‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
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‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)

Movie theaters are looking more and more like a wasteland this summer. Neither “Furiosa: A Mad Max Saga” nor “The Garfield Movie” could save Memorial Day weekend, which is cruising towards a two-decade low.

“Furiosa,” the Mad Max prequel starring Anya Taylor-Joy and Chris Hemsworth, claimed the first place spot for the Friday-Saturday-Sunday weekend with $25.6 million, according to studio estimates on Sunday. Warner Bros. is waiting until Monday to release its four-day estimates.

“The Garfield Movie,” animated and family-friendly, was the other big new offering this weekend from Sony’s Columbia Pictures and Alcon Entertainment. It is claiming No. 1 for the four-day holiday weekend with an estimated $31.9 million in ticket sales through Memorial Day. Sony estimates its three-day earnings to be $24.8 million.

Aside from Memorial Day in 2020 when theaters were closed due to COVID-19, these are the lowest earning No. 1 movies in 29 years, since “Casper” earned $22.5 million (not adjusted for inflation) in its first four days in 1995. Big earners are more typical for the holiday weekend, which has had ten movies crack $100 million, led by “Top Gun: Maverick’s” record-setting $160 million launch in 2022.

Last year, the live-action “The Little Mermaid” joined the group with a $118 million debut. Audiences even turned out in greater numbers over the pandemic-addled weekend in 2021 for “A Quiet Place Part II,” which made over $57 million.

“Furiosa” was never expected to join the $100 million opener club, which Warner Bros. released on 3,804 screens in the US and Canada. But it was supposed to have a slightly stronger showing in the $40 million range over its first four days. That would have been more in line with its predecessor, “Mad Max: Fury Road,” which opened to $45.4 million in May 2015. “Fury Road,” starring Charlize Theron and Tom Hardy, went on to gross nearly $380 million worldwide.

This new origin story in which Taylor-Joy plays a younger version of Theron’s character had a lot of things going for it, too, including strong reviews out of the just-wrapped Cannes Film Festival (it has an 89% on Rotten Tomatoes) and a splashy international press tour with many buzzy premiere looks from Taylor-Joy. With a reported $168 million production budget, not accounting for marketing and promotion, “Furiosa” has a long road to profitability.

“The Garfield Movie,” meanwhile, was more modestly budgeted, at a reported $60 million. Chris Pratt voices the lasagna-loving, Monday-hating orange cat in the movie that got scathing reviews from critics (it has a 37% on Rotten Tomatoes). Audiences meanwhile gave both “Furiosa” and “The Garfield Movie” a B+ CinemaScore and 4.5 stars out of 5 on PostTrak.

In its second weekend, John Krasinski’s “IF” fell 53%, adding $16 million through Sunday and $20.7 million through Monday, bringing its domestic total to $63.3 million. Worldwide, it has surpassed $100 million. “Kingdom of the Planet of the Apes,” now in its third weekend, added $13.4 million through Sunday, bringing its global total to $294.8 million, making it the fourth-highest grossing film of the year.

Earlier this week, the industry trade The Hollywood Reporter asked “what happened to the $100 million opener?” Notably, 2023 has had none yet. The biggest of the year was “Dune: Part Two,” which opened to $82.5 million and went on to earn over $711 million worldwide.

The lack of a recent runaway hit just puts more pressure on the upcoming films to make up the slack. Still on the way are a slew of potential blockbusters like Paramount’s “A Quiet Place: Day One” (June 27), Universal’s “Despicable Me 4” (July 3) and “Twisters” (July 19) and two heavy-hitters from Disney: “Inside Out 2” (June 14) and “Deadpool & Wolverine” (July 26).



New Spielberg, Nolan Films Teased at CinemaCon

US actress Scarlett Johansson presents the film 'Jurassic World Rebirth' onstage during CinemaCon. VALERIE MACON / AFP
US actress Scarlett Johansson presents the film 'Jurassic World Rebirth' onstage during CinemaCon. VALERIE MACON / AFP
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New Spielberg, Nolan Films Teased at CinemaCon

US actress Scarlett Johansson presents the film 'Jurassic World Rebirth' onstage during CinemaCon. VALERIE MACON / AFP
US actress Scarlett Johansson presents the film 'Jurassic World Rebirth' onstage during CinemaCon. VALERIE MACON / AFP

Hollywood studio Universal Pictures on Wednesday teased new movies from Steven Spielberg and Christopher Nolan, while showcasing footage from its upcoming sequels "Jurassic World Rebirth" and "Wicked: For Good" at the CinemaCon event.

Spielberg "is currently shooting a film that promises to be a return to form, in the spirit of his monumental classics," said Universal executive Jim Orr, at the movie theater industry summit in Las Vegas.

The untitled film, out June 2026, is widely rumored to be a blockbuster sci-fi. Orr promised it would contain "a propulsive, modern, out-of-this-world twist," without sharing further details.

Meanwhile, Nolan is in the Mediterranean shooting his star-studded version of "The Odyssey," based on the millennia-old Ancient Greek epic saga written by Homer.

It is due July 2026, starring Matt Damon as Odysseus, alongside Tom Holland, Zendaya and Anne Hathaway, AFP said.

In a prediction bold even by the standards of Hollywood marketing, Orr suggested the film "will be a once-in-a-generation cinematic masterpiece that Homer himself would, quite frankly, be very proud of."

The comments came at CinemaCon, an annual week-long summit at which Hollywood studios present their biggest upcoming movies to theater owners and press.

A theme of this year's event has been a drive to get studios to commit to keeping new movies in US theaters for at least 45 days before they appear on streaming.

A source with knowledge of the talks told AFP Wednesday that three of Hollywood's six biggest studios have committed.

Universal, which has in recent years brought many of its films to on-demand streaming very soon after they debut in theaters, has not yet agreed to the new 45-day "window," the source said. The studio did not immediately comment.

But its efforts to court movie theater owners Wednesday included showing extended new footage and A-list stars from the next Jurassic movie -- out this July.

It comes from the writer of the original 1993 "Jurassic Park." The action returns to that film's island setting.

Unlike the "Jurassic World" films where dinosaurs freely roamed the globe, the fearsome reptiles are now once again scarce, surviving in a few remote spots.

Star Scarlett Johansson said the film would "put the scares back into Jurassic" by keeping the dinosaurs hidden and ratcheting up the suspense.

Universal's presentation ended with surprise appearances from Ariana Grande and Cynthia Erivo, whose second and final "Wicked" film will hit theaters November.

CinemaCon concludes Thursday with presentations from Paramount and Disney.