground for awards hopefuls and the first major stop of a busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

The 81st edition kicks off on August 28, with the world premiere of Tim Burton’s “Beetlejuice, Beetlejuice.” All of the main cast, including Michael Keaton, are expected to grace the red carpet. The Venice Film Festival runs through Sept. 7.