Actor Donald Sutherland Dies at 88

Canadian actor Donald Sutherland arrives for the UK premiere of The Hunger Games: Mockingjay - Part 2  in Leicester Square, Central London, Britain, 05 November 2015 (reissued 20 June 2024). EPA/WILL OLIVER
Canadian actor Donald Sutherland arrives for the UK premiere of The Hunger Games: Mockingjay - Part 2 in Leicester Square, Central London, Britain, 05 November 2015 (reissued 20 June 2024). EPA/WILL OLIVER
TT

Actor Donald Sutherland Dies at 88

Canadian actor Donald Sutherland arrives for the UK premiere of The Hunger Games: Mockingjay - Part 2  in Leicester Square, Central London, Britain, 05 November 2015 (reissued 20 June 2024). EPA/WILL OLIVER
Canadian actor Donald Sutherland arrives for the UK premiere of The Hunger Games: Mockingjay - Part 2 in Leicester Square, Central London, Britain, 05 November 2015 (reissued 20 June 2024). EPA/WILL OLIVER

Donald Sutherland, the prolific film and television actor whose long career stretched from "M.A.S.H." to “The Hunger Games,” has died. He was 88.
Kiefer Sutherland, the actor's son, confirmed his father's death Thursday, The Associated Press reported.
“I personally think one of the most important actors in the history of film,” Kiefer Sutherland said on X. “Never daunted by a role, good, bad or ugly. He loved what he did and did what he loved, and one can never ask for more than that.”
The tall and gaunt Canadian actor with a grin that could be sweet or diabolical was known for offbeat characters like Hawkeye Pierce in Robert Altman's "M.A.S.H.," the hippie tank commander in "Kelly's Heroes" and the stoned professor in "Animal House."
Before transitioning into a long career as a respected character actor, Sutherland epitomized the unpredictable, antiestablishment cinema of the 1970s .
Over the decades, Sutherland showed his range in more buttoned-down — but still eccentric — parts in Robert Redford's "Ordinary People" and Oliver Stone's "JFK." More, recently, he starred in the “Hunger Games” films. He never retired, working regularly up until his death. A memoir, “Made Up, But Still True,” was due out in November.
"I love to work. I passionately love to work," Sutherland told Charlie Rose in 1998. "I love to feel my hand fit into the glove of some other character. I feel a huge freedom — time stops for me. I'm not as crazy as I used to be, but I'm still a little crazy."
Sutherland career as a leading man peaked in the 1970s, when he starred in films by the era's top directors — even if they didn't always do their best work with him. Sutherland, who frequently said he considered himself at the service of a director's vision, worked with Federico Fellini (1976's "Fellini's Casanova"), Bernardo Bertolucci (1976's "1900"), Claude Chabrol (1978's "Blood Relatives") and John Schlesinger (1975's "The Day of the Locust").
One of his finest performances came as a detective in Alan Pakula's "Klute" (1971). It was during filming on "Klute" that he met Fonda, with whom he had a three-year-long relationship that began at the end of his second marriage to actor Shirley Douglas. Having been married in 1966, he and Douglas divorced in 1971.
Sutherland had twins with Douglas in 1966: Rachel and Kiefer, who was named after Warren Kiefer, the writer of Sutherland's first film, "Castle of the Living Dead."
In 1974, the actor began living with actress Francine Racette, with whom he remained ever after. They had three children: Roeg, born in 1974 and named after the director Nicolas Roeg ("Don't Look Now"); Rossif, born in 1978 and named after the director Frederick Rossif; and Angus Redford, born in 1979 and named after Robert Redford.
It was Redford who, to the surprise of some, cast Sutherland as the father in his directorial debut, 1980's "Ordinary People." Redford's drama about a handsome suburban family destroyed by tragedy won four Oscars, including best picture.
Sutherland was overlooked by the academy throughout most of his career. He was never nominated but was presented with an honorary Oscar in 2017. He did, though, win an Emmy in 1995 for the TV film "Citizen X" and was nominated for seven Golden Globes (including for his performances in "M.A.S.H." and "Ordinary People"), winning two — again for "Citizen X" and for the 2003 TV film "Path to War."
"Ordinary People" also presaged a shift in Sutherland's career toward more mature and sometimes less offbeat characters.
His New York stage debut in 1981, though, went terribly. He played Humbert Humbert in Edward Albee's adaptation of Vladimir Nabokov's "Lolita," and the reviews were merciless; it closed after a dozen performances.
A down period in the '80s followed, thanks to failures like the 1981 satire "Gas" and the 1984 comedy "Crackers."
But Sutherland continued to work steadily. He had a brief but memorable role in Oliver Stone's "JFK" (1991). He again played a patriarch for Redford in his 1993 movie "Six Degrees of Separation." He played track coach Bill Bowerman in 1998's "Without Limits."
In the last decade, Sutherland increasingly worked in television, most memorably in HBO's "Path to War," in which he played President Lyndon Johnson's Secretary of Defense Clark Clifford.



Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
TT

Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.