George Clooney to Make His Broadway Debut in Play Version of Movie ‘Good Night, and Good Luck’ 

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
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George Clooney to Make His Broadway Debut in Play Version of Movie ‘Good Night, and Good Luck’ 

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)

George Clooney will make his Broadway acting debut next year in a familiar project for the Hollywood star: “Good Night, and Good Luck.”

Clooney will play legendary TV journalist Edward R. Murrow in a stage adaptation of the 2005 movie that earned him directing and writing Oscar nominations and was among the best picture contenders.

“I am honored, after all these years, to be coming back to the stage and especially, to Broadway, the art form and the venue that every actor aspires to,” Clooney said in a statement.

The play “Good Night, and Good Luck” — with David Cromer directing — will premiere on Broadway in spring 2025 at a Shubert Theatre to be announced. It will be again co-written by Clooney and Grant Heslov.

The 90-minute black-and-white film starred David Strathairn as Murrow and is a natural to be turned into a play: The dialogue-heavy action unfolds on handful of sets. The title comes from Murrow’s signoff on the TV series “See It Now.”

A key part of Clooney’s film portrayed Murrow’s struggle to maintain support from CBS executives for critical reporting on Republican Sen. Joseph McCarthy, known for accusing government employees of disloyalty. Clooney played “See It Now” co-creator Fred Friendly, who resisted intense pressure and ensured the reports got to air.

Murrow, who died in 1965, is considered one of the architects of US broadcast news.

“Edward R. Murrow operated from a kind of moral clarity that feels vanishingly rare in today’s media landscape. There was an immediacy in those early live television broadcasts that today can only be effectively captured on stage, in front of a live audience,” Cromer said in a statement.

The Clooneys are boosters of journalism. Clooney’s father, Nick Clooney, worked as a TV news anchor and host in a variety of cities including Cincinnati, Salt Lake City and Los Angeles. He also wrote a newspaper column in Cincinnati and taught journalism students at American University.

At the time the movie came out, Clooney said his family took pride in how journalists held the government accountable during the paranoia of the 1950s communist threat. Clooney said he wanted to make a movie to let people hear some “really well-written words about the fourth estate again.”



‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
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‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)

It’s a three-peat for “Beetlejuice Beetlejuice.”
The Tim Burton legacy sequel to his 1988 horror comedy topped the North American box office charts for the third straight weekend with $26 million in ticket sales, according to studio estimates Sunday.
It edged out the animated new release “Transformers: One,” which brought in $25 million. The Optimus Prime origin story from Paramount Pictures features the voices of Chris Hemsworth, Brian Tyree Henry and Scarlett Johansson.
“Beetlejuice Beetlejuice,” a Warner Bros. release with Michael Keaton and Winona Ryder returning as stars, has earned more than $226 million domestically in its three weeks after a monster opening of $110 million — the third best of the year — and a second weekend of $51.6 million, The Associated Press reported.
Third place went to the James McAvoy horror “Speak No Evil,” which came in at $5.9 million in its second week for a total of $21.5 million.
On the whole, the box office was in a quiet phase that is expected to break when “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.
The year’s second-highest grosser “Deadpool & Wolverine” remained in the top 5 in its ninth weekend with another $3.9 million and a domestic total of $627 million. Only Pixar's “Inside Out 2” has earned more.
The Demi Moore-starring, Coralie Fargeat-directed body horror “The Substance," which made a splash at the Cannes Film Festival, brought in $3.1 million on limited screens in its first weekend for the sixth spot.
The Daily Wire movie “Am I Racist?” — in which conservative columnist Matt Walsh goes undercover as a “DEI trainee” — stayed in the top 10 after a fourth place finish last week, earning $2.9 million for seventh place and a two-week total of $9 million.
Estimated ticket sales for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.