Alec Baldwin's Criminal Case Hinges on Wild West Revolver

An undated photo of the reproduction 1873 long Colt .45 Single Action Army revolver actor Alec Baldwin was using on the New Mexico set of western movie "Rust" in 2021. Santa Fe County Sheriff's Office/Handout via REUTERS.
An undated photo of the reproduction 1873 long Colt .45 Single Action Army revolver actor Alec Baldwin was using on the New Mexico set of western movie "Rust" in 2021. Santa Fe County Sheriff's Office/Handout via REUTERS.
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Alec Baldwin's Criminal Case Hinges on Wild West Revolver

An undated photo of the reproduction 1873 long Colt .45 Single Action Army revolver actor Alec Baldwin was using on the New Mexico set of western movie "Rust" in 2021. Santa Fe County Sheriff's Office/Handout via REUTERS.
An undated photo of the reproduction 1873 long Colt .45 Single Action Army revolver actor Alec Baldwin was using on the New Mexico set of western movie "Rust" in 2021. Santa Fe County Sheriff's Office/Handout via REUTERS.

A Colt .45 "Peacemaker" revolver, a symbol of the American Wild West, is at the center of actor Alec Baldwin's fight to avoid criminal prosecution for the 2021 fatal shooting of "Rust" cinematographer Halyna Hutchins on a New Mexico movie set.
Baldwin's 15-month battle with New Mexico state prosecutors is heading towards a July 10 climax when the actor is scheduled to face trial for involuntary manslaughter over Hollywood's first on-set shooting with a live-round in modern times.
The movie's weapons handler Hannah Gutierrez was sentenced to 18 months imprisonment on Monday for Hutchins' death. Baldwin's legal team is trying to have his indictment thrown out. His lawyers could seek a plea bargain if that fails.
But should the charge hold, Baldwin's trial is likely to focus on whether he pulled the trigger of his reproduction 1873 Colt .45 after he said he was directed - either by director Joel Souza or Hutchins - to point it at the cinematographer, according to different statements he made to the police and then to media.
Baldwin argues that Hutchins died due to a breakdown in film industry firearms safety protocol, which as an actor he was not responsible for. According to Reuters, he said it was not his job to inspect the gun and that he did not pull the trigger after Gutierrez mistakenly loaded a live round instead of an inert dummy.
Firearms and legal experts do not expect a Santa Fe, New Mexico, jury to necessarily see it that way.
In the Southwest United States, where gun ownership is routine, there is a cultural norm to check whether a weapon is loaded and never point it at someone and pull the trigger, according to Ashley Hlebinsky, executive director of the University of Wyoming Firearms Research Center.
Some local jurors may not differentiate between handling a gun on a movie set or in real life. Persuading jury members, especially gun owners, that the revolver went off on its own could be a hard sell, said the firearms historian.
Still, Hlebinsky sees a possible path to acquittal for Baldwin: namely, the argument his lawyers laid out in their motion to dismiss that the gun was modified to make it "easier to fire without pulling the trigger." That motion is now being considered by a judge.
"The defense just have to put doubt into the head of the jury," said Hlebinksy, who has acted as a firearms expert in court cases on single action Colt .45-type revolvers similar to the "Rust" weapon. "I think they can definitely do that."
CONFLICTING ACCOUNTS
It was six weeks after the Oct. 21, 2021 shooting that Baldwin said in an ABC News interview with George Stephanopoulos that he did not pull the trigger of the Italian-made gun.
Days later, the actor told a New Mexico workplace safety inspector that the Pietta reproduction Colt Single Action Army revolver had no mechanical defect.
Baldwin's statement that the gun "went off" on its own, and his comment that it worked properly, are part of New Mexico state prosecutor Kari Morrissey's assertion that the "30 Rock" actor has "lied with impunity" about details of the shooting.
"They're going to have to walk back from that statement a bit," trial lawyer Neama Rahmani said of Baldwin's legal team.
The former federal prosecutor expected the actor's lawyers to frame the incident as "an accidental discharge," a term meaning the gun fired due to mechanical failure.
He said it was an unusual though not unheard of legal position, most often employed in cases where a defendant was seeking to reduce a charge from murder to manslaughter.
According to Baldwin's lawyers, someone filed down the full-cock notch of the long Colt .45 after it was supplied brand new to the production, to make it easier to fire.
Lucien Haag, an independent gun expert hired by the state, testified at Gutierrez's trial that the full-cock notch was worn down and broken off by FBI testing, rather than filing.
FBI tests of the gun found it was in normal working condition when it arrived at their lab in Quantico, Virginia, after the shooting. An investigator had to hit the hammer with a mallet to make it fire without pulling the trigger, the blows damaging the hammer and trigger, according to the FBI.
Baldwin risks jeopardizing his credibility if he changes his story on the trigger, said lawyer Kate Mangels. She expected him to continue to blame others for firearm safety failures as prosecutors accuse him of negligence, both as an actor and the film's most powerful producer.
"At this juncture it would be difficult for Baldwin's defense team to change course," said Mangels, a partner at entertainment law firm Kinsella Holley Iser Kump Steinsapir.
Hlebinsky, the firearms expert, said movie-set armorers she knows, who have seen pictures of the hammer on Baldwin's gun, are uncertain whether the full cock notch was worn down by mallet blows or filing. She expected Baldwin's legal team to find a firearms expert to testify it was the latter.
"I don't think anyone can say 100% what happened," she said of the gun.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”