‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
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‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)

Movie theaters are looking more and more like a wasteland this summer. Neither “Furiosa: A Mad Max Saga” nor “The Garfield Movie” could save Memorial Day weekend, which is cruising towards a two-decade low.

“Furiosa,” the Mad Max prequel starring Anya Taylor-Joy and Chris Hemsworth, claimed the first place spot for the Friday-Saturday-Sunday weekend with $25.6 million, according to studio estimates on Sunday. Warner Bros. is waiting until Monday to release its four-day estimates.

“The Garfield Movie,” animated and family-friendly, was the other big new offering this weekend from Sony’s Columbia Pictures and Alcon Entertainment. It is claiming No. 1 for the four-day holiday weekend with an estimated $31.9 million in ticket sales through Memorial Day. Sony estimates its three-day earnings to be $24.8 million.

Aside from Memorial Day in 2020 when theaters were closed due to COVID-19, these are the lowest earning No. 1 movies in 29 years, since “Casper” earned $22.5 million (not adjusted for inflation) in its first four days in 1995. Big earners are more typical for the holiday weekend, which has had ten movies crack $100 million, led by “Top Gun: Maverick’s” record-setting $160 million launch in 2022.

Last year, the live-action “The Little Mermaid” joined the group with a $118 million debut. Audiences even turned out in greater numbers over the pandemic-addled weekend in 2021 for “A Quiet Place Part II,” which made over $57 million.

“Furiosa” was never expected to join the $100 million opener club, which Warner Bros. released on 3,804 screens in the US and Canada. But it was supposed to have a slightly stronger showing in the $40 million range over its first four days. That would have been more in line with its predecessor, “Mad Max: Fury Road,” which opened to $45.4 million in May 2015. “Fury Road,” starring Charlize Theron and Tom Hardy, went on to gross nearly $380 million worldwide.

This new origin story in which Taylor-Joy plays a younger version of Theron’s character had a lot of things going for it, too, including strong reviews out of the just-wrapped Cannes Film Festival (it has an 89% on Rotten Tomatoes) and a splashy international press tour with many buzzy premiere looks from Taylor-Joy. With a reported $168 million production budget, not accounting for marketing and promotion, “Furiosa” has a long road to profitability.

“The Garfield Movie,” meanwhile, was more modestly budgeted, at a reported $60 million. Chris Pratt voices the lasagna-loving, Monday-hating orange cat in the movie that got scathing reviews from critics (it has a 37% on Rotten Tomatoes). Audiences meanwhile gave both “Furiosa” and “The Garfield Movie” a B+ CinemaScore and 4.5 stars out of 5 on PostTrak.

In its second weekend, John Krasinski’s “IF” fell 53%, adding $16 million through Sunday and $20.7 million through Monday, bringing its domestic total to $63.3 million. Worldwide, it has surpassed $100 million. “Kingdom of the Planet of the Apes,” now in its third weekend, added $13.4 million through Sunday, bringing its global total to $294.8 million, making it the fourth-highest grossing film of the year.

Earlier this week, the industry trade The Hollywood Reporter asked “what happened to the $100 million opener?” Notably, 2023 has had none yet. The biggest of the year was “Dune: Part Two,” which opened to $82.5 million and went on to earn over $711 million worldwide.

The lack of a recent runaway hit just puts more pressure on the upcoming films to make up the slack. Still on the way are a slew of potential blockbusters like Paramount’s “A Quiet Place: Day One” (June 27), Universal’s “Despicable Me 4” (July 3) and “Twisters” (July 19) and two heavy-hitters from Disney: “Inside Out 2” (June 14) and “Deadpool & Wolverine” (July 26).



Marley Brothers Upholds Father’s Legacy with First Tour in 2 Decades

 Stephen Marley poses for a portrait on Sunday, Sept. 22, 2024, in New York. (AP)
Stephen Marley poses for a portrait on Sunday, Sept. 22, 2024, in New York. (AP)
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Marley Brothers Upholds Father’s Legacy with First Tour in 2 Decades

 Stephen Marley poses for a portrait on Sunday, Sept. 22, 2024, in New York. (AP)
Stephen Marley poses for a portrait on Sunday, Sept. 22, 2024, in New York. (AP)

Bob Marley’s musical legacy of harmony and peace has hit the road with his sons bringing their late father’s timeless message to life in a multi-city tour.

The reggae giant’s footsteps are being filled by his five sons — Ziggy, Stephen, Julian, Ky-Mani and Damian — during the Marley Brothers: The Legacy Tour. It’s the first time the siblings have performed together on tour in two decades.

Marley’s sons are honoring his work, performing about 30 of their father’s songs including massive hits like “No Woman, No Cry,” “Could You Be Loved,” “Is This Love” and “Three Little Birds.” The 22-date tour kicked off in Vancouver and will conclude in early October in Miami.

“This was very important,” Ziggy said about the tour while his brothers Stephen and Julian sat beside him after a recent rehearsal in Los Angeles. The multi-Grammy winner said it was important for them to collectively find time in their busy schedules and pay homage to their father — who would have turned 80 in February 2025.

“When the opportunity arises, we can come get together, cherish and appreciate it,” he continued. “That’s the big part of it — just being able to do this together. Time is moving.”

The Marley Brothers have their own reggae sounds but found a way to blend it all together. They’ve performed together since childhood including a Red Rocks performance in Colorado last year. Two or three have hit the stage in other shows, like when Damian and Stephen performed at the Hollywood Bowl last month.

Julian said years of collaboration have fostered a deep musical synergy between his siblings — a natural extension of their shared lineage.

“His message goes beyond barriers. It breaks down barriers,” Julian said. “No matter which country you go to, the people need the same message. That’s why this is so everlasting. Never ending. That is the reason we are here and doing this mission.”

Marley rose from the gritty Kingston, Jamaica, slum of Trench Town to reach superstar status in the 1970s with hits such as “Get Up, Stand Up” and “I Shot the Sheriff.” His lyrics promoting social justice and African unity made him a global icon before he died from cancer in 1981 at age 36.

But Marley’s legacy has lived on through several projects including an immersive exhibit in New York and his biopic “Bob Marley: One Love,” which debuted No. 1 at the box office in February.

On Sunday, the brothers were presented a proclamation that declared Sept. 22 as “Marley Brothers Day” in the Queens borough of New York.

His sons have upheld their father’s heritage while forging their own successful paths including Julian — who won his first-ever Grammy in February.

Ziggy and Stephen have each won eight Grammys; Damian has taken home five trophies and Ky-Mani has received a nomination.

Along with the tour, Stephen said they are looking to work on a new album together and push their father’s message of positivity forward. He said it’ll take some time but they aspire to get it “done in the near future.”

“The message in the music is what it’s really all about,” said Stephen, who curated the tour’s setlist. “For me, that message is so necessary now. Our father is one of those powerful ones that got this message across. That’s why we’re here.”