Zendaya's Tennis Movie, 'Challengers,' Tests Friendship Bonds of Complex Trio

Luca Guadagnino’s “Challengers,” starring Zendaya, has been pulled from the Venice Film Festival due to the actors strike. (AP)
Luca Guadagnino’s “Challengers,” starring Zendaya, has been pulled from the Venice Film Festival due to the actors strike. (AP)
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Zendaya's Tennis Movie, 'Challengers,' Tests Friendship Bonds of Complex Trio

Luca Guadagnino’s “Challengers,” starring Zendaya, has been pulled from the Venice Film Festival due to the actors strike. (AP)
Luca Guadagnino’s “Challengers,” starring Zendaya, has been pulled from the Venice Film Festival due to the actors strike. (AP)

When Zendaya first read the script for director Luca Guadagnino’s romantic sports film “Challengers,” she immediately understood that the tennis player turned coach she would portray was unapologetic about her own power and how she wielded it.
“I also think that she isn't immediately dislikable, and she isn't perfect, and she isn't trying to be and we're not making any excuses for that either,” Zendaya said about her character, Tashi Duncan.
At the Los Angeles premiere of the film, Zendaya took to the stage in her neon green halter dress and urged audiences not to judge the characters in the movie too harshly, Reuters said.
For Zendaya, it is important to have complex characters like the ones in the movie, even if it means they are not necessarily likable.
The film focuses on Duncan, a former tennis prodigy who becomes a coach following a career-shattering leg injury.
She coaches her husband, portrayed by Mike Faist, who is a tennis champion facing a losing streak. Her strategy to help him win is a surprise tournament against his ex-best friend, who is also Duncan’s ex-boyfriend.
The movie explores the often-unpredictable bond between the three main characters and how it intersects with their joint passion for professional tennis.
The Amazon MGM Studios film arrives in theaters on Friday.
“We all are kind of very quick to judge characters,” said Josh O’Connor, who plays Duncan’s ex-boyfriend.
“But I think ultimately, the three of them have got this very complicated situation thrown upon them where they all kind of love each other," O'Connor said.
As Zendaya and her co-stars delved into their characters and built chemistry over 12 weeks, they began to understand more of the psychology of tennis players.
“It seems incredibly lonely, and it's just you out there," Zendaya said. "I mean, there's someone across from you, but really you feel very isolated on your own and there's so much mental fortitude to stay focused and there's so many people watching you and every point matters so much."
Adding to the layers of her character, Zendaya worked to learn more about the sport while filming, garnering a compliment from former tennis star Serena Williams.
She sported outfits inspired by the movie while attending premieres.
"I want to try to make it feel like it's still an extension of the creative process of the making of it (the film) too," she said.



Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
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Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP

Dissident Iranian filmmaker Jafar Panahi made his first appearance at an international film festival in 15 years in Cannes on Tuesday, with a story about political prisoners trying to get back at their jailers.

Panahi was banned from making films for 20 years and has been repeatedly detained since 2009 over his gritty, social dramas, considered subversive by the Islamic republic's regime.

His new feature, "It Was Just An Accident" -- which is in the running for the top prize -- risks causing new legal problems for a prize-winning director celebrated by fans for his defiance, according to AFP.

The 64-year-old said his nearly seven months in the notorious Evin prison in Tehran until February 2023 had helped inspire his latest wry tale.
"One of the characteristics of the Iranian people is their humor," Panahi, 64, told Screen magazine.

"This regime has been trying for over four decades now to impose on Iranians tragedy, tears and suffering but the Iranians always come up with humour and jokes."

The acclaimed director has repeatedly skirted the ban on him by shooting in secret, including 2022's "No Bears", which screened at the Venice film festival and won a special jury prize there while he was in jail.

"Although I am not banned any more, it didn't really change my actual situation. I still had to work illegally," he told Screen.

A source close to the filmmaker, who asked not to be named, told AFP Panahi's latest film had been shot in secret and had no government funding.

Cannes has a long history of supporting independent Iranian filmmakers, who often face legal problems and intimidation from Iranian authorities.

- Assange appears -

A second Iranian film is competing in the top Cannes competition this year -- "Mother and Child" by Saeed Roustaee.

Roustaee was sentenced to six months in prison for the screening of his film "Leila's Brothers" in Cannes in 2022 but his latest production has drawn criticism from some exiled directors.

The Iranian Independent Filmmakers Association (IIFMA) has called it a "propaganda film" but it is unclear if they have seen it in full.

Fellow Iranian Cannes favorite Mohammad Rasoulof, who fled the country last year, defended Roustaee.

He told Variety that there was a "clear distinction between the propaganda films of Iran and the films that are made under the constraints of censorship".

Wikileaks founder Julian Assange -- who spent five years in prison over his leak of classified US files -- is also in Cannes for the premiere on Wednesday of a documentary about him, "The Six Billion Dollar Man".

Its American director, Eugene Jarecki, was awarded the first ever Golden Globe for documentary at Cannes on Monday for his previous work, including his 2018 film about Elvis, "The King".

Ecuador's left-wing former president Rafael Correa, who famously offered Assange asylum in the Ecuadorian embassy in London, was set to appear alongside the Australian at the premiere.

- Denzel's up and down night -

Panahi and Assange's presence comes at one of the most political Cannes for many years, dominated by protest over the war in Gaza, sexual politics and US President Donald Trump's threat to impose tariffs on movies from "foreign lands".

Monday night featured a tense exchange with a photographer that took some of the joy from Hollywood star Denzel Washington's lifetime achievement award.

The surprise honorary Palme d'Or was handed to Washington, 70, at the premiere of his latest film with New York director Spike Lee, "Highest 2 Lowest" -- the first time the actor has appeared at the festival.

"It's a total surprise. I'm so emotional," Washington said, according to a member of the audience.

The photographer had earlier appeared to grab the actor by the arm as he posed in front of a bank of cameras.

Washington shook him off and then pointed his finger at him and appeared to say "Stop it" a number of times, videos showed.

But despite the awkward incident, Washington's mood was no doubt lifted by the rave reviews of his and Lee's film.

Loosely adapted from a Japanese master Akira Kurosawa's 1963 classic, "High and Low", the Hollywood Reporter said the film had "wit, high style and kinetic energy to burn".

The Guardian praised Washington's "magnificent form" in the movie, saying he played a music mogul with "grinning monarchical assurance".

The Cannes film festival runs until Saturday.