Taylor Swift Fever Grips Paris at Start of Europe Tour

A Taylor Swift fan takes a picture of a handmade sign next to the poster of Taylor Swift's “Eras Tour” first concert in Europe, at the Paris La Defense Arena in Nanterre, suburbs of Paris, France, 09 May 2024. (EPA)
A Taylor Swift fan takes a picture of a handmade sign next to the poster of Taylor Swift's “Eras Tour” first concert in Europe, at the Paris La Defense Arena in Nanterre, suburbs of Paris, France, 09 May 2024. (EPA)
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Taylor Swift Fever Grips Paris at Start of Europe Tour

A Taylor Swift fan takes a picture of a handmade sign next to the poster of Taylor Swift's “Eras Tour” first concert in Europe, at the Paris La Defense Arena in Nanterre, suburbs of Paris, France, 09 May 2024. (EPA)
A Taylor Swift fan takes a picture of a handmade sign next to the poster of Taylor Swift's “Eras Tour” first concert in Europe, at the Paris La Defense Arena in Nanterre, suburbs of Paris, France, 09 May 2024. (EPA)

Taylor Swift-fever struck Paris on Thursday as the highest-grossing tour in history finally arrived in Europe, with fans treated to the first-ever performance of songs from her latest album.

The Eras Tour began its European leg with four dates at the La Defense Arena in Paris and attendance on the first night alone was 45,387, according to her press team.

"I wish I could have toured Europe more. This is a dream crowd," the 34-year-old megastar told the ecstatic audience.

There were deafening shrieks as images of typewriter sheets indicated that songs off the new album, "The Tortured Poets Department", were starting late in the show.

Emerging in a lyrics-covered dress, she ran through several of the darker new tracks starting with "But Daddy I Love Him" and including "Fortnight", a particularly furious rendition of "Who's Afraid of Little Old Me?" and an elaborate "I Can Do it with a Broken Heart" with a golden-era Hollywood dance routine.

"You were the first crowd to see songs from 'The Tortured Poets Department'," she said, before adding: "Or, as I like to call it, 'Female Rage: the Musical'".

That was a dream come true for many in the audience.

"I've been so excited for so long, I can't believe it's actually happening," said 11-year-old Emma, who had flown in with her mother from New York.

The venue said a fifth of the crowd were from the United States -- many attracted by Europe's rules against charging huge mark-ups on resale tickets that can save Americans thousands of dollars compared with shows at home.

Georg'Ann Daly decided to celebrate her 23rd birthday with the Paris show. It meant flying from Nashville to Chicago to London and catching the Eurostar to Paris.

"I've always been obsessed with Taylor Swift," she told AFP.

A handful of superfans camped out from Tuesday in Paris to ensure they got a prime spot.

"I didn't plan to, but I came to check it out and I saw the first tents and I panicked a little," said Chris, 30.

Noah, 20, is seeing all four Paris concerts -- he used 22 email addresses to get through the lottery system and secure the tickets.

- Record-breaker -

After France, Swift heads on for dates in Sweden, Portugal, Spain, Britain, Ireland, the Netherlands, Switzerland, Italy, Germany, Poland and Austria.

The Eras Tour has already worked its way across North and South America and Asia since starting in March 2023.

By the end of the year, it had already become the first to sell more than $1 billion in tickets and is on track to more than double that by the time it concludes in Vancouver this December.

Swift's popularity shows no sign of dimming -- the new album shifted 1.4 million copies on its first day and broke every streaming record going, reaching a billion streams on Spotify within five days.

Her tell-all dissections of her love stories have been the fuel powering her global domination, and fans have been poring over "The Tortured Poets Department" for cryptic clues about ex-boyfriend Joe Alwyn, her short-but-dramatic fling with Matty Healy (lead singer of The 1975), and her current partner, American football star Travis Kelce.

"Taylor talks about toxic relationships, impossible love, politics, mental health, and so much more," said Chris as she waited by her tent for the big moment. "I think we can all find a song that resonates with our experiences."



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."