‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
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‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)

Orlando Bloom wanted to test himself for his latest adventure project. Not by eating something gross or visiting a new country. He wanted to risk death — with not one but three extreme sports.

The Peacock series “Orlando Bloom: To the Edge” sees the “Pirates of the Caribbean” star shoot through the sky thousands of feet above the ground, dive into a deep sinkhole and rock climb hundreds of feet.

“While I was at moments scared for my life during the show, having come out the other end of it I feel way more capable,” Bloom tells The Associated Press.

The series, which debuts Thursday, was born from the pandemic, which made outside adventures even more alluring. It met the perfect host in a man who is a natural risk-taker. When he made his Broadway debut in “Romeo and Juliet,” he roared onto the stage on a Triumph motorcycle.

“I’m like a collector of experiences in some ways,” he says. “I’ve been remarkably gifted and fortunate to have some unique ones, but this was definitely like, ‘Oh, wow, I’m capable of this. Therefore I can do anything.’”

First up was wingsuiting — skydiving in a special jumpsuit that adds lift so you can glide longer before opening your parachute. Bloom's goal was to jump out of plane at 13,000 feet (3,962 meters) fly 3 miles (4.8 kilometers) over the Pacific Ocean and land on the beach.

Then he heads to the Bahamas, to a 663-foot-deep (202 meters) hole in the ocean, with the aim of plunging to 100 feet (30.5 meters) on just one breath. After that, it’s off to Utah to climb a 400-foot (122 meter) tower and stand on a summit the size of a pizza box.

“We all experience fear. It’s how we face this fear that defines us,” Bloom says in the first episode. “I never feel so alive being so close to death.”

There were some heart-in-your throat moments, like on his seventh skydiving jump, where Bloom needed to activate his reserve chute, something that is necessary just 1 in 1,000 times. And for his 21st jump, he did it holding hands with his 80-year-old uncle, Christopher Copeland, a master skydiver.

Usually it takes 200 solo skydives before anyone is allowed to wingsuit but Bloom convinces his instructor in just two weeks. Katy Perry, his partner, is on hand for the first wobbly flight, embracing her man after he lands and lovingly calling him “a flying wombat.”

Bloom battles ear pain to attempt the 100-foot (30.5 meter) freedive and practicing a breath exercise leaves him in tears, struggling and sweating. Freediving turns out to require a slowing heart, conserving energy and relaxing — the opposite of most sports.

The rock climbing challenge sees a usual 2-3 year training process condensed into a week. There was added stress because Bloom broke his back in a fall in his 20s and really didn't want to do that again.

“Just remember if everything hurts and you want to puke, you’re doing it right,” an instructor helpfully tells him. Bloom also leans into his Buddhist belief, meditating and chanting in the run-up to each daredevil step.

Bloom joins a crowded field of adventure-seeking celeb TV hosts, which includes Eugene Levy, Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Stanley Tucci, Macaulay Culkin and Ewan McGregor.

Bloom, already a guy who went to the gym twice a day, was a quick learner and even emerged with a skydiving license. But he had one-on-one help from experts usually out of the reach of regular thrillseekers, like Maureen “Mo” Beck, a gold medal at the 2014 Spanish Paraclimbing World Championships, and Camila Jaber, the youngest female freediver to break records.

Bloom credits his instructors for their patience, expertise and teaching him to trust them and their gear. His life was in their hands but very often, their lives were in his hands.

“It wasn’t just as simple as like, ‘I’m just going to go with the flow here.’ No, I learned the tools. There are protocols,” he says. “There is a framework with which I was working. And while I was doing that, I was able to get into a rhythm, into a flow, and achieve things that I never thought I would ever do in my lifetime.”

Bloom hopes viewers will tune in to see a novice achieve remarkable feats but also to inspire them to get outside their comfort zones, be it perhaps by managing public speaking or learning a new language.

“For me, the idea of the show was like, ’Well, what is it for you?” he asks. “What is your version of jumping out of a plane? It doesn’t have to be physical or death defying in some form or another.”

Bloom says he's in a happy place, with a good career, a loving partner and great children. That made the stakes even higher for the new series.

“I’m very grateful for my life,” he says. “I’m even more grateful having survived ‘Orlando Bloom: To the Edge.’”



‘Mercy’ Debuts Atop N.America Box Office, Dislodging ‘Avatar’

Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
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‘Mercy’ Debuts Atop N.America Box Office, Dislodging ‘Avatar’

Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)

Sci-fi thriller "Mercy" starring Chris Pratt debuted atop the North American box office with $11 million in ticket sales, ending the five-week reign of "Avatar: Fire and Ash," industry estimates showed Sunday.

Pratt plays a man on trial for murdering his wife in the Amazon MGM Studios film, with his fate in the hands of an artificial intelligence judge.

The brutal winter storm hitting a large swath of the United States cut into the weekend totals, according to David A. Gross of Franchise Entertainment Research.

"Considering the extreme weather that's closing theaters across two-thirds of the US and keeping people home, it's a very good opening," Gross said of "Mercy."

"The final numbers may be lower on Monday after we see the effects of the cold and snow."

"Avatar: Fire and Ash," the third installment in James Cameron's blockbuster fantasy series, came in second in the United States and Canada with another $7 million, Exhibitor Relations said.

That puts its domestic box office haul at $378.5 million, with an additional $1 billion overseas, according to Box Office Mojo.

Disney's Oscar-nominated animated film "Zootopia 2" churned along, remaining in third place at $5.7 million and crossing the $400 million mark in the US and Canada.

In fourth place at $4.2 million was Lionsgate's "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets.

In fifth place was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, at $3.6 million.


First Lady Melania Trump Previews New Film at Private White House Screening

Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
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First Lady Melania Trump Previews New Film at Private White House Screening

Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)

First lady Melania Trump hosted a private White House screening on Saturday of a new film documenting her life in the 20 days leading up to President Donald Trump’s second inauguration, the White House said.

The movie, "Melania," is set for a global release on January 30. Saturday's showing was the first time the president, her family and close friends saw the film in full, said Marc Beckman, the first lady’s outside adviser and agent.

The film offers rare ‌behind-the-scenes access to ‌the first lady, who has kept a low ‌public ⁠profile during her ‌husband’s second term. The trailer opens on Inauguration Day in January 2025, showing her donning a navy wide-brimmed hat for the ceremony at the US Capitol. It also depicts her role as an adviser to the president, including a moment in which she encourages him to emphasize “peacemaker and unifier” in his inaugural address.

Saturday's East Room screening followed the president's tariff threat to Canada, defense of federal agents ⁠after a fatal shooting in Minnesota, and preparation for a winter storm barreling through the southern US.

About ‌70 people across the cultural spectrum attended, including ‍former professional boxer Mike Tyson, a person familiar ‍with the event said.

Other attendees included Amazon's CEO Andy Jassy, Amazon MGM Studios head Mike Hopkins, and film director Brett Ratner, as well as Larry Culp, the CEO of General Electric.

Beckman, who produced the film, oversaw the $40 million movie deal with Amazon MGM Studios, plus a follow-up documentary series set for release later this year focusing on some of Melania Trump's priorities, including ⁠children in foster care.

"This is not a political film at all," Beckman said in an interview this week, adding that the first lady spearheaded the film's creative direction.

The movie highlights her fashion choices, diplomatic engagements and the operations surrounding her Secret Service protection. Beckman said viewers also will see moments that capture the president's sense of humor.

Ahead of the public theatrical release of the film next week, the president and first lady will attend a premiere on Thursday at the John F. Kennedy Center for the Performing Arts, renamed the Trump-Kennedy Center by the Trump-appointed board of directors.

The first lady is also ‌scheduled to ring the opening bell at the New York Stock Exchange on Wednesday to promote the film.


Robert Redford Remembered for His Mentorship of New Filmmakers at Sundance Gala

(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
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Robert Redford Remembered for His Mentorship of New Filmmakers at Sundance Gala

(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)

Filmmakers and actors whose careers were shaped by Robert Redford and the Sundance Institute he founded reflected on his legacy as the godfather of independent cinema at a star-studded gala Friday night during the first Sundance Film Festival since his death.

The 2026 festival — its last in Utah, before relocating to Boulder, Colorado — is a love letter to the haven Redford established in the state decades ago for stories that didn't fit into the mainstream.

Even as the festival heads to its new home, the piece of Redford's legacy that his daughter said meant the most to him will remain in Utah: the institute's lab programs for writers and directors, The Associated Press said.

“When my dad could have created an empire, he created a nest,” said his daughter, Amy Redford. “The Sundance Institute was designed to support and protect and nourish and then set free.”

She said there was no place her father would rather be than sitting with a new filmmaker at the Sundance Mountain Resort he founded, about 34 miles (54 kilometers) south of Park City.

Generations of filmmakers credit Redford for their success

The labs, which started in 1981, bring emerging storytellers to the rustic resort in northern Utah to nurture their talents under expert guidance and away from the hustle and bustle of Hollywood. Three of the five best director nominees at this year's Academy Awards — Paul Thomas Anderson, Chloé Zhao and Ryan Coogler — came up through the labs.

Zhao, whose film “Hamnet” was nominated this week for eight Oscars, credited the screenwriting lab with jump-starting her career in 2012. Under the mentorship of Redford and program director Michelle Satter, she said she learned to trust her own vision and gained an invaluable community of creatives.

Other former participants, including director Nia DaCosta, shared memories of Redford riding his motorcycle on peaceful wooded paths and stopping to talk to them about their projects. He insisted each of them call him by his nickname, Bob.

“I remember once seeing him walk some of the other fellows from the directors lab, and he just looked so full of love and pride for us, for what he built,” DaCosta said. “And it was just very clear to me in that moment the depth to which he cared about this place and all of us.”

Sundance Film Festival regular Ethan Hawke recounted his first audition in front of Redford for the 1992 period drama “A River Runs Through It.” After forgoing sleep to prepare a lengthy monologue, Hawke said Redford pulled him aside to say he was too young for the part but would undoubtedly have a wonderful career.

Redford was an early champion of Hawke's work and became one of his greatest mentors. Hawke pledged Friday to “keep the fire that he started burning in ourselves" and share it with others.

‘Imagination is worth protecting’ Screenings at this year's festival were preceded by a short video tribute to Redford, which was repeatedly met with thunderous applause. Many volunteers wore buttons that read “Thank you Bob!”

Later in the festival will be a screening of his first truly independent film, the 1969 sports drama “Downhill Racer.”

Filmmaker Ava DuVernay's first taste of Sundance was as a publicist for other artists at the festival. In 2012, she got her own big break at Sundance with “Middle of Nowhere.” She later spent several years as a Sundance trustee and grew close to Redford, though she said she never felt quite right calling him Bob.

“Mr. Redford didn’t just establish a festival. He modeled a way to be, a way that matters, a way that says artists matter, that imagination is worth protecting,” DuVernay said. “The door that he built is still open, and it’s up to us to walk through and to maybe even build our own.”

For the first and likely the only time, she then said, "Thank you, Bob.”