Warner Bros. Teases ‘Joker’ Sequel, ‘Beetlejuice 2’ and More at CinemaCon

 US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
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Warner Bros. Teases ‘Joker’ Sequel, ‘Beetlejuice 2’ and More at CinemaCon

 US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)

Warner Bros. isn’t resting on its “Barbie” laurels: The 100-year studio has its sights on a record-breaking 2024 as well, with a release slate that includes a new Mad Max film, “Furiosa,” Kevin Costner’s two-part Western epic, “Horizon: An American Saga,” the “Beetlejuice” sequel, and “Joker: Folie à Deux,” which brings Lady Gaga to Gotham City.

The studio was first up Tuesday night to dazzle theater owners who are gathered this week in Las Vegas for the annual CinemaCon convention and trade show. They came armed with stars, including the likes of Kevin Costner, Michael Keaton, Robert Pattinson, Anya Taylor-Joy and Chris Hemsworth, as well as footage and trailers to show.

“Joker” director Todd Phillips showed the audience a trailer for “Joker: Folie à Deux,” out Oct. 4, which brings Joaquin Phoenix back as the violent and mentally ill Arthur Fleck and introduces Gaga’s Harley Quinn. Phillips thanked the exhibitors in the room for helping the first movie become such a big success.

Addressing rumors that the sequel is a musical, Phillips said that he hasn't referred to it as such.

“It’s a movie where music is an essential element,” Phillips said. “To me that doesn’t veer very far from the first film.”

Before its world premiere at the Cannes Film Festival next month and theatrical release on May 24, “Furiosa” director George Miller stars Taylor-Joy and Hemsworth, spoke a bit about the prequel and showed some explosive new footage.

“We just finished last week,” said the 79-year-old filmmaker, whose first Mad Max film came out 45 years ago.

This new film is focused on a young Furiosa, who was played by Charlize Theron in “Mad Max: Fury Road,” the 2015 blockbuster that made over $300 million at the box office and won four Oscars.

“This is the story of one woman’s relentless commitment to impossible hope,” Taylor-Joy said. “We see her go through everything.”

Hemsworth plays a warlord named “Dementus.”

The audience was especially excited to hear from Kevin Costner, who will be back in theaters this summer with a two-part Western, “Horizon: An American Saga,” which he directed, co-wrote and stars in. Set during the Civil War, Costner wanted to look at the idea of the promise of America.

“It was the promise that if you could come west, if you could survive it, you could make a home at the expense of a lot of things,” Costner said. “To me, that’s drama.”

The film is getting an unconventional release, with “Part 1” hitting theaters on June 28 followed by “Part 2” on Aug. 16. The ensemble includes Sienna Miller, Sam Worthington, Danny Huston and “Stranger Things” breakout Jamie Campbell Bower.

“A lot of people like plot movies,” Costner said. “I have a tendency to like journey movies.”

“Horizon: An American Saga” will premiere at Cannes next month as well.

Tim Burton was also on hand to hype “Beetlejuice Beetlejuice,” the sequel to his 1988 hit, which brings back Keaton, Winona Ryder and Catherine O’Hara to reprise their roles, and introduces new characters played by Jenna Ortega, Monica Bellucci, Willem Dafoe and Justin Theroux. It opens in theaters on Sept. 5.

Burton said he always related to Lydia Deetz and wanted to know what happened to the Deetz women over the years and was happy that Ryder, O’Hara and Keaton were on board too.

“It was like a weird family reunion,” Burton said.

Keaton said they had discussed the possibility many times over the years and they finally got it right. “It’s good. It’s really, really good,” Keaton said. “In fact, it’s great.”

Oscar-winning director Bong Joon-ho showed a trailer for his new film, “Mickey 17,” starring Robert Pattinson, which will be in theaters in Jan. 2025.

“It’s about a simple man who ultimately ends up saving the world,” the “Parasite” director said through a translator. “It’s a very strange type of hero’s journey.”

Pattinson called the story unusual, funny and bizarre. “I was told, you’re going to love the script, but the part is impossible,” he said.

Warner Bros. is also at work rebooting its DC superhero universe, under the supervision of Peter Safran and James Gunn, who is currently filming the new “Superman” in Atlanta for a summer 2025 release. Before that, the studio is releasing a documentary about the first cinematic Superman, Christopher Reeve, which they acquired out of Sundance. “Super/Man: The Christopher Reeve Story” will be in theaters in September.

Three years after the studio’s former leaders made the decision to release all of their films day-and-date in theaters and on its streaming service, Warner Bros. has reestablished itself as a vital part of the movie theater ecosystem.

In December, they made the unconventional move to release three major films in short order: “Wonka,” “Aquaman and the Lost Kingdom” and “The Color Purple.” It was done in agreement with theater owners who said that they needed more films. Those movies, domestic distribution president Jeff Goldstein said, cumulatively made over $1 billion globally, and the studio was responsible for approximately 50% of the box office at Christmas.

This year has gotten off to a strong start too, propelled by “Wonka” and leading into “Dune: Part Two” (both have made over $600 million globally) and “Godzilla x Kong” which has surpassed $300 million at the box office.

“Storytelling is our business,” Goldstein said. “We are committed to making big, crowd-pleasing, event movies.”



‘Michael’ Reclaims Top Box Office Spot in its 4th Weekend

People observe the ‘Michael’ movie poster at a multiplex theater in La Paz, Bolivia, 23 April 2026.  EPA/LUIS GANDARILLAS
People observe the ‘Michael’ movie poster at a multiplex theater in La Paz, Bolivia, 23 April 2026. EPA/LUIS GANDARILLAS
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‘Michael’ Reclaims Top Box Office Spot in its 4th Weekend

People observe the ‘Michael’ movie poster at a multiplex theater in La Paz, Bolivia, 23 April 2026.  EPA/LUIS GANDARILLAS
People observe the ‘Michael’ movie poster at a multiplex theater in La Paz, Bolivia, 23 April 2026. EPA/LUIS GANDARILLAS

After two weeks trailing “The Devil Wears Prada 2,” the Michael Jackson biopic “Michael” reclaimed the No. 1 spot at the North American box office with $26.1 million in ticket sales, according to studio estimates Sunday.

The Lionsgate movie is in rarefied territory, having brought in $703.9 million worldwide and counting. It still has a way to go to surpass the current reigning champion of musical biopics: “Bohemian Rhapsody.” The Queen movie grossed over $910.8 million worldwide.

There were also several newcomers in the mix this weekend, including the relationship horror movie “Obsession,” the Guy Ritchie action pic “In the Grey” and the revenge saga “Is God Is,” but the holdovers continued to draw the largest crowds. The power dynamics are poised to shift when “Star Wars: The Mandalorian and Grogu” hits theaters next weekend.

Disney and 20th Century Studios' “The Devil Wears Prada 2” took second place in its third weekend with $18 million, bringing its domestic total to $175.9 million and worldwide earnings to $546.2 million.

“Obsession” topped the newcomers, exceeding expectations with an estimated $16.1 million from 2,615 theaters. YouTube breakout Curry Barker wrote and directed the thriller in which a hopeless romantic gets more than he bargained for when his crush returns his affections. The film received positive reviews from both critics (94% on Rotten Tomatoes) and audiences (A- CinemaScore). Perhaps more notable is that Barker made the film for $750,000. Focus Features acquired it out of the Toronto International Film Festival last fall for around $15 million.

Lisa Bunnell, president of domestic distribution for Focus Features, attributed some of “Obsession's” success to audiences craving fresh, original voices at the movies. It’s also getting an infusion by word-of-mouth, with younger audiences making plans to go back with friends. Horror movies don’t often get CinemaScores in the A- range, but “Obsession” is in good company with another recent hit: “Weapons.”

“I’m expecting a really strong holdover,” Bunnell said.

Fourth place at the box office this weekend went to “Mortal Kombat II,” which fell 65% in its second weekend to $13.4 million in domestic ticket sales. Globally, it has made $101.2 million from 80 markets.

Amazon MGM Studios had three movies in the top 10, including “The Sheep Detectives” in fifth place, “Project Hail Mary” in seventh place and “Is God Is” rounding out the top 10.

“The Sheep Detectives” enjoyed a slim 33% drop from its first weekend, taking in an additional $10.2 million and bringing its running total to $30.5 million. “Project Hail Mary,” which is now available to rent or buy at home, brought in another $3.4 million in its ninth weekend in theaters. “Is God Is,” Aleshea Harris’s adaptation of her Obie-winning play about twin sisters ( Kara Young and Mallori Johnson ) on a quest to find and kill their abusive father made $2.2 million in its first weekend in theaters. It has a 97% rating on Rotten Tomatoes.

Meanwhile, the action caper “In the Grey,” released by Black Bear, made $3 million from 2,018 locations. Henry Cavill, Jake Gyllenhaal and Eiza González star in the film about a team of elite operatives on an impossible mission. It currently carries a 44% on Rotten Tomatoes and a B CinemaScore.

There were also several high-profile re-releases in theaters this weekend, including “Top Gun” which made $3.1 million, and “Shrek” which earned $1.3 million.

Paul Dergarabedian, head of marketplace trends for Comscore, noted that “Prada,” “Michael” and “Top Gun” all making the top 10 show “nostalgia is on full display.”

“What’s old is new again and audiences clearly love it,” he said.


Haaland to Play Marauding Viking in New Animated Film

13 May 2026, United Kingdom, Manchester: Manchester City's Erling Haaland reacts on the substitute's bench ahead of the English Premier League match between Manchester City and Crystal Palace at the Etihad Stadium. (Martin Rickett/PA Wire/dpa)
13 May 2026, United Kingdom, Manchester: Manchester City's Erling Haaland reacts on the substitute's bench ahead of the English Premier League match between Manchester City and Crystal Palace at the Etihad Stadium. (Martin Rickett/PA Wire/dpa)
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Haaland to Play Marauding Viking in New Animated Film

13 May 2026, United Kingdom, Manchester: Manchester City's Erling Haaland reacts on the substitute's bench ahead of the English Premier League match between Manchester City and Crystal Palace at the Etihad Stadium. (Martin Rickett/PA Wire/dpa)
13 May 2026, United Kingdom, Manchester: Manchester City's Erling Haaland reacts on the substitute's bench ahead of the English Premier League match between Manchester City and Crystal Palace at the Etihad Stadium. (Martin Rickett/PA Wire/dpa)

In an inspired piece of casting, Norwegian striker Erling Haaland is to voice a fierce Viking warrior in a new animated film.

The giant Manchester City center-forward has long been compared to a marauding Viking on the pitch as he clocks up record after record as the fastest player in history to score 100 Premier League goals.

The film's producers at the Cannes Film Festival confirmed the star was part of the cast of "Viqueens", made by his fellow Norwegian Harald Zwart of "The Karate Kid" fame.

The children's tale, which will be released on Christmas Day, is set in a "world of fearless warrior girls, icy fjords, and Silk Road mythology".


‘Parasite’ Director Bong Says Making Animated Film to ‘Surpass’ Miyazaki

Bong Joon-ho arrives for the premiere of "The Electric Kiss" (La Venus Electrique) and the opening ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 12 May 2026. (EPA)
Bong Joon-ho arrives for the premiere of "The Electric Kiss" (La Venus Electrique) and the opening ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 12 May 2026. (EPA)
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‘Parasite’ Director Bong Says Making Animated Film to ‘Surpass’ Miyazaki

Bong Joon-ho arrives for the premiere of "The Electric Kiss" (La Venus Electrique) and the opening ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 12 May 2026. (EPA)
Bong Joon-ho arrives for the premiere of "The Electric Kiss" (La Venus Electrique) and the opening ceremony of the 79th annual Cannes Film Festival, in Cannes, France, 12 May 2026. (EPA)

South Korean maestro Bong Joon-ho -- who won three Oscars and the Palme d'Or at Cannes for "Parasite" -- is making his first animated film.

"Ally" is the story of a clever piglet-like squid living in the depths of the Pacific Ocean, and shows how "encounters between humans and the creatures of the deep can reshape both worlds," according to its producers.

The acclaimed director told reporters at the Cannes Film Festival that he hopes to try to match Japanese animation master Hayao Miyazaki and George Miller of "Babe" fame.

"I've always wanted to create an awesome action sequence that can surpass the great ones created by George Miller or Miyazaki, and I felt this film was my chance to practice that ambition," he told the film industry bible Variety at the Cannes Film Festival.

Bong, who won a cult following for films like the sci-fi "Snowpiercer", has already made a creature feature, "Okja", starring Paul Dano and Tilda Swinton in 2017.

He admitted his fans "might be surprised that it's an animation".

"But once they actually see the film" next year "it'll be quite familiar to them and they might be happy to see my signatures."

Bong, 56, has been working on and off on the movie for nearly seven years and released the first images of the family feature last month. It is expected to be completed in the first half of 2027 and released later in the year.