Nicole Kidman, Who 'Makes Movies Better,' Gets AFI Life Achievement Award

25th Critics Choice Awards – Arrivals – Santa Monica, California, US, January 12, 2020 - Nicole Kidman. REUTERS/Danny Moloshok/File
25th Critics Choice Awards – Arrivals – Santa Monica, California, US, January 12, 2020 - Nicole Kidman. REUTERS/Danny Moloshok/File
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Nicole Kidman, Who 'Makes Movies Better,' Gets AFI Life Achievement Award

25th Critics Choice Awards – Arrivals – Santa Monica, California, US, January 12, 2020 - Nicole Kidman. REUTERS/Danny Moloshok/File
25th Critics Choice Awards – Arrivals – Santa Monica, California, US, January 12, 2020 - Nicole Kidman. REUTERS/Danny Moloshok/File

Morgan Freeman spoke the words, but pretty much everyone who took the stage at the presentation of the AFI Life Achievement Award agreed: “ Nicole Kidman. She makes movies better.”
The line came in a video parody of Kidman's AMC Theatres “we make movies better” ad that opened the Saturday night ceremony at the Dolby Theatre in Hollywood. It got huge laughs from the crowd of multigenerational A-listers there to honor the 40-year career of the 56-year-old Australian that has included roles in “Moulin Rouge,” “Eyes Wide Shut” and an Oscar-winning turn in “The Hours.”
Meryl Streep, Kidman's “The Hours” co-star who presented to Streep the Life Achievement Award that she won herself in 2004, got laughs nearly as big when, in a mock-boastful voice, described the hardest part of being “incessantly called the greatest actress of gemy generation.”
It's when you come up against someone else who is “really, really, really, really, really, really great” and you realize they did things you couldn’t do, as happened with Kidman the first day they worked together on the HBO series “Big Little Lies," Streep said.
Streep and their “Big Little Lies” co-star Reese Witherspoon both did spot-on, Australian-accented impressions of Kidman that had the audience in stitches.
Streep also drew tears from Kidman when describing what she believed motivated her.
“People call it bravery when an actress bares all and leaps off into the unknown and she dives deep into the darker parts of what it is to be a human being,” Streep said. “But I don’t think it’s bravery. I think it’s love. I think she just loves it.”
Kidman teared up for the first time in the evening when her husband and fellow Australian, singer Keith Urban, said she showed him “what love in action really looks like” when his substance abuse problems emerged almost immediately after they wed in 2006.
“Four months into our marriage, I’m in rehab for three months,” Urban said, looking at Kidman where she sat on a dais with their two daughters and other family. “Nic pushed through every negative voice, I’m sure even some of her own, and she chose love. And here we are 18 years later.”
Kidman said the night was the first time she allowed their teenage daughters to join her on a red carpet. She also has two children with her first husband, Tom Cruise.
She accepted the AFI award in the same venue where she accepted her Oscar in 2003 for playing Virginia Woolf in “The Hours."
She thanked by name every director she has worked with, including Stanley Kubrick, Jane Campion, Baz Luhrmann, Sofia Coppola, Yorgos Lanthimos, Sydney Pollack and Lars von Trier.
“It is a privilege to make films. And glorious to have made films and television with these storytellers who allowed me to run wild and be free and play all of these unconventional women," Kidman said, wearing a floor-length, glittering-gold gown. “Thank you for making me better at my craft and giving me a place, however temporary, in this world.”
It was announced back in November of 2022 that Kidman would receive the award, first handed out in 1973, whose previous winners include Orson Welles, Bette Davis, Alfred Hitchcock, Gene Kelly, Sidney Poitier, Barbara Streisand, Tom Hanks, Robert De Niro, Denzel Washington and Julie Andrews.
The ceremony originally was scheduled for June of 2023, but delayed because of Hollywood’s strikes. It will air on TNT on June 17.
Kidman also was nominated for Academy Awards for “Moulin Rouge,” “Rabbit Hole,” “Lion,” and “Being the Ricardos," whose director, Aaron Sorkin, also sang her praises at the ceremony.
Others honoring her included Zac Efron, Miles Teller, Zoe Saldana and Mike Myers, who came on stage in disguise in one of the eerie orgy masks from “Eyes Wide Shut.”
Kidman began her career as a teen in Australia in films including “Bush Christmas” and “BMX Bandits." Naomi Watts, a friend from those days, described meeting Kidman when both had to sit in a waiting room in bathing suits for two hours at an audition. Aussies Russell Crowe, Hugh Jackman and Cate Blanchett all gave video tributes to the first from their country to win the award.
Kidman said in a video played at the ceremony that her appearance in the 1989 thriller “Dead Calm” brought her to the attention of, among others, Cruise, the only time his name was spoken Saturday night.
She had her breakthrough Hollywood role alongside him in 1990's “Days of Thunder" — they would marry the same year — and also starred together in 1992's “Far and Away” and in 1999 in Kubrick's final film, “Eyes Wide Shut.”
She divorced Cruise in 2001, but her stardom only grew in his wake. Some of her biggest roles, and her Oscar, were still to come.
The role most often cited as a favorite during the awards show Saturday night was her musical turn in Luhrmann's 2001 “Moulin Rouge.”
Freeman, the 2011 AFI honoree, in his in-person presentation that followed the video spoof, serenaded Kidman with the modified Elton John lines she sings in the film: “How wonderful life is, now you're in the world.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.