Spanish Fan Shows Off His Taylor Swift 'Sanctuary' Before Madrid Gig

Roberto Santos, 55, a Spanish superfan who is part of a select list of fans who receives exclusive gifts from the pop icon, poses in his "Taylor Swift shrine" in his home in Madrid, Spain, May 21, 2024. REUTERS/Juan Medina
Roberto Santos, 55, a Spanish superfan who is part of a select list of fans who receives exclusive gifts from the pop icon, poses in his "Taylor Swift shrine" in his home in Madrid, Spain, May 21, 2024. REUTERS/Juan Medina
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Spanish Fan Shows Off His Taylor Swift 'Sanctuary' Before Madrid Gig

Roberto Santos, 55, a Spanish superfan who is part of a select list of fans who receives exclusive gifts from the pop icon, poses in his "Taylor Swift shrine" in his home in Madrid, Spain, May 21, 2024. REUTERS/Juan Medina
Roberto Santos, 55, a Spanish superfan who is part of a select list of fans who receives exclusive gifts from the pop icon, poses in his "Taylor Swift shrine" in his home in Madrid, Spain, May 21, 2024. REUTERS/Juan Medina

Roberto Santos, 55, stands out among other "Swifties" for his decades-long devotion to American pop icon Taylor Swift and a plethora of gifts the Spaniard has received from her team in recognition of that - enough to fill up an apartment room he calls a sanctuary.
As Swift, 34, was preparing to play her Eras Tour gigs in Madrid on Wednesday and Thursday, Santos, who runs a dental prosthetics lab in Spain's capital, solemnly displayed the items, including Swift's limited-edition platinum disk award, signed photos, recordings, and sneakers bearing both their names, said Reuters.
"Sometimes I wake up at night, turn on the light and look a little, and say to myself: 'What are you doing?'... I just look, it gives me calm, and I go back to sleep," Santos said in an interview.
"For me she means everything; I've been following her since before 2011... I had the gut feeling that she was going to be big. If I had the same intuition with the lottery, I'd be rich," Santos said.
He said going to see her perform in Dublin in 2018 made him the only person to have traveled twice from Spain for a Swift show. Her management team then added Santos and his wife Inmaculada to an exclusive fan list, and sent them gifts and invitations, including an all-paid trip to Los Angeles last year, Santos said.
"If I was 18 or 20, I imagine I could go a bit crazy... but now everything feels more mature and calm," said Santos, who has Swift-themed tattoos on his arms and ankle.
He has yet to meet her in person. A planned meeting in Oslo was canceled due to the pandemic.
Santos is particularly thankful to Swift and her team for thinking about older fans, and for "the values she has transmitted" through her art.
Swift's record-breaking Eras Tour has boosted local economies. In Madrid, hotel occupancy rates have climbed to 90% on average for the concert dates.



Quincy Jones, Music Titan Who Worked with Everyone from Frank Sinatra to Michael Jackson, Dies at 91

US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
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Quincy Jones, Music Titan Who Worked with Everyone from Frank Sinatra to Michael Jackson, Dies at 91

US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)

Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and leaving behind a vast musical catalog that includes some of the richest moments of American song and rhythm. Over the past half century, it was hard to find a music lover who did not own at least one record with Jones’ name on it or someone in the music, television or movie industries who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World.”

In a career that began when records were still played on vinyl at 78 rpm, singling out any work seems unfair. But honors likely go to his productions with Jackson on “Off the Wall,” “Thriller” and “Bad,” albums universal in their style and appeal. Jones’ versatility and imagination fit perfectly with the bursting talents of Jackson as he sensationally transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Wanna Be Startin’ Somethin’,” Jones and Jackson drew upon disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-defying “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone, helped Jackson become the first major Black artist to have a video played on MTV and influenced countless performers.

“Michael had the look and the voice, and I had every sound you can think of,” Jones would explain.

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”: 28 Grammys (out of 80 nominations), an honorary Academy Award and an Emmy for “Roots.” He also received France’s Legion d’Honneur and the Rudolph Valentino Award from the Republic of Italy. In 2001, Jones was named a Kennedy Center Honoree for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones,” and his memoir made him a best-selling author.

“Despite all the Grammys and the special awards and testimonials that maturity bestows, it will always be the values you carry within yourself — of work, love, and integrity — that carry the greatest worth, because these are what get you through with your dreams intact, your heart held firm and your spirit ready for another day,” he wrote in his book.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, telling Oprah Winfrey: “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

Music was his passion, and, almost literally, his salvation. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Within a few years he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend. He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band. Jones went on to work as a freelance composer, conductor, arranger and producer. As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.

“We had the best jazz band on the planet, and yet we were literally starving,” Jones later told Musician magazine. “That’s when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two.”

His survivors include actor Rashida Jones and five other daughters: Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and sisters Theresa Frank and Margie Jay.