Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
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Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)

The Tony Awards for excellence in Broadway theater Sunday highlighted history with awards for a musical on the suffragette movement, a gritty remake of a book set in the 1960s and a tale of a 1970s rock band.

The ceremony took place for the first time at New York City's Lincoln Center with Tony-nominated and Oscar-winning actress Ariana DeBose hosting the awards ceremony for the third year in a row, after presiding over last year's writerless event with an elaborately choreographed dance number.

Shaina Taub won best score and best book of a musical for "Suffs," the story of the suffragette movement, featuring an all-woman cast.

"Stereophonic" took the Tony Awards for best play and best direction for Daniel Aukin. David Adjmi's play about a 70s-era rock band making an album, featuring original songs by Will Butler, formerly of Arcade Fire, broke the record for the most nominations for a play in Tonys history.

"Succession" star Jeremy Strong won best lead actor in a play for his role in the Henrik Ibsen play "Enemy of the People," and Daniel Radcliffe, best known for his starring role in the Harry Potter movie franchise, won best featured actor for "Merrily We Roll Along."

Will Brill beat out two other actors in his production, "Stereophonic," for best featured actor in a play. Kara Young, who is the first Black actor, male or female, to be nominated for a Tony three years in a row, won the award for best featured actress in a play for her role in "Purlie Victorious."

Justin Peck won the best choreography Tony for the dance musical "Illinoise," which brought Sufjan Steven’s 2005 concept album “Illinois” to the stage.

Danya Taymor won for direction of a musical an adaptation of S.E. Hinton's coming-of-age novel “The Outsiders,” upsetting favored “Merrily We Roll Along” actor Maria Friedman.

Dancers including DeBose, reviving her Oscar-winning role as Anita in Steven Spielberg’s film version of “West Side Story,” paid tribute to Broadway legend Chita Rivera, who died this in January at the age of 91.

During a pre-show event hosted by actors Julianne Hough and Utkarsh Ambudkar and streamed on the free platform Pluto TV, Tonys were awarded mostly in technical categories.



‘A Quiet Place’ Prequel Box Office Speaks Volumes as Costner’s Western Gets a Bumpy Start

 (L-R) Actors Alex Wolff, Djimon Hounsou, Lupita Nyong'o, and Joseph Quinn and attend the New York premiere of Paramount's "A Quiet Place: Day One" at AMC Lincoln Square Theater in New York on June 26, 2024. (AFP)
(L-R) Actors Alex Wolff, Djimon Hounsou, Lupita Nyong'o, and Joseph Quinn and attend the New York premiere of Paramount's "A Quiet Place: Day One" at AMC Lincoln Square Theater in New York on June 26, 2024. (AFP)
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‘A Quiet Place’ Prequel Box Office Speaks Volumes as Costner’s Western Gets a Bumpy Start

 (L-R) Actors Alex Wolff, Djimon Hounsou, Lupita Nyong'o, and Joseph Quinn and attend the New York premiere of Paramount's "A Quiet Place: Day One" at AMC Lincoln Square Theater in New York on June 26, 2024. (AFP)
(L-R) Actors Alex Wolff, Djimon Hounsou, Lupita Nyong'o, and Joseph Quinn and attend the New York premiere of Paramount's "A Quiet Place: Day One" at AMC Lincoln Square Theater in New York on June 26, 2024. (AFP)

“A Quiet Place: Day One” is making noise at the box office. The prequel earned an estimated $53 million in its first weekend in North American theaters, according to studio estimates Sunday.

It’s both a franchise best and significantly more than expected. Going into the weekend, prerelease tracking had “Day One” pegged for a $40 million debut, but audiences were clearly more enthusiastic to see the action-horror starring Lupita Nyong’o and Joseph Quinn and released by Paramount. The same could not be said for Kevin Costner’s “Horizon: An American Saga—Chapter 1,” which opened to $11 million.

The “Quiet Place” victory wasn’t quite enough to snag the coveted first place spot on the charts, though. That honor again went to Disney and Pixar’s juggernaut “Inside Out 2,” which added an estimated $57.4 million in its third weekend in theaters, and crossed $1 billion globally.

There’s a distant possibility that the places will shift when actuals are released Monday. But either way it’s good news for movie theaters in a summer season that’s finally heating up but still running far behind last year (down 19%) and pre-pandemic norms (down 36% from 2019).

“Inside Out 2” continues to be a box office phenomenon, the likes of which the industry hasn’t seen since “Barbie” almost a year ago. In just three weeks of release, it’s earned nearly $470 million in North America and $545.5 million internationally, bringing its global total to $1.01 billion. The sequel is the only 2024 release to cross the billion dollar mark and it did it in just 19 days, a record for an animated film.

“A Quiet Place: Day One,” directed by Michael Sarnoski and rated PG-13, is also fast approaching an important threshold out of the gates. Including the $45.5 million from international showings in 59 markets, the $67 million production has already made $98.5 million.

In a rare feat for a third film, it opened higher than both “A Quiet Place” ($50.2 million opening in April 2018) and “A Quiet Place: Part II” ($47.5 million opening in May 2021). John Krasinski, who wrote and directed the first two, continued serving as a producer.

Playing on 3,708 screens in the US and Canada, nearly 40% of its domestic earnings came from “premium screens” including IMAX and other large formats. It entered the marketplace with mostly positive reviews (84% on Rotten Tomatoes); Audiences gave it a B+ CinemaScore and four out of five stars on PostTrak.

The start for “Horizon,” meanwhile, was sluggish. Though older audiences, the ones most likely to support a Western epic, don’t typically rush out to see films on opening weekend the way people often do for horrors and superheroes, the road ahead will not be easy: Reviews have not been great and it got an underwhelming B- CinemaScore.

The stakes are also a little different for “Horizon,” a $100 million production that Costner financed on his own and partnered with Warner Bros. to distribute. It opened in 3,334 locations. A decades-old passion project, he mortgaged property in Santa Barbara, Calif. to finance it and exited “Yellowstone” to see it through. In a bold, unconventional strategy, “Part 2” arrives in theaters later this summer, on Aug. 16. He also has plans for two more movies.