New York City's Freewheeling Era of Outdoor Dining Has Come to End

People eat outside a restaurant in New York, Wednesday, July 31, 2024. (AP Photo/Pamela Smith)
People eat outside a restaurant in New York, Wednesday, July 31, 2024. (AP Photo/Pamela Smith)
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New York City's Freewheeling Era of Outdoor Dining Has Come to End

People eat outside a restaurant in New York, Wednesday, July 31, 2024. (AP Photo/Pamela Smith)
People eat outside a restaurant in New York, Wednesday, July 31, 2024. (AP Photo/Pamela Smith)

Outdoor tables saved thousands of New York City restaurants from ruin when they were forced to close their dining rooms during the COVID-19 pandemic.
But four years into an experiment that transformed New York’s streetscape — briefly giving it a sidewalk cafe scene as vibrant as Paris or Buenos Aires — the freewheeling era of outdoor dining has come to an end.
Over the weekend, restaurants hit a deadline to choose between abiding by a strict set of regulations for their alfresco setups or dismantling them entirely — and thousands chose to tear down the plywood dining structures that sprouted on roadways in the pandemic's early days.
Fewer than 3,000 restaurants have applied for roadway or sidewalk seats under the new system, a fraction of the 13,000 establishments that participated in the temporary Open Restaurants program since 2020, according to city data.
Mayor Eric Adams said the new guidelines address complaints that the sheds had become magnets for rats and disorder, while creating a straightforward application process that will expand access to permanent outdoor dining.
But many restaurant owners say the rules will have the opposite effect, dooming a vestige of the pandemic that gave them unusual freedom to turn parking spaces into rent-free extensions of their dining rooms with minimal red-tape.
“They’ve found a middle ground to do one thing while saying another thing,” said Patrick Cournot, the co-founder of Ruffian, a Manhattan wine bar. “They’ve managed us out, essentially.”
Ramshackle plywood dining structures seemed to sprout from New York City’s streets almost overnight in the early days of the COVID pandemic.
With its crowded sidewalks and traffic-choked streets, the city had never really been known previously for an outdoor dining scene. But with customers banned from congregating indoors for months, the city gave restaurants a green light to expand dining areas onto public sidewalks and roadways.
Simple sheds for outdoor seating were soon replaced or expanded into more elaborate constructions, which have remained standing long after the days of social distancing and disinfected groceries. Restaurants added planters, twinkling lights, flowers and heating lamps so people could dine outdoors well into the cold weather. Other outside dining spaces appeared inside heated igloos, or with open fire places and under tiered rooftops.
Now, these structures must conform to uniform design standards, with licensing and square footage fees that could total thousands of dollars a year, depending on size and location.
But the most significant change, according to many restaurants, is a requirement that the roadside sheds be taken down between December and April each year.
That's a deal-breaker for Blend, a Latin Fusion restaurant in Queens that once won an Alfresco Award for its “exemplary” outdoor set-up.
“I understand they want to keep it consistent and whatever else, but it’s just too much work to have to take it down every winter,” said manager Nicholas Hyde. “We’re not architects. We’re restaurant managers.”
Blend's 60 outdoor seats “kept us alive” during the pandemic and remained well-used with diners who “since COVID just want to be able to enjoy themselves outside,” Hyde said. But after looking over the application, they decided to remove the curbside structure, opting instead to apply for sidewalk seating that can remain year-round.
Of the 2,592 restaurants that have applied for the new program, roughly half will forgo roadway set-ups in favor of sidewalk-only seating, according to the city.
Karen Jackson, a teacher, was going to lunch indoors Tuesday at Gee Whiz diner in Tribeca, one of the restaurants that took its outdoor shed down ahead of the deadline.
Jackson said she has mixed feelings, recalling how having coffee outside in a shed was one of the few entertainment options available early in the pandemic, The Associated Press reported.
“Some of them were really cute,” but others were unattractive and rat-infested, Jackson said.
“Unfortunately I think the places with more money were able to build the cute sheds and the places that were struggling couldn’t,” she said.
Andrew Riggie, the executive director of the NYC Hospitality Alliance, said the city should examine why so few eligible restaurants have applied, and consider how costly it will be to take down, store and rebuild the structures each year.
Applications for roadway dining structures must also undergo a review from local community boards, where some of the fiercest debates over outdoor dining have played out. Opponents have complained that the sheds eliminate parking, contribute to excessive noise and attract vermin.
On the Lower East Side, a row of sheds owned by a sushi counter, a coffee shop, a Mexican eatery and a Filipino restaurant stand side-by-side.
Paola Martinez, a manager at Barrio Chino, the Mexican restaurant, acknowledged the trash headaches and neighborhood conflict — on one particularly busy night, an angry neighbor hurled glass at the structure from an upstairs window, she said. But her restaurant has applied to stay in the roadway.
“It attracts a lot more people to the area,” she said. “It’s been great for business.”
City officials say restaurants who missed the deadline are welcome to apply in the future, while those that haven't will soon be fined $1,000 each day their set-ups remain.
Watching contractors take a crowbar to his once-vibrant dining shed, Cournot described a sense of relief. He said the sheds had come to symbolize an incredibly challenging period when a coworker died from the virus and a drop in sales nearly ended his East Village wine bar.
“When people say it’s the end of an era, I think it’s the end of a uniquely awful era for restaurants in New York,” Cournet said. “Like going through any kind of extended group trauma, the positives that we feel collectively are a little bit of a mirage.”



Singer Bonnie Tyler in Induced Coma in Portugal

FILE PHOTO: British singer Bonnie Tyler performs the song "Believe in me" during the dress rehearsal for the final of the 2013 Eurovision Song Contest at the Malmo Arena Hall May 17, 2013. REUTERS/Jessica Gow/Scanpix
FILE PHOTO: British singer Bonnie Tyler performs the song "Believe in me" during the dress rehearsal for the final of the 2013 Eurovision Song Contest at the Malmo Arena Hall May 17, 2013. REUTERS/Jessica Gow/Scanpix
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Singer Bonnie Tyler in Induced Coma in Portugal

FILE PHOTO: British singer Bonnie Tyler performs the song "Believe in me" during the dress rehearsal for the final of the 2013 Eurovision Song Contest at the Malmo Arena Hall May 17, 2013. REUTERS/Jessica Gow/Scanpix
FILE PHOTO: British singer Bonnie Tyler performs the song "Believe in me" during the dress rehearsal for the final of the 2013 Eurovision Song Contest at the Malmo Arena Hall May 17, 2013. REUTERS/Jessica Gow/Scanpix

Husky-voiced Welsh singer Bonnie Tyler was Friday in an induced coma in a hospital in Portugal after emergency surgery, a spokesperson said.

The 74-year-old star, best known for her 1983 mega-hit "Total Eclipse of the Heart", was operated on earlier in the week at a hospital in Faro in southern Portugal.

The singer "has been put into an induced coma by her doctors to aid her recovery," AFP quoted a spokesperson as saying on Friday.

"We know that you all wish her well and ask for privacy at this difficult time please."

Tyler shot to fame in the 1970s with hits including "Lost in France" and "It's a Heartache".

"Total Eclipse of the Heart" later topped the charts in both Britain and the United States.

The Grammy-nominated Tyler, who was born Gaynor Hopkins, was due to start a European tour on May 22 in Malta, to mark 50 years since the release of "Lost in France" which was her breakthrough hit in 1976.

Other concert dates have been planned for Germany, the Czech Republic and Turkey, with a final show planned in Cardiff in December.

Other hits include "Holding Out For A Hero" in 1984 which featured on the soundtrack to the huge US box office success "Footloose".

In 2013, Tyler represented the UK in the Eurovision Song Contest in Malmo, Sweden, with the song "Believe In Me", finishing in 19th place.

She was recognized in 2022 by the late queen Elizabeth II who, before her death, awarded Tyler an honor for her five-decades-long music career.


AI Actors Not Eligible for Golden Globes, Say Organizers

Nikki Glaser will host the Golden Globes again on January 10, 2027. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP/File
Nikki Glaser will host the Golden Globes again on January 10, 2027. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP/File
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AI Actors Not Eligible for Golden Globes, Say Organizers

Nikki Glaser will host the Golden Globes again on January 10, 2027. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP/File
Nikki Glaser will host the Golden Globes again on January 10, 2027. Amy Sussman / GETTY IMAGES NORTH AMERICA/AFP/File

Performances by AI-generated actors will not be eligible for Golden Globe awards, organizers said Thursday, days after they were also ruled out of Oscars contention.

The new guidelines will not automatically disqualify performances that have used artificial intelligence to enhance an actor, but require that a live human be the main element, said AFP.

"Submissions in which a performance is substantially generated or created by artificial intelligence are not eligible" for consideration in the annual film and television prize-giving extravaganza, which kicks off Hollywood's awards season, organizers said.

"The use of AI for technical or cosmetic enhancements (such as de-aging, aging, or visual modifications) may be permissible, provided the underlying performance remains that of the credited individual and AI does not replace or materially alter the performer's work."

The new rules come days after the Academy of Motion Picture Arts and Sciences said it was cracking down on the use of AI.

The body that doles out the Oscars said only real human performers -- not their AI avatars -- are eligible for the film world's biggest prizes, and screenplays must have been penned by a person, rather than a chatbot.

The use of artificial intelligence remains one of the most sensitive issues in the entertainment industry and was central to the 2023 strikes that shut down Hollywood, as actors and writers warned that unchecked technology threatened their livelihoods.

The new restrictions come after an AI version of the late Val Kilmer was unveiled to an audience of movie theater owners, a year after the "Top Gun" star's death.

A youthful, digital version of Kilmer appeared in the trailer for archaeological action pic "As Deep as the Grave," telling another character: "Don't fear the dead and don't fear me."

The project was created with the enthusiastic support of the actor's family, who granted access to Kilmer's video archives, which were used to recreate the actor at multiple stages of his life.


K-pop Stars BTS Draw 50,000-strong Crowd in Mexico

In this handout picture released by Mexico's presidential press office, some 50,000 fans of South Korea's K-pop band BTS came to see the band at the Palacio Nacional in Mexico City. Handout / Mexico's Presidency press office/AFP
In this handout picture released by Mexico's presidential press office, some 50,000 fans of South Korea's K-pop band BTS came to see the band at the Palacio Nacional in Mexico City. Handout / Mexico's Presidency press office/AFP
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K-pop Stars BTS Draw 50,000-strong Crowd in Mexico

In this handout picture released by Mexico's presidential press office, some 50,000 fans of South Korea's K-pop band BTS came to see the band at the Palacio Nacional in Mexico City. Handout / Mexico's Presidency press office/AFP
In this handout picture released by Mexico's presidential press office, some 50,000 fans of South Korea's K-pop band BTS came to see the band at the Palacio Nacional in Mexico City. Handout / Mexico's Presidency press office/AFP

Around 50,000 fans of K-pop superstars BTS gathered outside Mexico's National Palace on Wednesday to get a look at the group, who waved to the crowd from a balcony after meeting with President Claudia Sheinbaum.

BTS will perform shows in Mexico City on May 7, 9, and 10, with more than 135,000 tickets for the stadium showcase getting snapped up in a matter of minutes, said AFP.

The group returned to the world spotlight in March after an almost four-year pause so its members could carry out their obligatory military service.

Kim Nam-joon, one of the members of the group, said to the crowd in Spanish: "I love you, I adore you. Thank you very much!"

"I already told them they have to come back next year," Sheinbaum said, later posting a photo with the group and holding their latest album "ARIRANG."

Lizeth Zarate, a coordinator for the Zocalo -- Mexico City's main square located in front of the presidential palace -- said the Wednesday crowd was around 50,000.

"They're my whole world," Estefany Victoriano, a 25-year-old secretary, told AFP.

Another onlooker, 18-year-old Zoe Perez, was on the verge of tears.

"I'm speechless, and it's a very beautiful feeling to see them in person. Since I couldn't get tickets, well, it makes me a little emotional," she said.