'Inside Out 2' Scores $100M in its 2nd Weekend, Setting Records

This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
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'Inside Out 2' Scores $100M in its 2nd Weekend, Setting Records

This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)

Weekend number two was just as joyous for “Inside Out 2.”
The Pixar sequel collected $100 million in ticket sales in its second weekend, according to studio estimates Sunday, setting a new record for an animated movie in its follow-up frame in theaters, The Associated Press reported. The previous best second weekend for an animated title was the $92 million for “The Super Mario Bros. Movie.” Only six movies ever have had better second weekends.
In just a week and a half, “Inside Out 2” has become 2024’s highest-grossing film to date with $724.4 million globally, including $355.2 million in US and Canadian theaters. That passes the $711.8 million worldwide total of “Dune: Part Two.” “Inside Out 2” will likely blow through the $1 billion mark in about a week, which would make it the first film since “Barbie” to do so.
The extent of the “Inside Out 2” success startled Hollywood, which had grown accustomed to lower expectations as the film industry watched ticket sales this year slump about 40% below pre-pandemic totals, according to data firm Comscore, before “Inside Out 2” came along.
The record haul for “Inside Out 2,” though, recalled past years when $1 billion grosses were more commonplace for the Walt Disney Co. It is also a much-needed blockbuster for Pixar, which after experimenting with direct-to-streaming releases, reconsidered its movie pipeline and approach to mass-audience appeal.
Now, “Inside Out 2,” which dipped a mere 35% from its $154 million domestic debut, is poised to challenge “The Incredibles 2” ($1.2 billion) for the all-time top grossing Pixar release. It could also steer the venerated animation factory toward more sequels. Among its upcoming films is “Toy Story 5,” due out in 2026.
For theater owners, “Inside Out 2” could hardly have been more needed. But it also reminded exhibitors of how feast-or-famine the movie business has become in recent years. Since the pandemic, movies like “Barbie,” “Spider-Man: No Way Home” and “Top Gun: Maverick” have pushed ticket sales to record heights, but fallow periods in between box-office sensations have grown longer. Ticket sales over Memorial Day last month were the worst in three decades.
Some of 2024’s downturn can be attributed to release-schedule juggling caused by last year’s writers and actors strikes. The biggest new release over the weekend was Jeff Nichols’ motorcycle gang drama “The Bikeriders,” a film originally slated to open in 2023 before the actors strike prompted its postponement.
“The Bikeriders,” starring Jodie Comer, Austin Butler and Tom Hardy, came in on the high side of expectations with $10 million from 2,642 venues in its opening weekend. “The Bikeriders,” which cost about $35 million to produce, was originally to be released by Disney before New Regency took it to Focus Features last fall.
The strong business for “Inside Out 2” appeared to raise ticket sales generally. Sony Pictures’ “Bad Boys: Ride or Die” held well in its third week of release, collecting $18.8 million. It remained in second place. The “Bad Boys” sequel, starring Will Smith and Martin Lawrence, has grossed $146.9 million domestically thus far.
Next week, the sci-fi horror prequel “A Quiet Place: Day One” and Kevin Costner's Western epic “Horizon: An American Saga — Chapter 1" will hope some of the “Inside Out 2” success rubs off on them.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.