Russia Declares US Clooney Foundation an Undesirable Organization

Director George Clooney and his wife lawyer Amal Clooney attend a premiere for the film 'The Boys in the Boat' in Beverly Hills, California, US, December 11, 2023. REUTERS/Mario Anzuoni
Director George Clooney and his wife lawyer Amal Clooney attend a premiere for the film 'The Boys in the Boat' in Beverly Hills, California, US, December 11, 2023. REUTERS/Mario Anzuoni
TT

Russia Declares US Clooney Foundation an Undesirable Organization

Director George Clooney and his wife lawyer Amal Clooney attend a premiere for the film 'The Boys in the Boat' in Beverly Hills, California, US, December 11, 2023. REUTERS/Mario Anzuoni
Director George Clooney and his wife lawyer Amal Clooney attend a premiere for the film 'The Boys in the Boat' in Beverly Hills, California, US, December 11, 2023. REUTERS/Mario Anzuoni

Russian prosecutors said on Monday they had designated The Clooney Foundation for Justice, a US non-profit group, as an "undesirable" organization for carrying out work at "a Hollywood scale" to discredit Moscow.
The Foundation was founded by actor George Clooney and his wife, human rights lawyer Amal Clooney.
The label "undesirable" has been applied to tens of foreign groups since Moscow began using the classification in 2015, and effectively bans an organization outright.
"The Foundation carries out work on a Hollywood scale aimed at discrediting Russia," the Prosecutor General's Office said on the Telegram messaging app, without providing evidence.
"It actively supports false patriots who have left the country."
It added that "under the guise of humanitarian ideas," the organization promotes initiatives for the criminal prosecution of Moscow's top leadership and publicly disseminates negative assessments of Russian legislation on foreign agents and NGOs.
The Clooney Foundation for Justice did not immediately respond to Reuters' request for comment.
In addition to non-profit organizations, Russia's 'undesirable' list includes media outlets, political, cultural and religious groups that Moscow claims are threat to the country's security.



Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
TT

Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)

The new season of “Emily in Paris” will have many of the same elements as the first three: daring fashion, flirty romance and workplace drama. One thing that has changed? The lead actor’s confidence.

Lily Collins, who plays Emily Cooper, said her life has mirrored her character’s growth since the series premiered in 2020.

“Walking onto set season four, I was a different person than walking onto set season one,” Collins said in a recent interview with The Associated Press. “I’m a more well-rounded and understanding human in this space now because of the show.”

In addition to starring in the series, Collins produces it. The first season marked her first producing gig, and she’s taken on several other projects since.

“With the growth of Emily, there’s come a real growth in myself within my role as an actor, but also as a producer,” she said. “Being so collaborative with the writers and Darren (Star, series creator) and the other producers on this and having a voice on the show has really given me the confidence with other projects out there to do the same or want the same.”

The upcoming fourth season follows Emily untangling a messy love triangle, but she’s in a more stable place professionally than when we first saw her struggling to fit in at her new job in a new country. Even her French has improved as the series went on. Collins said some of her character’s self-assurance has rubbed off on her.

“I’ve grown more confident as Emily, but also with Lily. I’m asking deeper questions about the entire project, more so than I would’ve season one,” she said. “They’re not just about aesthetics anymore, it’s about the core values of the show and how to change things and how to bring new ideas to the table.”

Some of those new ideas include adapting Emily’s headline-making wardrobe with each season, a process that Collins said required two eight-hour fittings. She said they broke their own record by securing 82 looks for the fourth season.

The costuming, by designer Marylin Fitoussi, is a crucial part of the story, showing Emily’s evolution from an expat sporting looks emblazoned with the Eiffel Tower to outfits more like that of an authentic Parisian woman. But the costuming is also a crucial part of Collins’ process of stepping back into Emily’s shoes — both literally and figuratively.

“It’s the best way for me to start to feel like Emily again, but Emily 2.0,” Collins said. “We really do tell a story with clothing in this.”

Collins said at Wednesday’s premiere that the depth of Emily’s character has been a rewarding part of the process for her, especially in seeing how fans connect with Emily or are inspired by her.

“It means the world,” Collins said. “I love playing a woman who’s unapologetically herself and loves to work, and that’s a positive thing, and that she’s still struggling to find a work-life balance because I think that you’re always trying to find what works for you. So not having it together all the time is actually an OK thing, and I love playing a character that celebrates that.”

The fourth season of the show, which premieres its first half on Thursday, has been hotly anticipated among its growing fanbase since the third season was released two years ago. Netflix has yet to renew the series for a fifth season but Star, known for “Sex and the City” and “Beverly Hills, 90210,” said he thinks the audience and popularity are only growing with time.

“It’s not like it was a product of the pandemic and people not being able to travel so they liked to watch Paris on the screen. They can travel now and the show’s increased in popularity and, in fact, it encourages people to travel, which was my biggest dream of the show,” he said.

Even with his belief in the series, Star said it’s always “gratifying” when audiences respond well to the final product. As a veteran in the television world, Star knows audiences’ reception and viewership can be unpredictable.

“You just can never, ever know how the audience is going to respond and what the outcome’s going to be, so I just really get mostly attached to the process and feeling happy about the season,” he said. “I’m really happy about this season, I hope the audience loves it.”