The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
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The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP

US actress Gena Rowlands, whose six-decade career garnered Oscar nominations and other acclaim, died Wednesday at age 94.
No official cause of death was immediately given, but her son Nick Cassavetes said earlier this year she had been battling Alzheimer's disease for five years.
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films that are considered classics of US independent cinema, most shot by her late husband, John Cassavetes.
For three decades starting in the 1960s, the couple formed an enchanting and explosive on-screen partnership that explored themes of passion and self-destruction against a backdrop of alcohol and infidelity.
In what many consider her finest role, Rowlands captured to devastating effect a descent into mental illness in 1974's "A Woman Under the Influence," bringing her the first of two Oscar nominations.
"Incapable of an unreal moment," said Woody Allen of the actress, whom he cast in his 1988 film "Another Woman."
"Whatever I say about Gena isn't enough because she's so incredible," said Winona Ryder, quoted in the LA Times in 1992 when the two co-starred in Jim Jarmusch's "Night on Earth."
"There's a nobility, strength and class to her work that nobody else holds a candle to, and she's so beautiful -- you just kind of marvel at the way she moves."
Making it true
From her earliest work there were shades of Marilyn Monroe in Rowlands -- the blonde hair in a wavy bob, the arresting on-screen beauty, and the undertone of sadness and vulnerability in her performances.
But she always challenged the idea of women as objects of desire in her performances and came of age as Monroe went through her own struggles, finally ending with her suicide in 1962.
"She can just play. Give her anything and she'll always be creative. She doesn't try to make it different –- she just is," said Cassavetes in a 2001 interview collection.
"Gena is very dedicated and pure. She doesn't care if it's cinematic, doesn't care where the camera is, doesn't care if she looks good -– doesn't care about anything except that you believe her."
A woman falling
Rowlands was born on June 19, 1930, in Cambria, Wisconsin, into a cultured middle-class family. Her father was a state senator and her mother was a painter and occasional actress.
She enrolled in New York's American Academy of Drama and in 1953 met Cassavetes, a fast-talking and exuberant Greek-American. A year later they were married.
It was their collaboration that generated her stand-out performances, the highlight arguably being "A Woman Under the Influence," which also brought an Oscar nomination for Cassavetes as director.
Rowlands was captivating as housewife Mabel, who descends into madness after years of quiet, complicated dominance by her hardworking and silent husband, played by Peter Falk.
In a rare moment of defiance, and one of Rowlands's most memorable scenes, Mabel fights back, rising at the table after a meal of spaghetti with friends and family, pleading to everyone to stand up for her -- just this one time.
The room is silent, and soon Mabel is institutionalized. When she emerges she is a shadow of her former, vivacious self.
The impact of the film and Rowlands's performance "has resonated throughout the American cinema ever since," said The New Yorker in 2013, citing Martin Scorsese and Spike Lee as two Hollywood figures under her influence.
Glorious 'Gloria'
One of her last films with Cassavetes was the more irreverent "Gloria," a 1980 gangster comedy about a woman on the run from the mob, in high heels, wielding a revolver and with a small child in tow.
Taking on the role with evident glee, in turns self-mocking and entirely convincing, Rowlands earned a second Oscar nomination and the film was awarded the top prize at the Venice Film Festival.
In 1989, Cassavetes died from liver failure after years of alcoholism. Rowlands continued to make films and also worked in television, winning four Emmys.
She and Cassavetes had three children, all of whom have gone on to have careers in film and television. Her son Nick directed her in "The Notebook" alongside Ryan Gosling and Rachel McAdams in 2004.
In 2012, she married her second husband, retired businessman Robert Forrest, and in 2015 was awarded an honorary Academy Award, the same year she retired from acting.



Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
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Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)

For Herve Tram, being a Taylor Swift fan isn’t just about the music.

The 28-year-old computer network engineer from Paris sees himself as part of a community, one of the Swifties as they are known. So, when the pop superstar's shows in Vienna were canceled last week because of a terror threat, Tram took a small personal step: He gave away two extra tickets to her upcoming concerts in London to two fans who missed the chance to see their guiding light in the Austrian capital.

“That’s the power of this fandom,” Tram said. “We look (out) for each other.”

The community of Swift fans, who have flocked to stadiums around the world to see the 3 1/2-hour shows on her Eras Tour and sing along with songs they know by heart, have been shaken in recent days.

First, a knife-wielding attacker murdered three little girls at a Swift-themed dance class in northern England, touching off a week of anti-immigrant unrest across the UK after right-wing activists spread misinformation about the suspect. Then the shows in Vienna were canceled after police arrested three ISIS-inspired extremists they believed were planning to attack the concert venue.

But none of that has damped fans’ enthusiasm to see Swift during five shows Thursday through Tuesday at London’s Wembley Stadium that will close out the European leg of the Eras Tour. The fans want to wear Swift-inspired outfits, swap handmade friendship bracelets and, of course, dance.

Take Meagan Berneaud, 30, of Columbus, Ohio, who has been a Swift fan since she was 13.

Berneaud had second thoughts about traveling to London after recent events reminded her of the 2 1/2 hours she spent locked down during a 2016 terror attack at Ohio State University. But she decided to go and even set up a thread on X, formerly known as Twitter, to connect fans who missed the Vienna shows with people who were willing to sell or give away tickets to the London concerts. She’s had more than 3,000 views.

“I just have to tell myself not to live in fear,” she said. “I have to put my trust ... that law enforcement can do their best to keep us safe.”

Some fans who had planned to see the show in Vienna were willing to overcome their anxieties to try to attend another show, taking encouragement from Swift’s song, “Fearless.”

“And I don’t know why. But with you I’d dance in a storm. In my best dress. Fearless."

It's a number that she belts out while swirling and twirling in an assortment of sparkly frocks in the song’s music video.

Presila Koleva, 26, a design engineer from Cambridge, England, had been looking forward to seeing Swift in Vienna for more than a year, buying a copy of a green dress that Swift wears during the Folklore set on the Eras tour and making 30 bracelets to trade with other fans. She was heartbroken when the shows were canceled.

But then she connected with Tram, who gave her one of his tickets. That dress will be worn.

“There (are) good people that will do something nice for someone that they don’t know, just because they’ve seen that they’ve been through this really awful situation,” she said. “It could have ended in such a bad way.”

The enthusiasm of Swift’s fans and a set list that includes more than 40 songs from all phases of her career have helped make the Eras Tour the biggest revenue earner of all time, with more than $1 billion in ticket sales last year, according to Pollstar Boxoffice, which collects data on the live music industry. The tour is expected to push that record to more than $2 billion before it ends later this year in Indianapolis.

Demand for the London concerts shows no signs of slacking, with ticket prices hitting thousands of pounds on unregulated sites.

With Swift’s tour coming to an end in Europe and youthful fans who have flexible schedules, especially during the summer, recent events won’t hurt demand for tickets to the London shows, said Rafi Mohammed, an expert on pricing strategies and founder of the Cambridge, Massachusetts-based consultancy Culture of Profit.

“If anything, you have three sold out concerts in Vienna that were canceled. This coupled with the end of the tour, you’ll likely see extra demand,” he said.

Even so, security is a concern.

London’s Metropolitan Police Service has tried to offer assurances, pointing out that it has learned lessons from the 2017 attack on an Ariana Grande concert at Manchester Arena that killed 22 people and injured hundreds more.

Organizers have promised “additional ticket checks” at the 90,000-seat Wembley Stadium, which prohibits concert goers from bringing anything much bigger than a tiny bag into the venue. Those without tickets will be moved away from the stadium.

“London is a big city. We’re used to putting on all of these events,” said Tracy Halliwell, the head of tourism for Visit London. “You’ll see there is a higher police presence on the ground and that’s really just to make sure that everything ... runs smoothly.”

For his part, Tram is focused on what the fans can do, recalling how Parisians responded after the attack on the Bataclan theater in 2015 to show that terror would not succeed.

“We saw hundreds of thousands of people go out into the streets to show they are not afraid, and I think that we (will) also see that in London,” he said. “Fans will show they are not afraid. And like Taylor said, we are fearless.”