Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)
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Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)

As Roger Daltrey hits the road on a short solo tour this June, he’s unsure if fans will ever see another tour from The Who.

“I don’t see it. I don’t know whether The Who’ll ever will go out again,” he told The Associated Press over Zoom.

The 80-year-old rocker has a “use-it-or-lose it-mentality” when it comes to his singing voice, so he finds it necessary to perform as much as possible, with or without The Who.

Recently, Daltry spoke with The Associated Press on the future of the band, his solo tour and his feelings on the Broadway revival of The Who’s seminal rock opera, “Tommy.”

This interview has been edited for clarity and brevity.

AP: What do you think of the “Tommy” Broadway revival?

DALTREY: I’m glad the album is still out there; it means a lot to me. It’s the best opera ever written. I don’t particularly like it (the musical). It’s been altered and changed. I can’t imagine cutting some of the music in “Madame Butterfly,” or some other great operas.

AP: So, you think of it as a straight-up opera, as opposed to a rock opera?

DALTREY: It’s a fabulous opera. It was tongue and cheek at the time that we called it an opera. We did take a lot of chances with it. But since living with it and playing it on stage, and having seen lots of grand opera, I saw I had one in my hands. So, I’ve come to conclusion that it’s the best opera ever written.

AP: Tell us about the tour.

DALTREY: I’m bringing a band over from the UK of eight people, a very different sounding band with different instrumentation. No synthesizers. It’s just about having a lot of fun playing different songs, and obviously some Who classics. But we do them different. So it’s just something I love to do. And people seem to like it when I take it out there. So, I’m just going to put my toe in the water.

AP: So you’ll play solo material and The Who stuff?

DALTREY: Having a band like this gives me an opportunity to do a lot of things that I’ve done over the years with different artists, like the stuff I did with Wilko Johnson 10 years ago. I will do some solo stuff, plus some covers of other people that I really admire to make a night of entertainment and fun. So many people are retiring. All the good old boys are retiring and it’s very thin out there.

AP: Is getting out there in front of an audience what keeps your voice intact?

DALTREY: That’s always been the impetus for me ever since I had my voice problems out. You’ve got to keep using it. Just like anything else in the body. You stop walking, you lose the muscles in your legs. The voice is a similar thing. If you stop using those muscles in the voice box and the vocal cords, they’ll go soft on you and you’ll lose your voice. Mine is remarkable for my age.

AP: Simon Townsend is performing with you — not his brother, The Who’s Pete Townsend. What is it like supplementing one Townsend for another?

DALTREY: Simon Townsend is always in my solo shows. Simon has always been with me. Well, he’s a totally different guy than Pete, though he’s got very similar timber to his voice that suits my voice in the harmonies. He’s a great musician, fabulous guitarist and a great guy. You know, I’ve known him for 60 years.

AP: What’s the difference being touring with The Who and hitting the road solo?

DALTREY: It’s a lot less weight on my shoulders by myself. The Who feels like, I don’t know, heavier. It’s always much more relaxed and solo shows.

AP: There’s less pressure with a solo gig?

DALTREY: Because it’s the responsibility with The Who — there’s heritage and history to maintain that always need to be in a good light, so it puts a lot of weight on your shoulders. But with this band, I’ve discovered that I can go out there and have a good time and play any kind of music that I want.

AP: Can you give me an example?

DALTREY: I was doing some solo shows on a cruise, and I got this terrible allergy just before the first show. I ended up in hospital and didn’t know whether I’d make the cruise. But I did make the cruise. Anyway, I ended up having to do three shows back-to-back, and I’m thinking I was not able to have a sound check. I’m not going to get a rehearsal. But at least these three shows I can do.

Soundchecks are very important when you’re on the road. And I thought, “I know what I’ll do, I’ll show the audience a rehearsal.” And that’s what I did. I did the show as a rehearsal and talked about what’s going on the stage, what the roadies were doing, and what everyone was doing. And they really enjoyed it. If you can get away with that, you get away with anything.

AP: With a career that began in the mid-1960s, what has been the biggest change you’ve seen over the years?

DALTREY: Age. (Laughs.) I mean, see the elders growing up with us out in the audience, but equally, we have got an enormous number of young fans, which I’m astounded by. So, it changes all the time. But obviously our audience, they’ve grown up with us, so age is the thing you notice most.

AP: Mick Jagger is on the road with the Rolling Stones at 80 years old. Will The Who ever tour again?

DALTREY: I don’t see it. I don’t, I don’t know whether The Who will ever go out again. I don’t know. I don’t think like that. If we’ve got something to do, something which was progressive and interesting and there was a reason to do it, then we would go out. But at the moment I can’t see it.



Gene Hackman’s Estate Asks Court to Block Release of Death Investigation Records 

US actor Gene Hackman holds the Cecile B. DeMille Award at the 60th Annual Golden Globe Awards in Beverly Hills, California, on January 19, 2003. (AFP)
US actor Gene Hackman holds the Cecile B. DeMille Award at the 60th Annual Golden Globe Awards in Beverly Hills, California, on January 19, 2003. (AFP)
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Gene Hackman’s Estate Asks Court to Block Release of Death Investigation Records 

US actor Gene Hackman holds the Cecile B. DeMille Award at the 60th Annual Golden Globe Awards in Beverly Hills, California, on January 19, 2003. (AFP)
US actor Gene Hackman holds the Cecile B. DeMille Award at the 60th Annual Golden Globe Awards in Beverly Hills, California, on January 19, 2003. (AFP)

A representative for the estate of actor Gene Hackman is seeking to block the public release of autopsy and investigative reports, especially photographs and police body-camera video, related to the recent deaths of Hackman and wife Betsy Arakawa after their partially mummified bodies were discovered at their New Mexico home in February.

Authorities last week announced Hackman died at age 95 of heart disease with complications from Alzheimer’s disease as much as a week after a rare, rodent-borne disease — hantavirus pulmonary syndrome — took the life of his 65-year-old wife.

Hackman’s pacemaker last showed signs of activity on Feb. 18, indicating an abnormal heart rhythm on the day he likely died. The couple's bodies weren't discovered until Feb. 26 when maintenance and security workers showed up at the Santa Fe home and alerted police, leaving a mystery for law enforcement and medical investigators to unravel.

Julia Peters, a representative for the estate of Hackman and Arakawa, urged a state district court in Santa Fe to seal records in the cases to protect the family's right to privacy in grief under the 14th Amendment to the US Constitution, emphasizing the possibly shocking nature of photographs and video in the investigation and potential for their dissemination by media.

The request, filed Tuesday, also described the couple's discrete lifestyle in Santa Fe since Hackman's retirement. The state capital city is known as a refuge for celebrities, artists and authors.

The couple "lived an exemplary private life for over thirty years in Santa Fe, New Mexico and did not showcase their lifestyle,” the petition said.

New Mexico's open records law blocks public access to sensitive images, including depictions of people who are deceased, said Amanda Lavin, legal director at the nonprofit New Mexico Foundation for Open Government. Some medical information also is not considered public record under the state Inspection of Public Records Act.

At the same time, the bulk of death investigations by law enforcement and autopsy reports by medical investigators are typically considered public records under state law in the spirit of ensuring government transparency and accountability, she said.

“I do think it does infringe on transparency if the court were to prohibit release of all the investigation records, including the autopsies,” Lavin said Thursday. “The whole idea of those records being available is to ensure accountability in the way those investigations are done.”

“There is also a public health concern given that hantavirus was involved,” Lavin said.

She said the preemptive request to prevent the release of government records on constitutional grounds is unusual.

Hackman, a Hollywood icon, won two Oscars during a storied career in films including “The French Connection,” “Hoosiers” and “Superman” from the 1960s until his retirement in the early 2000s.

Arakawa, born in Hawaii, studied as a concert pianist, attended the University of Southern California and met Hackman in the mid-1980s while working at a California gym.